L'effet papillon

The film that was underrated. The film that only appeared on US cinemas. The Butterfly Effect.

I think Ashton Kutcher did a good job on this film, along with Andrea Treborn. I recall that Kutcher has never made a film like this, and his first thriller was somewhat peculiar. Not just any old thriller, this one would keep you on the edge of your seat from the start to the finish. A weird title however, but the tag line explains all. Change one thing, change everything. I think this automatically gets you thinking, and as the film proceeds, it gets harder. You like thinking? Get this film, because you will not want to miss it!

Man... Whew... Wow! I'm at a loss of words to describe this high octane, tantalizing, brain-stimulating movie. The acting: excellent. The plot: superb. The story: great. The drama/suspense: mind numbing.

How the writers were able to put this story together so flawlessly, I don't know, and how the director was able to actualize it, even more amazing. There was plenty of visual stimuli as well as mental stimuli as you waited to see the outcome of each alteration made by the main character, Evan Treborn (Ashton Kutcher).

The movie kept me guessing and kept me at the edge of my seat, and the writers outdid themselves by making sure the movie didn't peter out with some lame ending. The ending was icing on the cake and it capped what should be a classic.

Every so often we all seem to move away from the usual nothings we talk about amongst our friends, and instead get into a deeply philosophical conversation about the workings of Chaos Theory and the existence of parallel universes. No? Okay, just me then. In any case, this discussion just the other day led to a friend recommending The Butterfly Effect, a film that puts both a stylistic and sinister spin on the idea that even the mere flapping of a butterfly's wings can result in drastic changes in another place or time. Being initially sceptical because of the generally negative reaction from critics, I was certainly not disappointed by film's end.

Ashton Kutcher couldn't be more different that his concurrent role as the dimwitted Kelso from That '70s Show in his lead performance as Evan Treborn, a man who has suffered blackouts since his childhood, and realises that he can access and relive vital gaps in his memory through the help of other sources like journals or images. He uses this skill to, in his eyes, right the wrongs of the past. Namely, injustices that were performed upon his friends Lenny and Tommy and only love Kayleigh (Amy Smart). What he doesn't realise is that the changes he thinks are made for the better actually result in a severely changed future that threatens his own life.

Without trying to sound like a sadist, The Butterfly Effect excels in presenting a consistently dark, melancholy atmosphere. Indeed, there is hardly a happy moment in the entire film, although that may be untrue depending on which ending you watch (more on that later). Any event that looks as if it might provide a slim ray of hope for Evan to make things right is quickly dashed by a sudden escalation of the plot, maintaining the viewer's interest the whole way through. The film doesn't shy away from heavy subject matter either, including prostitution, murder, paedophilia and drug use, all of which culminates in an enjoyably gritty, underground tone.

Positively, the menacing nature of the movie isn't weighed down by comic relief. I suppose when many of us think of this sort of plot, we first think of the Simpsons Halloween special when Homer invents the time-travelling toaster. Not knowing quite how dark the film would turn out to be, I was concerned The Butterfly Effect would go down a similar path, in which Evan keeps returning to the present to find that all humans have grown wings or Pauly D has become President. Instead, any changes are limited to the persona of the characters, rather than altering the physical environment, which was definitely the professional path to take.

The pacing is another strength. For a film that comes in well under two hours, directors Eric Bress and J. Mackye Gruber deserve credit for packing a lot in, and doing it well. Certainly, some thrillers benefit from slow-moving scenes to draw suspense (the superb Eyes Wide Shut, for example) but Butterfly manages to combine compounding urgency with engaging character development in constructing a fast-moving film that requires both thought and stamina to decipher, without being needlessly confusing.

Oddly, the film possesses four different final scenes, and so the lasting message of the movie may differ depending on the copy viewed. My favourite ending is the 'official' one applied to the theatrical release. It is satisfying, yet open-ended, as is the case with its alternate cut. Another is uncharacteristically upbeat and illogical, perhaps suggested in the editing room as a way of appeasing confused screen-test viewers. But if you really want to get down to brass tax, go with the Director's Cut: a far more morbid conclusion with a surreal twist. Intrigued? Don't let me stop you.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*

I seldom come out and write movie reviews in IMDb but I felt this one deserved some effort from me. I don't recall any movie which made me shiver thinking about what was gonna come next when I hit pause to go for a pee or any other reason. This one is really something. There is a "Lost Highway" feel to it and the themes are closely related but...The Butterfly effect is in fact more complex.It is a really disturbing movie, not so much for what it shows, but for what it keeps you guessing - like all true thriller masterpieces - , about events that take or might take place, and above all, about human sanity and the subtle twist there is between the average Joe's walk of life and outright perversion. Requires multiple - rewarding - viewings.

THE BUTTERFLY EFFECT- THEATRICAL CUT (4 outta 5 stars)

THE BUTTERFLY EFFECT- DIRECTOR'S CUT (3+ outta 5 stars)

Now normally I tend to prefer movies that let the writer/director tell the story that they want to without having to water it down for mass consumption. In this case I have to say that the ending they they were forced to re-shoot for the theatrical release of this movie is a much more emotional, resonant and appropriate ending than the bleak, cold and grotesque finale they had originally planned. On the US DVDs you get the choice of which version to see (foreign editions only have the less compelling director's version)... so North American viewers can make up their own mind about which ending they prefer. I would suggest watching the theatrical cut first... and then check out the director's cut... which would you prefer to think of as the "real" ending?

As for the movie itself... don't be put off by the idea of Ashton Kutcher in the lead role. He does quite a good job in a serious part quite different from his usual TV persona. He plays a college student who, having been plagued by mental blackouts all his life, devotes himself to the study of human memory. Eventually he finds that by re-reading old journal entries he can will himself back in time to experience the events he had blacked out... and even CHANGE THEM using the knowledge that his older self possesses. Unfortunately one small change in the past causes some HUGE ramifications in his present day world. Can't say too much more about the plot without giving away the many fun surprises. Believable performances and a basic seriousness give the film an urgency that is sometimes missing in modern fantasy films of this type.