Hic

Hukkle (2002), written and directed by György Pálfi, fits into no

genre. It's a Hungarian film, with almost no dialogue, and it's truly

unique.

The work "hukkle" is an attempt to imitate the sound of a hiccup.

Throughout a movie--set in a rural Hungarian village--an old man

sits by the side of a road and hiccups. Meanwhile, life in and

around the village goes on as people eat, work, and play.

Despite the idyllic nature of the landscape, something bad is

happening in the village. A police officer is investigating a crime,

and the director appears to be providing clues for us about what's

happening and why.

I never solved the mystery. The film curator at the George

Eastman House in Rochester--where the film was screened-- told us he

had seen the movie five or six times, and would explain the

mystery to us after we'd watched the film. When he gave us his

explanation, many members of the audience disagreed with him.

Maybe you have to see the movie five times to get it, or maybe after five

viewings you lose it.

According to the curator, this film is due out on DVD, and it's worth

finding and watching. Hukkle is strange, and somewhat

disturbing, but it's not boring.

...and even then the Hukkle keeps its own regular rhythm at the very end.

As a kid, I remember there used to be a visual game in magazines where a photograph zoomed in extremely tight or shot from an odd angle was presented, and you had to guess what the object was. This film features many such shots...and in its speechless stroke of genius, the story itself is presented that way as well.

Let me state that this movie is clearly not for everyone, at first it reminded me of the beloved Ann Arbor Film Festival, which hosts many fine but often fiercely independent short films. But "Hukkle", while succeeding in its artful attack, moves beyond that.

But it does so slowly...

The film moves almost at the pace of the tiny Hungarian village where it was mostly shot. Indeed from the DVD extras, I get the sense that Gyorgy Palfi wanted to have the film linger even longer in spots. The (human) actors are all non-professional; while I believe the pig, cat, snake, mole and frog were all professional. The frog also was apparently delicious, at least according to the famished catfish.

I really want to resist saying more, I'm just trying to figure out a way to direct the people who would enjoy this film toward it. I suspect that if you ever entertained notions of attending film school, you would enjoy this. Rambunctious creativity is on display, as it was in "Daisies" which I recently watched and reviewed. Similarly, just seeing a village might appeal to some folks like myself living in the United *Sprawl* of America.

In that village, we see some folks living with plastic sheets as part of their homes. I don't think this could have been made anywhere ...nor by anyone else. Palfi's approach on screen is gentle but, I don't know, proudly peculiar?? Or maybe peculiarly proud? He likely was a city mouse out in the country, but he was welcomed in to their wine caves, their apiaries and those plastic thatched houses, but more importantly the lives of the sturdier folks occupying them.

With the DVD you get a couple of bonus tracks, the subtitled commentary by Palfi and his cinematographer was very insightful on several levels. It almost seemed at times like the film was not only a riddle from Palfi to us the audience, but a puzzling challenge to Gergely Poharnok and the rest of the crew!

Additionally Palfi's voice, it's genuinely genial tone but never mawkishly so, while I don't speak Hungarian, I was curious to see him interact with the villages...and that is also in the Extras!

I eagerly look forward to more of his work, the Taxidermist is not readily available yet...but hopefully soon. Oh, and here is a plug for having Palfi film an adaptation of "The Thought Gang" - a fine book by Tibor Fischer!

This film has grown from a 6 to a 7.5/10 for me...still rising!!

Thurston Hunger

Two more comments...

1) Would love to track down the music (and field recordings) to this.

2) Funniest scene in the film...the very un-Hollywood police chase!!

There is something very mesmorizing about the rythmic hiccuping of an old man and the shots of pastoral Hungary. But that is not all the film is about. This debut film by Gyorgy Palfi hopefully is the first of many great films. At first this film may seem like a documentary about daily life in a small village, yet it becomes much more, and if you don't pay attention, you may miss the underlying story of a murder mystery. Also, the contrast of country life and technology is shown subtly.

At our showing of Hukkle at the SF International Film Festival, we were lucky enough to have the director present and he answered questions about the film. Though this film is fiction, the underlying occurences actually happened in a small village in Hungary in the 1900s.

Wonderful cinematography, beautiful scenery, unique sounds, and an original idea all contribute to making this film awe-inspiring.

I am happy that so many people from different countries have liked this Hungarian film - which is quite rare. I loved it, it is very cool, innovative and fascinating. The photography and sound design are excellent. I think it is not by chance that the first member of the crew named in the opening credits is precisely the sound designer.

You have to have some patience to get really into the film, but afterward, it is really worth it. Lots of black humor about eating and being eaten. In fact, eating does not mean anything good in this film...

The morale of the story is well summarized in the closing folksong "Ki az urát nem szereti" (Who does not love her husband). The only time where words are used in this film to say something....

And yes: "Hukkle" does not mean anything on Hungarian, it is an onomatopoetic (sound-imitating) word that imitates the sound of a hickup. (The real Hungarian word for hickup is "csuklás".)

Well, this is something truly original. And I mean it in every possible positive way. Nothing but a praise for a director who gave us some amazing and spectacular directing. Cinematography itself is a pure piece of art, something very rarely seen on screen. "Hukkle" is cinematic experience that looks like the greatest (mute) documentary ever put on celluloid, but if you concentrate just a little more, you'll notice that this is actually a serial killer thriller... Not just a surprise of the year, but maybe the best movie of the year.