Mariage tardif

I saw Ronit Elkabetz in The Band's Visit and wanted more. I certainly got more in this movie - much more.

Zaza's (Lior Ashkenazi) parents are trying to get him married and he makes the rounds visiting all the eligible females. However, Zaza only wants Judith (Elkabetz), a divorcée with a child. Why wouldn't he? Even his father admits she is hot - and she truly is! The whole family arrives at her apartment and act like complete jackasses in their effort to split them up. They accomplish their mission in an unexpected manner, and Zaza is forced to marry a woman he does not love to make his parents happy.

That's what happens when you are castrated. How is he going to make grandchildren? Elkabetz was magnificent. I want more!

This film opened last night in Los Angeles, and seemed to draw a pretty good crowd -- I assume they'd all heard the same positive buzz I'd heard...

Interesting look at a very old fashioned culture (Georgians who emigrated to Israel), and the demands they make on a grown son. From an American perspective, the parents' objections to the son's choice in girlfriend (or potential wife) seem trivial: she's slightly older, and divorced.

But here are my issues with the film: The character Zaza is a very weak-willed man who bends too easily to his parents' demands. Now, it's interesting to see someone who's not a traditional Hollywood "strong" hero -- but it was hard to be sympathetic with this guy, since he didn't really seem to disagree with his parents. There's a pretty long sex scene(which has been justifiably lauded as much more realistic than anything you'll see in a Hollywood film), but later in the film, he treats his girlfriend pretty badly. There's a pivotal scene in which he sides with his parents vs. the girlfriend, and I just lost all respect for the character at that point.

Also, the movie drags on a bit...Could have benefited from quite a bit of editing. Couple other criticisms: Characters are introduced, but it's not clear who they are, or how they are related (maybe it loses something in the subtitles). More importantly, I read a review in a newspaper here that said a key plot point was the different ethnic backgrounds of Zaza and his girlfriend: But that did not come across at all! Maybe in Israel that is a big deal, and if so, that should have been made clear to American audiences, as well. Again, I suspect something got left out in the subtitle translations...

Still, it's interesting to see an Israeli film, and maybe this director will have something better up his sleeve next time...

This movie doesn't seem like it should be that fantastic, as the tradition-versus-modernity relationship topic is well-trodden in foreign films to say the least, but I absolutely couldn't take my eyes off of this well-acted, well-scripted work. Zaza's parents steal the show, both comically and tragically as a couple unable to fully confront the "elephant in the room", the re-opening of their own relationship scars caused by witnessing their son's own struggle. Meanwhile Lior Askenazi fills out his role brilliantly as the entangled groom-to-be, whose only escape from his unsolvable dilemma is to sink as deeply as possible into his aloof, impulsive persona. Also, Askenazi's character reminds me uncannily of my friend Mike Goldstein, so Mike, if you're reading this, see this movie immediately! And the same goes for everyone else. Yasher Koach!

Late Marriage is one of the best Israeli films in many years. It is to the credit of director Dover Kashashivili to translate it to the screen into one of the frankest depiction of a love affair seen in recent memory. The director avoids the clichés of other films that pretend to show a sexual relationship between two lovers in a a film. He doesn't leave anything to our imagination as the characters of this story clearly show us.

The two main actors, Lior Ashkenazi, Zaza, and Ronit Elkabetz, the Judith of the story, are mature individuals who obviously feel a passionate love for one another. They're powerless against the wishes of Zaza's family who are hell bent into separating them. Never mind that is very obvious how both feel about each other. She's an older divorcée who obviously will be the ruin of the scholarly Zaza.

Both Mr. Ashkenazy and Ms. Elkabetz could give acting lessons to our repressed so-called movie stars. Their passion is on the surface for us to see and feel. What we really enjoyed was the way these two actors act against each other in what could have been very embarrassing scenes. They pulled it off with panache.

The ensemble cast is very good, but of course, they don't come close to the stars who take the film and run away with it. Let's hope we can see more of them in other Israeli films.

Mazel tov!

I thought this was an interesting film, though it didn't cover as much of the relationship between the guy and his family. As an ethnic Korean male, I can understand family pressure on marriage and to marry someone who will fit in. The good thing about the film was the end, as unlike most Hollywood fare, the ending was very realistic in that it didn't fall into cliche and the like. It presented the probable ending as opposed to the sentimental ending.

Three stars.