The Blues

This movie was a sweet history of the blues. It made me think of more pleasant times in my past. I could only think of a strong heritage, with strong values while watching this movie. It is also a very good educational tool while giving our blues forefathers their propers(recognition). Thanks to Charles Burnett and his cast and crew.

Not all the documentaries are on the same depth level, but generally speaking is one of the best series on any subject, in the whole... Some are excellent movies, and above all I place the piece by Wim Wenders: I quite believe the man is really a better documentarist than a 'movie' director; I mean, watching his film on blues, using actors and cinematography at the highest level, you forget about documentary, and just feel like you're watching ages lost films (just to contradict my first statement about this director: but I'm also thinking about the excellent Tokyo Ga from the same man!). Besides he is the one who is most successful, in my opinion, in communicating the great love he feels for this music and for the 'heroes' involved: well, he is also the most experienced director on this kind of subject, after his other great 'film' Buena Vista Social Club. In general the other documentaries are quite informative and well made too, but I also sense a kind of 'lack of a styling signature' from such otherwise GREAT directors (Eastwood and Scorsese above all); given that, surely it's worth seeing and hearing this whole piece of work.

Seven 90 minute documentaries on various aspects of the blues by noted film makers, ranging from the disappointing "Godfathers and Sons", "Piano Blues" to the sublime; Wim Wenders "The Soul of a Man" and Martin Scorsese's "Feel Like Going Home". The other three films fall somewhere in he middle.

As a series the overall impact was less than I hoped for, but still very worth seeing. I was surprised by the amount of overlap; not only are a number of songs, and even specific recordings repeated in several of the films, but so are chunks of the vintage footage used.

To my personal taste, I found the series most potent and alive when it examined the roots of the blues on not just a musical, but also a political and historic level. When it just presented little pieces of songs by various artists (especially modern ones) without the benefit of probing context, it could feel predictably shallow. Still, an excellent overview of blues in the 20th century for those who already have a love for the form, and for the newly curious.

I really enjoyed this series overall, but on the "Red, White & Blues" piece, I was absolutely dismayed and disgusted to see Tom Jones (and hear him sing) portrayed as ANYONE who had ANYTHING to do with the blues movement. Why no George Harrison (this being the British related blues) and why so little of Keith Richards (among many other British blues artists omitted)? There was plenty of Clapton, Beck, Mayall and a few others that were and are truly blues-oriented guys. Mr. Figgis ruined this one with Jones. What a turn off. I give all the others in this series a 10/10 and a 5 for Figgis version and only that much because he did include, although way less than he should have, a small sampling of the blues excellence that came out of Great Britain beginning in the '60's.

It's hard to apply the usual numbered or grade ratings to this 7-part mini-series, as some parts may be more appealing to you than to others. It's a long mini-series, as each part goes in its own ways through the history of the blues, going back to Africa for some (as in Scorsese's first of the 7 films, Feel Like Going Home, which is one of the best of them), traveling around the country for others (The Road to Memphis, which is also very interesting, if a little repetitive), going this way and that to search for its passion and power (Wenders segment), or taking it down easy to sit with the masters (Eastwood's Piano Blues, one I will probably watch more than once on its own as its so loaded with musical goodies). As a fan of music in general, and of Blues up to the point when I watched the documentary fairly well, it's really an eye and ear opener. A lot of history and emotional connections go on with people and how they play or respond to the music, but it's all in tune with a simple, straight-forward way of telling little stories and getting a real mood more than anything. How you respond to the mood may depend more on your musical tastes, hence why the documentary, while overall intriguing, cool, sluggish, and hard-edged in different ways, is hard to really grade overall. But it's not one to miss if you've got the time; as it is I went back to at least a few of the segments recently, as the effect from first seeing the series in 03 wore off. Oh yeah, and Tom Jones is in one of the segments (perhaps the least effective one).