Ce dont rêvent les filles

I saw this film on a plane, which perhaps gives some indication of its overall quality. However, it has its moments of clarity from time to time.

The main problem with the film, though, is the horrible casting decision of selecting Amanda Bynes to portray a "free spirit." This presents a huge stumbling blook to the audience -- how are we supposed to believe that such a doe-eyed girl is a street-savvy New Yorker? Her hair is too straight, her wardrobe too designer to be a really down-to-earth girl. (Also, she's got bank! How else could she have skipped town, on Virgin no less [I wonder how much they paid for that snippet], without getting any money from her mother?) Hearing lines 'you were born to stand out' describing Bynes' character provokes laughter... As if any girl who wears a Kangol hat now and again is cosmopolitan!

Apart from that minor (I jest) flaw, the movie isn't terrible. A few of the characters are mildly interesting, enough to keep me somewhat attentive. The film could certainly stand to do without the cheesy "I yam who I yam" moralizing, but, in the end, the film was entertaining, I stayed awake, and I guess that just about says enough.

I saw the movie with my mid-teen sister who's exactly the target audience of this film. Now there are many films that are not for everybody, they do not excel in acting, directing, screenplay or effects to be called a 'good movie'. They are meant for certain part of the audience who, if it sticks to the specific formula, just love them. Now I wasn't meant to love "What a girl wants", but I guess, thinking from my point of view, it's a good diversion from me.

The script is above the level I was expecting and young Amanda Bynes acted quite well. Colin Firth seemed a little wooden. There are bits of little innocent humors in places that makes it a relief to watch. The shooting locations and the sets are fine. The soundtrack too is catchy. So even the storyline is very very shallow, one should not complain or analyze too much about such films.

I was actually surprised by this movie. Yes, it was probably conceived by a marketing team. Yes, it isn't very original and yes, some of it is embarassingly obvious. That being said, I was very entertained by this movie. I thought it was well directed, and well acted. I wouldn't be surprised to see Amanda Bynes start taking on more serious roles in the future with great success. This movie does what it set out to do: entertain teenage girls. Anyone who is a fan of lighthearted tween comedies should check this movie out. It is better than most of the teenage girl movies out there and much better than that stupid Big Fat Greek Wedding movie. **1/2 out of ****

I was expecting a really bad, boring teen film like the Lizzie Mcguire movie, but this movie was entertaining. It's about a girl in America, Daphne, who goes to England to see her dad for the first time. He's a Lord, who is running for political elections, so of course, his handlers don't want any bad publicity. He takes a liking to her, but his finance and snooty soon-to-be stepdaughter don't like her. Daphne turns out to be a hit with the poparazi and has a lot of fun. After going to so many fancy parties, she starts to forget who she really is, but her new guy makes her realize where her true values lie. Along the way Lord Dashwood sees he's missing out on adventure and his true love, Daphne's mom. Will he give up the political dream to become an adventurer again? Watch to find out, but since this is a light-hearted film, you probably know the answer. There are some funny scenes throughout. And I liked the music.

FINAL VERDICT: An entertaining clean, fun film that all ages can enjoy.

I have noticed a genre that might be termed 'late-ish teens princess story' and until now I could not really like the ones that I have on disk.

So, if the genre was widened a bit to include Trachtenberg's Ice Princess then yes, and there will be many okay stories in such a wider genre. I consider the wider genre to be too relevant, best not maimed in this way. The traditional princess story is a very ancient genre and I prefer to link this sub genre to that.

*

Then I obtained the two disk set of Mandy Moore's Chasing Liberty (2004) and Amanda Bynes' What A Girl Wants (2003) and this genre was suddenly different. Both of these stories stand tall. True, technically the word Princess does not fit here, but it is close enough, even though Amanda's character is only 39th in line to the throne and Mandy is only a USA style temporary princess?

That is all that I need to know about either story. These are stuff that I can really like.

More. What A Girl Wants breaks with tradition. Amanda is 16 playing a 17. Not a 20 playing an 18 or 15. Not an 18 playing a 15. So unusual.

Director commentary: Real princesses were used as extras at the Henley scene.

Detail to hope to ignore: The last of the scenes set in London. What sort of UK political party would display the flag in this way at a political meeting? This is made for an audience with USA type understandings, not UK? Unless this is a comment re UK politics? In England this is equivalent to Amanda's dad, Lord Dashwood, having been working to be elected to parliament as a member for a UK type K.K.K.? I personally consider UK politics to be askew but that does not feel like the right parallel, though it does hint at too far to the right.

With the possible exception of Hairspray, all the Amanda that I have, so far, end in disaster if I interpret them literally from the cues that I notice. That is likely just me, a private language sort of thing. For me, the most subtle is the ending of She's The Man and that is only a box of Gouda that has me wondering if that magnificent story really ends in disaster. I get that by considering a 1980's horror story called ET. For me, the ultimate Amanda scary ending is Love Wrecked.