Kaïro

I'm an old horror buff. I've seen some of the more notorious stuff around (Salo, Cannibal Holocaust, Caligula,...), but they all more or less about visceral horror.

Which doesn't work if you helped slaughter a few pigs.

What does work? Psychological horror. Impending doom you cannot prevent. Things you can't see or understand, but that are there right in front of your face. Music that shouldn't be scary, but which lingers anyway.

It's a typical, slow moving J-Horror with an atypical idea behind it. That oblivion is actually preferable than immortality.

Gore doesn't scare me - but some ideas do.

Like i said - it made me squirm... One of the best horror movies ever made - for the patient ones.

A cold, creepy & confounding horror that unfortunately overstays its welcome in the end, Pulse (also known as Kairo) is downright eerie during the first act as it creates an ominous aura of dread & uncertainty with its uncanny premise, freaky imagery & inexplicable body counts but thanks to its glacial pace, uninviting quality & overlong runtime, sitting through it is a slog.

Written & directed by Kiyoshi Kurosawa, the film is devoid of cheap tricks & clichéd elements that plague most horror films and makes for an interesting examination of isolation & loneliness. Kurosawa allows plenty of space for the plot to unravel but it also slows down the narrative by a considerable extent. And with no deftly scripted character to latch on to, it becomes an infuriating journey.

Also lessening the overall impact is the uneven script & seemingly opaque structure that has our curiosity at first but slowly loses it as the story crawls towards the finish line. An added focus on a single storyline instead of two, a steadier pace than usual & a bit more transparency could've enhanced the overall experience without diluting its effectiveness. It is 119 mins long on paper but feels twice as lengthy.

Overall, Pulse isn't going to appeal to everyone's taste but for those who have the endurance to sit through this chore and patiently connect with what Kurosawa was going for here may find the ride rewarding. The snail-paced narration is probably a deliberate choice but it also alienates the film from a wider viewership. Nonetheless, for those who are sick & tired of the typical, predictable & thinly layered horror films, Pulse might just be what they are looking for.

This film works on many levels. What's odd is that one place it is weak in is the plot - it does somewhat tie it all up and make sense but my main point is it doesnt really matter - the director set out to make a scary ghost story and that it is! I see horror films from all over the world so I am pretty jaded when it comes to something "scaring" me but this film has many sequences that truly are frightening and disturbing. Some of the images have stayed with me for weeks. The lighting, the art direction and the use of muted colors (aside from reds used effectively)all make up for a creepy, eerie visual. I have to laugh at the arrogance of some of the comments on this and other "horror" films that claim since it didnt scare them the film is NOT SCARY. That is b.s. What scares one person may not scare another. You can say the piece didn't scare you but to make such a sweeping statement is vain. I personally didn't like any of the Friday of 13th movies, but obviously those films work on some level for millions of people. This film is so non-American in it's pace and core that that is what might turn off some viewers, but that's what I loved about it. The director just sets up the camera and keeps it on a space and then has things slowly emerge from the sides - he has you start to look and scope and wonder if you are REALLY seeing something as opposed to the lazy, bloated SHOCK moment of most US horror films. There are moments when people are confronted by visions/images of ghosts that move and terrorize just like real dreams - slow movements, awkward movements as the ghost approaches you. Terrifying. The film definitely doesn't know how to wrap it all up but in many ways, I found this film even scarier than the original RING. Well made ghost story. Seek it out, fans.

I really like the slow and ominous atmosphere of Kairo, especially its depiction of Japan's late 90s and early 2000s aesthetics, including early internet culture and architectural design. The film features some excellent decor shots that enhance its eerie and nostalgic feel.

Fun fact: Kiyoshi Kurosawa, known for his work in horror, actually started his career directing pink films, which are a genre of Japanese softcore adult movies. This diverse background contributed to his unique approach to creating tension and atmosphere in his later works.

I give this film a 6/10 mostly because i love the aesthetics from the early 2000s.

-Concept (Idea Premise, Worldbuilding, Theme) 7.0 -Plot (A,B,C, Writing) 6.0 -Acting 5.8 -Dialogue(Character development, Plot advancement, Natural-sounding, Consistency, Looping(ADR)) 5.6 -Fun 5.2 -Decor (Aesthetic, Graphics VFX, Scenery/Location, Scenes, Shots, Stage Set, Mise en Scène, Directing) 8.2 -Overall 6.3.

What could have been just another RING rip-off turns out to be one of the most thought-provoking and genuinely eerie films I've seen come out of Japan: it's a film in which the door between the living and the dead is accidentally opened, leading to all manner of sinister events as it transpires that the dead are returning to Earth.

Like most J-horrors of the past decade, PULSE is a slow burner that moves almost glacially, gradually slotting in the various pictures of the jigsaw as its final game plan becomes apparent. Saying too much would spoil the intriguing, dream-like narrative, suffice to say that this is a film that doesn't disappoint at any stage during its progress. The 'ghost' segments are supremely creepy and disturbing, countered neatly by shock suicide scenes and a clever bit of FX involving a plane that was later cribbed for Alex Proyas's Hollywood movie KNOWING.

The cast give typically understated performances that increase in intensity as the character list is gradually whittled down, leading to one heck of a grim climax. Altogether, I can't fault the direction, writing, acting as all three combine to deliver an imaginative and thoughtful ghost story that's extremely different from most of what's come before.