Passionada

The movie's website mentions "the sadness within" as being a rough translation for the title of one of the film's central love songs, the haunting and emotionally wrenching "Triste Sina".. The translated words, in fact, evoke the state of being that heroine Celia Amonte has made her way of life. And moving through the first few minutes of the story, one can empathize with her reluctance to step beyond the borders of a life that once was.. She was loved in great measure, after all, so it would seem a safer bet to live on in grief rather than pretend love of that depth can ever be felt again.. The tale of how she gradually brings herself to open up to do so, and how the man who seduces and awakens her also wakes up to his own responsibility and entanglement in her life, really pulled me in. I loved it, and loved all of these characters, even in broadly drawn moments. I just wanted them to be happy :).. The scene that sums up the film's title for me, is the night Celia prepares a meal for her new admirer, Charlie. The way that scene unfolds was as delicious and mouth-watering as I imagine the culinary offerings were ;).. The overall mood and atmosphere of it stayed with me long afterwards, which to me if the mark of a truly effecting story. Well done.

When I saw PASSIONADA the first time (it have been recommended by someone I truly admire) I was very put off. I didn't like it, I thought it was, well, nothing. The person who had recommended it in the first place, urged me, to see two other Dan Ireland movies. The Whole Wide World, which I loved and "The Velocity Of Gary" which I thought it was hard to sit through, the first time, but, I must say, I felt compelled to see it a second time and by my third viewing I was in love with the movie. Then I went back to Passionada. What a different movie it was, within the context of Ireland's other work. It is the perfect piece of the puzzle that unveils the total work of an artist's life work. Ireland's theme is LOVE, AS AN IMPOSSIBLE OBJECT. In the Whole Wide World, is intellectual and tragic in Velocity of Gary, is sexual and pathetic in Passionada, he allows the characters to have a future. It is, after all, Ireland's romantic comedy. But even then, we don't really know, if we listen carefully to a throw away line by Theresa Russell "Once a liar, always a liar" (Or words worth that effect) To all film fans, I suggest to see the films in order, one after the other and you'll discover something to look forward to.

The cinematography is fantastic. I even shed some tears as did my friend.

However, my brother and I, both born in Portugal, were disappointed with the pronunciation of the Portuguese, more Brazilian Portuguese than Portuguese from Portugal. Although the Fado lip sung by the main character was moving it was obvious that the actress was lip singing. Sofia Milos did a fine job as Celia Amonte, but aren't there any Portuguese-American aspiring actresses in Hollywood? The reason my Big Fat Greek Wedding was such a sleeper success is that most of the cast playing Greeks were Greek-American. It is obvious that the research of the Portuguese culture, language and cuisine was minimal. I'm amazed that this movie was filmed on location in New Bedford, MA, yet there were so many ethnic faux-pas. Were any authentic Portuguese-Americans advisors on this movie? Why is it that other American ethnic groups can have movies made of them with correct speech, etc. and that the Portuguese can not? Example: Mystic Pizza. At least Mystic Pizza only played Portuguese folkloric music not Brazilian Samba music. If Hollywood is to make a movie about the Portuguese in America they should keep it Portuguese.

Charlie (Jason Isaac) is a card player of dubious luck, who lives in a cheap motel and is going nowhere until he meets and woos a conservative and beautiful Portugese seamstress/singer, Celia, played by the stunning Sofia Milos (CSI: Miami). Celia has a meddlesome teenage daughter, Vickie (Emmy Rossum) who wants to learn how to count cards by blackmailing Charlie into teaching her, but he is banned from all casinos. Vickie wants to hook her mother up with a new man but her computer dating schemes fail. In the meanwhile, Charlie's only friends, a wealthy couple, Lois (Theresa Russell) and Danny Vargas (Seymore Cassel), lend him their Jaguar XKE, sailboat, and home to impress the widow that he is a successful and wealthy entrepreneur. It sounds like a typical dating game setup except for the background settings of the Portugese fishing community, mouthwatering seafood cooking, and casino gaming that flesh out the story. Love, fish, and lying to make points with the mother, Charlie learns how to turn his life around the hard way through his deceptions which backfire, and Sofia tries to forget the husband whose death has left her prematurely widowed yet not dead from the neck down.

Through the interferences of Vickie, lots of fish as unlikely props, and a sappy storyline, this is an entertaining film which allows the wonderful character actor Jason Isaac to show another side to his already powerful acting chops. Emmy Rossum is adequately irritating in a pre-Phantom of the Opera role which suggests her growth from typical teen to ingénue in training. However, it is the vibrant Sofia Milos as Celia who gives a rounded performance from cloistered widow to sensuous nightclub chanteuse that surprises and delights.

This is a small story about love in all its forms and definitions. Thoroughly enjoyable and wonderful for a date nite or simply rainy day, Passionada entertains.

Dear IMDb,

The lead review you have on the site -- Straight To TV Land -- is

outdated and misleading; the film has an entirely new ending that is not

relevant to these comments. The film was also significantly re-edited

since the test screening that this review relates to. Just read the

other comments on the site and you will see. Please, let this review sit

at the end where it belongs as it is about a movie that is no longer the

movie this gentleman is writing about.

Dan Ireland, Director, Passionada .......