À l'ombre de la haine

After a series of hardships Hank (Billy Bob Thornton) finds himself alone in the world, with his only son committing suicide and his ever-nagging father always riding him about every little thing. Hank is a prison guard that works on death row at a maximum-security prison where his son was also a guard. While at one of his favorite diners, he comes across a waitress whose luck is no better than his own. Leticia (Halle Berry) has also recently had to deal with the death of her husband who was on Hank's watch on death row. Leticia's son passed away shortly after his father when a car hit him as he was walking home from the diner with his mom. Hank helps her out the night he died and they form an emotional relationship. Director Mark Forster did a wonderful job showing us how in every situation some good can come out and to never give up when it seems all is lost. The character choice was great, Billy Bob Thornton is a passionate actor along with Halle Berry's flare. Tragedies like these happen every day and it was good to see some of the struggles each character faced and the positive that came from this. Monster's Ball had little suspense but all of the tragedy made up for that. Seeing outside of the box is what made this movie so interesting. Hank's father was racist toward the African American race which made the plot a little more suspenseful. The interest that I had in this movie was that it showed a person's will to move on even after a life shattering experience. The story line was catchy but for me the movie started off kind of slow. Once the plot got going, it seemed to hold me in my seat and I didn't find myself wanting to leave the room. All in all, this was a good movie. I wouldn't have given it a five out of five stars, but it earned a firm three. With this, I would definitely watch this movie again.

This movie is outstanding and one of the best dramas i've ever seen.

Some might ask why, because there seems to be nothing really happening at all during the whole movie. Some say the plot is predictable and flat, and the characters too. In my opinion this is just not true. Try to tell the story in one or two lines. Most of the movies can be told in just a short summary, but this does not work for "Monster's Ball" at all. E.g. : "A prison guard falls in love with the wife of a prisoner he just executed". This is a simple tagline, but if you think of what could have happened to this basic plot with other directors, actors or script writers, the feeling of the movie goes in ten thousand different directions. But none of them matches this version. And this is, what makes "Monster's Ball" extremely outstanding.

This movie offers so many different plotlines, questions, and in-depth-characters you simply cannot describe the feeling of the movie and what is really happening here without telling every little bit of it. Yes, it's sad, and it's depressing, and it gives absolutely no answer to any problem at all (which we basically all want, while watching a movie). But in the end, despite all the drama, it's full of warmth and hope. And this is what it's all about. Just after the credits begin to appear, you sit there and think - about anything.

Technically "Monster's Ball" is nearly perfect. There is not a single scene, which could be missed and everything is at it's right place. The excellent music goes with well played characters and the timing makes the whole athmosphere so intense you cannot escape and switch off, even if you know that there will be no "great solution" at all. Some might say it's boring, and yes, you're right - but in this case "Monster's Ball" is simply not the movie you expected.

This one plays with anything we expect from a drama, and this is why most of the other dramas fail and "Monster's Ball" works. Other "so called drama" try to give us solutions, great feelings, great moments in life, and all the other rubbish. But "Monster's Ball" is so slow and intense and ignores all of the standard "drama issues" you have to think for yourselve what this is all about.

For me it's about love, hate, hope, racism, father-son/mother-son relationships, escaping from your past life, death, depressions, failures and many other things. Everything is shown and nothing is really explained. Just like life basically is - full of complex problems we create for ourselves. Some of them can be solved in one or another way, most of them we just ignore, and life still goes on, because we are able to exist with a whole universe of lies around us.

I just finished seeing this movie for the first time. I'll begin by saying that it's been some time since a film got the reaction out of me this one did. For the first 45 minutes, I was convinced this movie was intent on trying to be the most depressing story ever told. For the next 45 minutes, I was still interested, but my overall opinion was hanging on the ending..of which I was very skeptical, as I knew what was left to be revealed. Then, it was over. Boy, they just don't make enough of 'em that good, folks.

When you see a movie for the first time after it's already won mad Oscars, you end up judging performances based on that. Most times, it doesn't help their cause. Kim Basinger in LA Confidential (another movie I love) springs to mind. Up to the last 10 minutes of this movie, my opinion was that Halle had done a real nice job...it was an interesting character, and she certainly hadn't done anything to screw it up. Then, came that moment on the back steps...and that look...and that immediate realization that sometimes we're just along for the damn ride, and there ain't a whole lot anybody can do about it but try and hang on and not get run over. That five seconds defines this movie...if it doesn't work, the whole thing crashes. I applaud her craft--she totally nailed it.

This is definitely Billy Bob's best performance since Sling Blade...a movie so good, it almost becomes cliche in your memory. There are times here when he carries himself with a beaten-down grace that is just brilliantly complex. Who knows where this character would end up in the hands of another actor, but I can't think of one that would have left me feeling the same way.

For those of you who don't get this movie--be it for the lack of attention to certain strings of logic in what appears to be a real small town; or for its refusal to spell out for you what somebody may be thinking from moment to moment, let alone from day to day...well, I'm sure the next Matrix is gonna be real good, too. I'm just glad that there are still folks out there making movies that can totally exist on a back porch with a pint of ice cream.

I give this film a 9.

What are you repulsed by? Perhaps it's having sex with women of African origin inspite of the fact that you are a White male raised in a racist culture that dehmanises them. Add to this predicament, that you are a retired, widowed prison corrections officer who's only son kills himself because he feels he's failed you because he is not racist enough. Even worse, you become enligthtened enough to realise that .. you were ALWAYS wrong.

This is a brilliant story told from the rather selfish perspective of the White male. Mark Forster has directed a tour de force so intricate and psychologically honest that the story literally TELLS itself. Indeed, I'd bet this story organically spewed from souls of screenwirters Milo Addica & Will Rokos. They won't top this fete anytime soon. Such a gateway of insight only comes around once in a lifetime.

As a huge fan of David Mamet and Sam Shepard I am biased to appreciate a well balanced story, illustrated with terse dialogue, structured acting and effective filmic devices (i.e., the use of "white" paint", "black" coffee and "chocolate" ice cream in the film).

Any film student will also appreciate the poetic use of foreshadowing and irony in this film. This truly is SOLID filmaking that takes real chances with provocative subject matter.

The acting is superb more because of the Direction. To be certain: this is a Director's Film. Every aspect of Thorton's and Berry's performances is the result of very savvy Direction and attention to dramatic detail.

Kudos to Mr. Forster. I look forward his upcoming film "Neverland" with great anticipation.

This movie was not a big favorite with audiences and I figured I would be among the majority on this one......but I wasn't - I like this film. In fact, I liked it even better on the second viewing.

I found it to be one of those rare movies that deals with racism that doesn't come on too heavy-handed with all the political correctness nonsense. It handled the problem intelligently, I thought.

The cinematographer, Robert Schaefer, did a terrific job with this, too, and that is another reason I have come to really enjoy this film. The visuals - and the audio - are outstanding.

None of the characters are particularly likable but I thought Billy Bob Thornton's "Hank Grotowski" was so interesting a character that I concentrated more on that than whether I liked him or not. However, I wound up liking him, anyway, and boy, did his character change in this film. There is a steamy sex scene in here with Billy Bob and Halle Barry that was quite the talk when the film was released. I didn't think it was all that it was made out to be. I've seen steamier moments such as Alec Baldwin and Kim Bassinger going at it in the non-rated version of "The Getaway."

Overall, this a rough film in spots but I think it is a solid, underrated drama that offers far more than the "celebrated" sex scene. This is a well-made movie.