Boat Trip

After reading many reviews for this film I feared the worst... But after seeing this film I was pleasantly surprised... I'm gay myself so I thought I would be offended by this film, but I was not... It was all in good fun...

For me personally I thought that Roger Moore was the best... His humour and style made this quite a special film...

All in all it's not the best film I've ever seen, but it isn't the worst either... If you wanna have some laughs just go and see it...you will be pleasantly surprised too!

When Jerry vomits onto his girlfriend when trying to be romantic, he finds himself dumped and depressed. Weeks turn into months and his best friend Nick decides to help him out of his funk by getting them onto a cruise together. However a fight in the travel agents see them being "accidentally" booked onto a gay cruise. Unfortunately for them they only realise this after they have set sail. With no land in immediate sight, things look bleak but both Jerry and Nick find more opportunities than they had expected.

If there is a warning noise in comedies (ie a cinematic fire alarm) then surely it must be any film that has the main character dancing alone in their flat to a James Brown song. So when this film opened with that I immediately got on edge – a feeling that didn't change for the rest of the film. With a foundation of homophobia, bikini wearing models and loud humour this is very much a comedy that aims at a teenage market and probably does enough to satisfy them if not anyone else. The gags are obvious and simplistic and are unlikely to appeal to anyone who doesn't think that cum jokes are the height of humour, homosexual men are 99% clichés and that large breasts are the most important thing in a woman. I don't really think these things so I only laughed once the whole time – and even that was cut short as a good joke immediately turned into crudity. Without laughs the story is exposed for the predictable, puerile mess that it is.

The cast don't help the material and seem to just accept the level that it is at. Goding Jr mostly mugs his way through it and to his credit at least puts his all into it – a "lesser" actor would have shied away from some of his scenes but Cuba seemingly has no shame. The one good thing to say about him is that he does have an easy chemistry with Sanchez, although that may be more to do with the fact that she is sexy and natural and is easily the best thing in the whole film. Sanz is a typical "fat funny guy" but I use the word "funny" with reservations as he is nothing special. Fox may get a hard time from Boondocks but films like this hardly help her case – she is poor in a small role. Moore puts his heart into his role but at times he does himself no favours and pushed it too far. Why people like Gunton, Silvstedt and Roundtree bothered is beyond me.

Overall a very basic comedy that has very, very few laughs and will probably only appeal to the male teenage market that it is squarely aimed at. The stereotypes are flying, the crudity and homophobia is rampant and the only thing missing is entertainment value. Sanchez dominates with a sexy and natural performance but that is mainly down to just how very average everyone else is.

Boat Trip isn't a bad idea for a movie, 2 straight guys go on a cruise looking for love, only to find that its a gay cruise and all their fellow cruisers are men. Potentially this is a scenario that should have made us laugh ourselves silly; well i'm sorry to say that it doesn't, you may raise the occasional smile and if your lucky you may even titter once or twice, but that's your lot.

Boat trip is average in every department and Cuba Gooding Jnr. should stick to making movies like Men of Honour and Instinct; he is simply better at playing this type of character.

It's not a total waste of time, but it's certainly a disappointment 5/10

I absolutely agree with everything in the previous review. This is one of the worst movies I have ever seen.

However, I would like to point out one egregious fact - the boom microphone is visible throughout about a third of the movie. You think I'm kidding.

It seems impossible in this day and age, when people spend millions of dollars on a movie (good or bad), that they would allow production and distribution of a 'film' in which there is a microphone hanging down into the shot in many scenes throughout. It should be illegal.

However, it made the movie far more watchable. Rather than pay attention to the cheesy dialogue, offensive characters, and lack of plot, my friends and I watched the top of the screen and cracked up every time we saw the microphone come into view. Thanks, Brian.

Boat Trip succeeds where countless films have failed in providing insight into the multi-leveled complexity, ambiguity and tension inherent in gay/straight social interactions. Moreover, it brashly implies such interactions should be encouraged and even celebrated.

Boat Trip is both more and less than a sensitive but hilarious portrayal of the gay sex cruise industry. It must be recognized as a clever commentary on the often overlooked fact that gay men and straight men differ in sexual preference but are similar in some other respects.

The subtlety in the pretense of presenting what superficially appears to be a dreadfully juvenile and unfunny film as a means of illuminating the prejudices of the audience is utterly brilliant. So brilliant in fact that many of the more literal minded among us might leave the theater unaware of the profundity of the film and think they just endured one of the worst movies ever produced.

That would be their loss. Approached on a more open-minded level this film will reveal startling truths such as the little recognized tendency for some gay men to behave in an effeminate manner and the even less explored reality that such behavior makes many straight men uncomfortable. Even more revealing is the film's shocking premise that being in the company of gays does not inevitably cause a straight man to desire to perform fellatio. By exploding this myth this film may do more to strengthen the ties between straight and gay men than any development since the advent of unisex hair styling salons.

Most movingly, but with adroitly comedic undertones, this movie boldly suggests that, despite these hidden truths, gay and straight men can co-exist even within the confining environment of a seafaring vessel. Of course, the cruise liner is itself not merely the setting or "environment" in which this cinematic exploration occurs but indeed a metaphor for our ever more crowded society and the ultimate verity that we are all adrift in this mad world together.

The failure of this film to receive its due from critics only shows the dangers of daring to break new ground in Hollywood.