Australian Rules

This film kept me interested the whole 95 minutes. I thought that it dealt

brilliantly with the racial issues it talked about. My only disagreement was the aboriginal girl. I think that the relationship between Blacky and her was a bit unneccesary. Apart from that, an excellent film. 8/10.

I remember very clearly watching this movie as a kid in my lounge room and feeling a sadness I had never felt before. Maybe it was being in a close family then witnessing another family that is torn apart due to things I couldn't even understand yet. Racism, domestic violence, alcoholism, and simple stupidity and ignorance.

I remember feeling so bad that blacky could do little bout the events that unfold, the people and attitudes he has to deal with, and the painful sadness of being a big hearted person surrounded by people who don't understand him, and the ones who do also being victims of the lives they live.

This is a good movie, but it's not an easy watch. Tt has a truth and a straightforward nature you really only see in indies rather than the big budget movies. We also have a talent in Australia to make films that don't just have a set of convenient events that lead to a happier conclusion. It's simply life, in all its messiness and ugliness. I guess like blacky you just have to find the happiness any way you can.

Paul Goldman's debut feature film 'australian rules' is a thought-provoking film about racism and relationships. It is an accomplished work, with beautiful but never flashy cinematography by DOP Mandy Walker (Lantana, Love Serenade) and strong performances by its cast, including Nathan Phillips as the young protagonist Blacky, Luke Carroll as his Aboriginal best mate Dumby Red, and Celia Ireland as Blacky's mother.

Sadly, the film-makers' lack of consultation with the indigenous community of the Yorke Peninsula in South Australia has resulted in significant - and to my mind well-founded - criticism of the film. Based on the young adult novel 'Deadly, Unna' by Phillip Gwynne, the film is based on actual events - the deaths of two young Aboriginal youths in 1977, shot and killed by the publican of a hotel they were attempting to rob. No mention of this is made in the credits of 'australian rules'.

The film contains characters and scenes recognisable and identifiable to the families of the dead youths. Consultation with these families should have taken place from the moment the book was mooted as a film, not - as happened - when the film was already in production. This lack of consultation/awareness of Aboriginal culture and its sensitivities concerning death, mars what is otherwise a good film, leaving the film-makers open to allegations of racism.

Is 'australian rules' a racist film? I don't think so. Racist characters and phrases in the film go unchallenged, yes, but hopefully audiences are intelligent enough to see the truth for themselves, without needing clumsy and obvious cinematic signposting from characters or the film-makers saying 'this is bad'.

Overall, I recommend 'australian rules' to viewers, but I wish that the film-makers had shown more respect towards our indigenous culture rather than riding roughshod over the grief of the families involved.

Billed as a tough-as-nails take on racism in a small South Australia town, AUSTRALIAN RULES is better described as a coming of age story under the harshest of conditions as a young boy learns to stand up to his oppressive father.

Based on the book `Deadly Unna' by Phillip Gwynne, the screenplay by Gwynne and director Paul Goldman walks a fine line as it deftly exposes the hypocrisy of racism, without the unnecessary preaching that could so easily have slipped the story into melodrama. Also well balanced are two excellent subplots - the rag tag footie team attempting to win the all important Premiership, and the romantic subplot of the lead character, Blackie, pursuing a taboo love affair with an Aboriginal girl.

The cast of unknown actors is uniformly good, portraying both the hard hitting drama and lowbrow comedic moments with equal strength and aplomb.

AUSTRALIAN RULES is definitely worth a try.

I have just returned from an advanced preview screening of this powerful film and was happy to have the opportunity for a Q & A session with the three young stars of the film.

Aboriginal actress, Lisa Flanagan, was moved to tears as she spoke about the emotional turmoil that making this film caused her. Her mob is from South Australia and are closely linked to the real-life events on which this film is based.

Lisa is off to Edinburgh to promote the film in a few days.

Melbourne-born Nathan Phillips, who plays Blacky, was asked what he wanted audiences to get from the film. He pointed to Lisa and said "I want audiences to feel for even one minute the emotions you just saw from Lisa." And we do!

All three stars spoke of the film as a journey - and it is a journey well-worth experiencing.

Sydney indigenous actor Luke Phillips has plenty of TV experience but has made his first foray into feature films - and it won't be his last. A first-class performance!

International audiences have reported some problems in the early stages of the film understanding the local dialect and pronunciation but felt it was well worth the effort. I couldn't agree more. See it.

I should add that the film-makers did make attempts to discuss the film with the local indigenous communities. The cast even attempted to show them the script. For reasons of their own, maybe understandable, they didn't take that opportunity.