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5,0/10
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MA NOTE
Ajouter une intrigue dans votre langueA dramedy that centers on a self-procalimed anarchist and his like-minded friends.A dramedy that centers on a self-procalimed anarchist and his like-minded friends.A dramedy that centers on a self-procalimed anarchist and his like-minded friends.
- Réalisation
- Scénario
- Casting principal
Matt Prescott Morton
- Shoplifting Dude
- (as Matt Morton)
Ryan Thomas Brockington
- Clean-cut Basketball Player
- (as Ryan Brockington)
Avis à la une
The Anarchist Cookbook is about the a college dropout who joins some sort of naturalist cult like team who join together thinking they are at war with society and the government. Though they are rebellious in nature they do not go over the boundaries of stepping out of line especially when it comes to the law. Everything seems to be well and doubt. A group of friends,living together in harmony discussing peaceful tactics against a government they disagree with entirely. Thats until a strange rebellion named Johnny Black enters into their lives and then their peaceful revolt and their world spirals out of control. It was a pretty OK movie. A bunch of 2000 hippie peacemakers who believe they can change the world for the better. But it wasn't anything big. I give a D+.
This movie is an independent film, which is one of the reasons I rented it. Independent films usually seem to focus more on the plot and the characters, rather than big name actors and special effects. The movie started out slowly, and never picked up much speed. I dont feel the movie did any justice to the idea of anarchy. All the main characters were very good looking, this would have been a better Abercrombie ad than a movie. This movie was supposed to be about normal, real people, and the appearance of the actors seemed to go against this.
I have seen this film compared to Trainspotting and SLC Punk. If you enjoyed these two movies, I would NOT recommend you see the Anarchist Cookbook, unless you really have nothing better to do with two hours of your life.
I have seen this film compared to Trainspotting and SLC Punk. If you enjoyed these two movies, I would NOT recommend you see the Anarchist Cookbook, unless you really have nothing better to do with two hours of your life.
I think that this is an entertaining film and all but I think it's nothing but the anarchist versions of SLC Punk and Trainspotting (however I am one of the few who didn't see similarities to Fight Club) It is an ok movie...maybe has too much annoying techno music on the soundtrack...also with goofy camera techniques and film changes but it's a low budget indie film so thats to be expected however the message of the movie is off...it doesnt spark much debate in the film on the ideas of anarchism and the only character who actually is believable is Puck because he is what most people wanting to believe in something and be a part of something...undecided and only it it for the clique. I can't really get into the deep aspects of the movie so I'm just going to say its a 7/10
This film is very, very loosely connected with the book "The Anarchist Cookbook," a collection of do-it-yourself explosives, weapons and other violent tools which has since been disavowed by its author. Aside from featuring the book, the movie has absolutely no connection to it.
The movie does connect to the life of college dropout Puck (Devon Gummersall), an intelligent anarchist who spends his days living in a commune of like-minded folks among them: Karla (Gina Philips), a man hating feminist, Johnny Red (John Savage) a peaceful old hippie and Double-D (Steve Van Wormer), Puck's dimwitted best friend. Aside from protesting "oppressive" government actions, everything is relatively calm on the commune as they wait for the revolution, that is until the appearance of Johnny Black (Dylan Bruno) a violent nihilist who dismisses their peaceful ways. Things start to spiral out of control as Johnny Black convinces the collective to take a more severe approach to anarchy.
For a movie about questioning conventions, the script is pretty conventional. In fact, it's wholly unoriginal. Puck starts out as a lethargic, idealistic layabout who after facing the folly of his lifestyle alters his flaws and somewhat adjusts to adult life. This exact story seems to be lifted from 1998's "SLC Punk!" and while "SLC" delivered scathing satire, "Cookbook" only gives an occasional wink to entrenched hypocrisies. Additionally the pace of the story is very schizophrenic with some scenes being unbearably slow and others whizzing by. Maddening director choices like this completely fumbles the central point. Once the film closes by condemning violence in all its forms, it feels like putting a bandaid on a tumor.
A movie that involves such a predictable character arch needs to be supplied with decent acting on the part of the lead, and though Devon Gummersall tries his best, he never seems to get his footing on the character. The supporting cast doesn't fair any better. Karla becomes obnoxious, John Savage seems to phone it in and the character of Double-D is nothing more than a caricature out of place with the presumably "developing characters".
Jordan Susman made a lukewarm entrance into the movie industry winning a second place prize in 1997 for his short film "Sitting in Limbo" at the Montreal Film Festival. "The Anarchist Cookbook," released five years later has shown little improvement. Some scenes seem to have been shot by different types of cameras and lighting for no stylistic reason other than clear budget restraints. The editing is sloppy and everything seems to just not mesh at all.
There is one bright light in the form of Dylan Bruno. Bruno manages to portray menace with such understated glee that he balances intelligence, cunning and meat-headed violence pretty well. Unfortunately even his character is a shadow of what could have been.
"The Anarchist Cookbook" is an ill-conceived mess. Neither funny or dramatically engrossing, it serves as a toothless and forgetful expose on a subculture that deserves more credit. Neither emotionally striking or politically resonant this film about anarchy simply lacks anarchistic spirit.
http://theyservepopcorninhell.blogspot.com/
The movie does connect to the life of college dropout Puck (Devon Gummersall), an intelligent anarchist who spends his days living in a commune of like-minded folks among them: Karla (Gina Philips), a man hating feminist, Johnny Red (John Savage) a peaceful old hippie and Double-D (Steve Van Wormer), Puck's dimwitted best friend. Aside from protesting "oppressive" government actions, everything is relatively calm on the commune as they wait for the revolution, that is until the appearance of Johnny Black (Dylan Bruno) a violent nihilist who dismisses their peaceful ways. Things start to spiral out of control as Johnny Black convinces the collective to take a more severe approach to anarchy.
For a movie about questioning conventions, the script is pretty conventional. In fact, it's wholly unoriginal. Puck starts out as a lethargic, idealistic layabout who after facing the folly of his lifestyle alters his flaws and somewhat adjusts to adult life. This exact story seems to be lifted from 1998's "SLC Punk!" and while "SLC" delivered scathing satire, "Cookbook" only gives an occasional wink to entrenched hypocrisies. Additionally the pace of the story is very schizophrenic with some scenes being unbearably slow and others whizzing by. Maddening director choices like this completely fumbles the central point. Once the film closes by condemning violence in all its forms, it feels like putting a bandaid on a tumor.
A movie that involves such a predictable character arch needs to be supplied with decent acting on the part of the lead, and though Devon Gummersall tries his best, he never seems to get his footing on the character. The supporting cast doesn't fair any better. Karla becomes obnoxious, John Savage seems to phone it in and the character of Double-D is nothing more than a caricature out of place with the presumably "developing characters".
Jordan Susman made a lukewarm entrance into the movie industry winning a second place prize in 1997 for his short film "Sitting in Limbo" at the Montreal Film Festival. "The Anarchist Cookbook," released five years later has shown little improvement. Some scenes seem to have been shot by different types of cameras and lighting for no stylistic reason other than clear budget restraints. The editing is sloppy and everything seems to just not mesh at all.
There is one bright light in the form of Dylan Bruno. Bruno manages to portray menace with such understated glee that he balances intelligence, cunning and meat-headed violence pretty well. Unfortunately even his character is a shadow of what could have been.
"The Anarchist Cookbook" is an ill-conceived mess. Neither funny or dramatically engrossing, it serves as a toothless and forgetful expose on a subculture that deserves more credit. Neither emotionally striking or politically resonant this film about anarchy simply lacks anarchistic spirit.
http://theyservepopcorninhell.blogspot.com/
This movie... I really don't have much to say about it. This movie was a waste of my time, and will surely be a waste of yours. The title is unbelievably misleading, and doesn't portray Anarchism in any way, shape or form. I nearly cried with frustration at how horribly wrong the entire concept was. I encourage you to throw this movie away if you own it, for it's nothing but a piece of right-wing propaganda that honestly portrays nothing other than the classic American troublemaker, which any true anarchist is far from. The only reason it really made it as far as it did- that is to say, the only reason people actually watched it- is because for once we anarchists thought that we would see a movie that showed Anarchy in all of it's potential glory. Boy, were we wrong.
Le saviez-vous
- AnecdotesThe college the group takes a tour of in the beginning is the Collin County Community College in Plano.
- Citations
Johnny Black: I'm a nihilist. I don't believe in anything, not even nihilism.
- ConnexionsReferences Macadam cowboy (1969)
- Bandes originalesThanks For Nothing
Written by Bnjie Bollox & John Beach
Performed by The Visitors
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Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 369 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 251 $US
- 20 juil. 2003
- Montant brut mondial
- 14 369 $US
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
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