Ajouter une intrigue dans votre langueA modern story, inspired by King Lear, set in contemporary Liverpool.A modern story, inspired by King Lear, set in contemporary Liverpool.A modern story, inspired by King Lear, set in contemporary Liverpool.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Ingi Thor Jonsson
- Dutch Farmer No 2
- (as Ingi Thor Jonssen)
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This film is about gangster in the mean streets of Liverpool about the ups and down of the underworld and one man who was at the top became bottom after what the family did to him. There is some nice acting northing really bloody in the film but can't understand why its an 18 and over to watched this film but anyway it had a fine cast but really felt sorry for the little boy.
I did find Sexy Beast alot better then this but My Kingdom is worth watching and mostly BRITISH GANGSTER FILMS ARE ALOT BETTER THEN AMERICAN GANGSTER FILMS
Give this film 5/10
I did find Sexy Beast alot better then this but My Kingdom is worth watching and mostly BRITISH GANGSTER FILMS ARE ALOT BETTER THEN AMERICAN GANGSTER FILMS
Give this film 5/10
I like this movie. Someone mentioned in a previous comment that they must be use to the mobsters in the US because of the demur wife etc. I disagree completely. I went to school with a few children of the Mob and they were all very low keyed people. The family of the mob are far removed from the action. My friends mothers looked like most people mothers. They don't walk around looking or acting flamboyant. They are just regular folks married to a mobster. I did not even know they were children of mobsters until YEARS later. That is how low keyed they are. That is why I like this movie. The mobsters in here are not bombastic ala Goodfella's, which is not really true to form. They have problems with their kids like everyone else. They have a life that we the public see but they have the life we don't see. But mostly only their associates see. If every mobster looked and acted the way the Goodfella's portrayed them the Mob would not exist because they would no longer be a secretly run organization. The mob thrives on secrecy and a need to look legit. Mr Harris portrays that type of modern mobster. In this movie his daughters seem to be rebelling. One runs a whore house, one is a ex pro junkie. In the US most of the mob daughters are either married or very highly educated or both. So it is unusual to have all 3 of his daughters rebel. This is a nice small movie, with a little violence. But I feel it is a more realistic portrayal of mobster then the movies we usually see in the United States. Oh one last note the guy that plays the young cop is now on The Wire playing a very ambitious politician...with a New York accent. It is strange seeing him acting in his native tongue.Actually The Wire has more then a few actors from Great Britian
My Kingdom was sufficiently entertaining for a rainy Sunday but that is where the upside ends.
Maybe it's that I'm American and have been overexposed to Capone, Gotti and Luciano but the characters in this movie fall miserably short as mobsters. Rule one: Mobsters are scary people. Mother (Mandy) and daughter (Jo) are so wholesome they could pass for GoodHousekeeping covergirls (Mandy even resembles Martha Stewart!). Apparently, Jo (Moll-turned-preppy coed) managed to just "walk away" from her position with "The Chair". Shouldn't she be dead?
Dad is apparently so important that he asks the lowest of thugs, "Do you know who I am?". Where are his bodyguards? Why is he sitting in the cheap seats at the show? Also, it would have been nice if someone clued us in as to how this giant-among-men built his empire: Drugs? Prostitution? Gambling? Stamp-collecting?
Lastly: Where was the trademark blood? Guess the budget was too low for a few bottles of Ketchup.
All-in-all, My Kingdom had a good plot-line and decent actors but it was a little low-calorie for my gangster-genre diet.
Maybe it's that I'm American and have been overexposed to Capone, Gotti and Luciano but the characters in this movie fall miserably short as mobsters. Rule one: Mobsters are scary people. Mother (Mandy) and daughter (Jo) are so wholesome they could pass for GoodHousekeeping covergirls (Mandy even resembles Martha Stewart!). Apparently, Jo (Moll-turned-preppy coed) managed to just "walk away" from her position with "The Chair". Shouldn't she be dead?
Dad is apparently so important that he asks the lowest of thugs, "Do you know who I am?". Where are his bodyguards? Why is he sitting in the cheap seats at the show? Also, it would have been nice if someone clued us in as to how this giant-among-men built his empire: Drugs? Prostitution? Gambling? Stamp-collecting?
Lastly: Where was the trademark blood? Guess the budget was too low for a few bottles of Ketchup.
All-in-all, My Kingdom had a good plot-line and decent actors but it was a little low-calorie for my gangster-genre diet.
It's a fallacy, of course, that you can't go wrong with great source material, judging by the unholy slew of variable Shakespeare knock-offs perennially cluttering cinemas. This is one of the better ones.
Legendary British director-producer Don Boyd (the man behind Scum and The Great Rock 'N' Roll Swindle), uses 'King Lear' as the premise for an uncompromising tale of family (dis)loyalties, played out against the violent backdrop of gangland Liverpool.
Following his wife's murder in a street mugging, weary crime boss Sandeman (Harris) entrusts his sizeable criminal dynasty to his three daughters - one of whom, Jo (Catherwood), flatly refuses to play ball, as the other power-crazed pair, Tracey (Pilkington) and Kath (Lombard), plot his downfall. Meanwhile, a veteran customs agent, Quick (Bell), is also doggedly on his tail, determined to send him down before they both retire.
Though not the first attempt to ground Shakespeare in such territory (1955's Joe MacBeth was a misguided attempt to transpose the Scottish Play to New York's criminal underworld), My Kingdom delivers with considerable panache. While most of the basic story elements are in place, writers Boyd and 'Guardian' journalist Davies carefully avoid a straight re-telling (many lines here being playful nods to other Shakespeare works, in any case). Instead, they employ smart, darkly funny spins - witness the siblings' competing eulogies by Karaoke to their dead mother.
The performances here, from a top-flight British and Irish cast, are exemplary. Harris, as the shattered Sandeman, proves one needn't have lived the life of a cloistered monk to produce great performances in your seventies.
Legendary British director-producer Don Boyd (the man behind Scum and The Great Rock 'N' Roll Swindle), uses 'King Lear' as the premise for an uncompromising tale of family (dis)loyalties, played out against the violent backdrop of gangland Liverpool.
Following his wife's murder in a street mugging, weary crime boss Sandeman (Harris) entrusts his sizeable criminal dynasty to his three daughters - one of whom, Jo (Catherwood), flatly refuses to play ball, as the other power-crazed pair, Tracey (Pilkington) and Kath (Lombard), plot his downfall. Meanwhile, a veteran customs agent, Quick (Bell), is also doggedly on his tail, determined to send him down before they both retire.
Though not the first attempt to ground Shakespeare in such territory (1955's Joe MacBeth was a misguided attempt to transpose the Scottish Play to New York's criminal underworld), My Kingdom delivers with considerable panache. While most of the basic story elements are in place, writers Boyd and 'Guardian' journalist Davies carefully avoid a straight re-telling (many lines here being playful nods to other Shakespeare works, in any case). Instead, they employ smart, darkly funny spins - witness the siblings' competing eulogies by Karaoke to their dead mother.
The performances here, from a top-flight British and Irish cast, are exemplary. Harris, as the shattered Sandeman, proves one needn't have lived the life of a cloistered monk to produce great performances in your seventies.
A film found in DVD/VCR recorder I just bought. I would not have seen it otherwise. So thanks to whoever tested it with this film and left it in it.
This film is a story about a family in the criminal underworld. The terms Gangsters and Mobsters give the wrong impression, it is supposed to be inspired by King Lear after all. My wife who studied King Lear at college, found the underlying story and characters did resemble that of King Lear.
A controlling father toward the end of his life finds rebellion in the family. It is quite believable that someone as busy as he appears to have been in his life misses out on the most important things with his daughters,(love etc) and finds a chasm he did not know existed.
Events unfold and he has to set straight the dishonourable way his daughters treat him. The cold and calculating way in which this is done is what makes a "gangster" not the usual portrayal of beating up everyone who disagrees with them, but if you cross them that is a different matter. People like the Krays, were in the minority in doing this, or they would not have been so infamous.
All in all an enjoyable dark film.
This film is a story about a family in the criminal underworld. The terms Gangsters and Mobsters give the wrong impression, it is supposed to be inspired by King Lear after all. My wife who studied King Lear at college, found the underlying story and characters did resemble that of King Lear.
A controlling father toward the end of his life finds rebellion in the family. It is quite believable that someone as busy as he appears to have been in his life misses out on the most important things with his daughters,(love etc) and finds a chasm he did not know existed.
Events unfold and he has to set straight the dishonourable way his daughters treat him. The cold and calculating way in which this is done is what makes a "gangster" not the usual portrayal of beating up everyone who disagrees with them, but if you cross them that is a different matter. People like the Krays, were in the minority in doing this, or they would not have been so infamous.
All in all an enjoyable dark film.
Le saviez-vous
- AnecdotesMost of the bondage gear, and four pairs of size ten stiletto-heeled shoes went missing during the course of the shoot.
- Bandes originalesThen Shall The Eyes Of The Blind
Written by George Frideric Handel (as Georg Friedrich Händel)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Моє королівство
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 296 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 607 $US
- 8 déc. 2002
- Montant brut mondial
- 4 296 $US
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