Mujhse Dosti Karoge!

Only one dress one beautiful makeup and one scene in the church is so goddanm intense you can literally feel rani's heartbeat. Rani looks so beautiful and innocent. One of this days she will be back!

I am a big fan of Hrithik Roshan, and I think he is the best actor ever. I love all of his films except for this one and Main Prem Ki Diwani Hoon. Which both are very similar. Both films are bad. But lets review Mujhe Se Dosti Karoge. I loved the music of mujhse Dosti Karoge. All songs are very melodious and fit well with each other. my favorite being Andehki Anjaani Si. The story, was nothing new, in fact it was very clichéd. The writer attempted a new style, but fell flat. The performances, the characterization was a huge drawback. Kareena's role was completely wasted. Her acting also was okay. Rani was good, but not great. Hrithik is a good actor, and tried his best, but the because of the disaster screenplay, and poor direction, Hrithik could not bring out his true potential. But he was still good. The length is also very long, I must say I watched this film twice and both times, I almost died from boredom. This film was was a flop at the box office. I see a lot of people praising this film. And I see nobody praising good films of Hrithik's like Aap Mujhe Achche Lagne lage and Na tum jano na hum, which were released the same year as Mujhse Dosti Karoge but also flopped. Those films were amazing, and Mujhse Dosti karoge is trash compared to those films. Take my advice, as a hrithik fan watch his every film, except for this one. listen to the songs though.

Here's presenting the recipe of MUJHSE DOSTI KAROGE prepared by Chef KUNAL KOHLI exclusively for CANDYFLOSS, the CHOPRA chain of restaurants: Borrow the basic story idea from DTPH (or any triangular love story). Use a dash of KKHH in the first half and SAAJAN in the second. Some glimpses of DDLJ as per taste. Take Kareena's entry and her father's death sequences from K3G. Add the MAINE PYAR KIYA inspired song parody sequence and end it hurriedly, inspired from K2H2 again. Add the regular YASH CHOPRA sauces i.e. melodious music and cool choreography. Garnish it with foreign locales, jazzy costumes and grandeur sets. MDK is ready. The CHOPRA restaurant also gives you an extra papad (Uday Chopra) free of cost.

So the story is about 3 friends, who are separated in their childhood. Raj (Hrithik) shifts to London and from there mails regularly to Tina (Kareena), who isn't much interested in replying. All those emails are replied by Pooja (Rani) but under the name of Tina (Well I suppose the net wasn't introduced in India about 15 years from now). Raj comes to India and gradually falls in love with Tina, but when he realizes that all those letters were written by Pooja his heart suddenly flips over towards her in less than a second (like they say, Hrithik Ki Tarah, o sorry, girgit Ki Tarah rang badal na). Then starts the triangle. Finally friends become lovers and lovers become friends. And when it comes to Hindi cinema, there isn't much difference between the two terms.

Film-critic-turned-director Kunal Kohli handles many sequences with sensitivity but relies too heavily on the tried and tested stuff. Like the climax that shows a pinch full of sindoor falling on Rani's forehead appears way too clichéd. Moreover Words like farz, vaada, saccha pyar, qurbani are bandied about so many times that they lose their significance.

Finally the movie clearly belongs to Rani Mukherjee who has the meatiest role comparatively and does full justice to it. Hrithik is good but suffers from Shahrukh hangover at times. Kareena's role is just an extension of what she did in K3G.

Recommended only for the sweet-film toothed.

The story is good enough, but India always make it long. I like Rani character in here, she's very adorable. Hritik very handsome man and good dancer. Kareena she always look hot and look like Kharisma sometimes (not her act just her face).

This is the first time Hritik play become so emotional person to love someone, but can not with her because he already promise to marry her best friend. His quality acting can be prove in this movie.

But to bad Bollywood's always made simple happy ending, not like Hollywood's. I like this movie, but can they make Kareena not giving up so fast and very easy. Because I'm boring with simple ending and without sadness knowing that Hritik love her best friend.

Mujhse Dosti Karoge (MDK) is a very polished, perfected and stylish movie that we have all come to expect and love from the Yash Chopra banner. But having watched the movie it became evident that though it was from the Yash Chopra banner, it was not a Yash Chopra movie.

Don't get me wrong here, it's a movie worth watching – great picturisation, good songs, nice clothes, foreign locations, a love triangle and a young & hip cast. BUT it is not much different from the other run-of-the-mill love stories, and nothing makes it standout from the crowd as a Yash Chopra venture would have.

The story is simple (but a little flawed at times) – three friends grow up in a small town in India, but Raj moves away to the UK with his parents. He sends regular emails to Tina, but unknowingly gets responses from Pooja. Through these responses he falls for the girl he thinks is Tina, but in reality is Pooja. When he finally realizes the truth, tragedy strikes and peoples morals are tried and tested and true love wins.

Rani looks fab. She is the embodiment of a sexy lady. She dresses very well, can relate to the character and acts very naturally. Kareena is all Kareena and what we have come to expect from her. She is very well suited to the crazy, bratty girl (remember Po from K3G) but falls flat on her face when it comes to emotional and challenging roles. Hrithik is good in the role and has done the role some justice. Support staffs are just part of the background. The songs are good and with the times, however the mixed medley is really good to see, we should definitely have more of them in movies to come.

Overall an entertaining movie, but definitely not a classic or a milestone in Indian cinema.