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Ajouter une intrigue dans votre langueA betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first lo... Tout lireA betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first love.A betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first love.
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Jacqui Bisset even at 58 still projects a vixen quality that belies her obvious maturity, here she has the opportunity to showcase her age as her asset and integral to the storyline, but ultimately, the plot is thin, the characters and situations clichéd and un-involving. She plays a woman scorned by philandering husband (Mancuso) and elects to take a trip back through memory lane to a place in which she worked briefly some thirty years earlier, and where she had a brief but torrid liaison with a man named Patrick. Patrick has since both married and died, but his son (Mabius) is a tangible reminder of her brief encounter with Patrick (but not her progeny - it's not that kind of movie) and serves to vicariously rekindle the flame she shared with his late father.
It's a little disconcerting watching the two engage in the lovey-dovey dialogue and passionate embraces, the kisses looking anything but intimate. There's this whole 'Danielle Steele' quality to the movie that holds it back from the mature, poignant tale it aims to be, although Bisset at least gives an apparently sincere performance in a complex characterisation that exhibits conflicted emotions and motivations. Despite the fact her character is criticised, ostracised and made to feel 'trashy' by townsfolk concerned for Mabius' character's welfare, Bisset never becomes a tragic figure, retaining dignity even despite the lame dialogue and clichéd situations.
TV movie of mediocre quality, elevated marginally by the star presence of Bisset ought to appeal to those looking for the TV cousin (and predecessor) of "Under the Tuscan Sun", or just those who remain enamoured by the evergreen Bisset.
It's a little disconcerting watching the two engage in the lovey-dovey dialogue and passionate embraces, the kisses looking anything but intimate. There's this whole 'Danielle Steele' quality to the movie that holds it back from the mature, poignant tale it aims to be, although Bisset at least gives an apparently sincere performance in a complex characterisation that exhibits conflicted emotions and motivations. Despite the fact her character is criticised, ostracised and made to feel 'trashy' by townsfolk concerned for Mabius' character's welfare, Bisset never becomes a tragic figure, retaining dignity even despite the lame dialogue and clichéd situations.
TV movie of mediocre quality, elevated marginally by the star presence of Bisset ought to appeal to those looking for the TV cousin (and predecessor) of "Under the Tuscan Sun", or just those who remain enamoured by the evergreen Bisset.
4guyb
Jacky Bisset did her best and I enjoyed her performance very much. However, TV movies are just what they are: boring pulp. Just pass this one by. The script was pretty poor too. Why on earth would a young boy blow his life by marring a 50-something woman? Most of the woman complaints I hear are that the guys won't even commit to a woman their own age!!!
I knew I wouldn't like the film as much as the novel, which was so intelligently written. But other than the fact that the casting was somewhat off (in the book, the age difference is not so very noticeable and the relationship is much more believable) I have to say I was glued to the screen. I admit there were some lame lines of dialogue that the author of the novel wouldn't have written, but it was just so good to see a smart and intelligent film (my God, they quoted Yeats!) on TV that I loved it. And Jacqueline Bisset just gets more beautiful and talented as time goes on. We need more roles like this one for actresses over forty.
I was so excited when I saw that the book "Dancing at the Harvest Moon" was being made for tv. When I first read the book I immediately loved it. Unfortunately, I was extremely disappointed with the tv version. The people who made it just couldn't capture the greatness of the book. If you even remotely liked the tv movie...Read the book it's a million times better.
a pink movie like too many others. clichés, same rules of an impossible love story, links with the past and the second youth. few drops of drama and a good actress as axis of a mediocre story. so, the good thing is the conclusion after its end. because, obvious, it is not so bad. decent solutions of script for few confuse details and the desire of Jaquelline Bisset to use each possibility of credibility for her character are the good points. the bad thing could be Eric Mabius who is real uncomfortable in a role who pretend not very much from his actor. but the result is OK , in part because it is the expected one. nothing surprises. few beautiful scenes. and a nice film about the second chance and the true love.
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- Dancing at the Harvest Moon
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