NOTE IMDb
5,5/10
427
MA NOTE
Ajouter une intrigue dans votre langueA betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first lo... Tout lireA betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first love.A betrayed wife (Jacqueline Bisset), whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son (Eric Mabius) of her first love.
- Réalisation
- Scénario
- Casting principal
Photos
Avis à la une
Unimpressive, dull and sometimes pretensious TV movie about a middle aged woman (Bisset) who discovered that his old time husband (Mancuso) is betraying her with a young secretary; after the discovery, the poor wife goes back to the city where she lives when she was a teenager justo to reopen an old and decayed ballroom. This movie could be a good chance to discuss with more sharpness the anguish, troubles and fantasies of a feminine soul - especially after a marriage breakup - but unfortunately misses the point and is just a routine and unconvincing love story, narrated like a classic and old-fashioned soap opera. I give this a 4 (four).
Jacqui Bisset even at 58 still projects a vixen quality that belies her obvious maturity, here she has the opportunity to showcase her age as her asset and integral to the storyline, but ultimately, the plot is thin, the characters and situations clichéd and un-involving. She plays a woman scorned by philandering husband (Mancuso) and elects to take a trip back through memory lane to a place in which she worked briefly some thirty years earlier, and where she had a brief but torrid liaison with a man named Patrick. Patrick has since both married and died, but his son (Mabius) is a tangible reminder of her brief encounter with Patrick (but not her progeny - it's not that kind of movie) and serves to vicariously rekindle the flame she shared with his late father.
It's a little disconcerting watching the two engage in the lovey-dovey dialogue and passionate embraces, the kisses looking anything but intimate. There's this whole 'Danielle Steele' quality to the movie that holds it back from the mature, poignant tale it aims to be, although Bisset at least gives an apparently sincere performance in a complex characterisation that exhibits conflicted emotions and motivations. Despite the fact her character is criticised, ostracised and made to feel 'trashy' by townsfolk concerned for Mabius' character's welfare, Bisset never becomes a tragic figure, retaining dignity even despite the lame dialogue and clichéd situations.
TV movie of mediocre quality, elevated marginally by the star presence of Bisset ought to appeal to those looking for the TV cousin (and predecessor) of "Under the Tuscan Sun", or just those who remain enamoured by the evergreen Bisset.
It's a little disconcerting watching the two engage in the lovey-dovey dialogue and passionate embraces, the kisses looking anything but intimate. There's this whole 'Danielle Steele' quality to the movie that holds it back from the mature, poignant tale it aims to be, although Bisset at least gives an apparently sincere performance in a complex characterisation that exhibits conflicted emotions and motivations. Despite the fact her character is criticised, ostracised and made to feel 'trashy' by townsfolk concerned for Mabius' character's welfare, Bisset never becomes a tragic figure, retaining dignity even despite the lame dialogue and clichéd situations.
TV movie of mediocre quality, elevated marginally by the star presence of Bisset ought to appeal to those looking for the TV cousin (and predecessor) of "Under the Tuscan Sun", or just those who remain enamoured by the evergreen Bisset.
I knew I wouldn't like the film as much as the novel, which was so intelligently written. But other than the fact that the casting was somewhat off (in the book, the age difference is not so very noticeable and the relationship is much more believable) I have to say I was glued to the screen. I admit there were some lame lines of dialogue that the author of the novel wouldn't have written, but it was just so good to see a smart and intelligent film (my God, they quoted Yeats!) on TV that I loved it. And Jacqueline Bisset just gets more beautiful and talented as time goes on. We need more roles like this one for actresses over forty.
a pink movie like too many others. clichés, same rules of an impossible love story, links with the past and the second youth. few drops of drama and a good actress as axis of a mediocre story. so, the good thing is the conclusion after its end. because, obvious, it is not so bad. decent solutions of script for few confuse details and the desire of Jaquelline Bisset to use each possibility of credibility for her character are the good points. the bad thing could be Eric Mabius who is real uncomfortable in a role who pretend not very much from his actor. but the result is OK , in part because it is the expected one. nothing surprises. few beautiful scenes. and a nice film about the second chance and the true love.
almost creepy. not the best option for Eric Mabius as John Flemming. one of many sweet stories about the young prince and not very young princess. it is only a comfortable story in Hallmark style. nothing new, nothing complicated, nothing interesting. only he and she and the people around theme. so, not good or bad. only another occasion for Jacqueline Bisset to act old role who defines her. only strange fact is the status of son of first boyfriend of Maggie Webber for the young Flemming. it is strange and unrealistic. and, sure, far to be real moral. but it could be only an insignificant detail. a film for the fans of genre. and that is all.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Dancing at the Harvest Moon
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Souvenirs d'amour (2002) officially released in India in English?
Répondre