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6,1/10
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MA NOTE
Ajouter une intrigue dans votre langueWhen his daughter is shot just before Christmas, Martin Tillman journeys across the U.S. using the gun's serial number to track down the truth behind Penny's killing.When his daughter is shot just before Christmas, Martin Tillman journeys across the U.S. using the gun's serial number to track down the truth behind Penny's killing.When his daughter is shot just before Christmas, Martin Tillman journeys across the U.S. using the gun's serial number to track down the truth behind Penny's killing.
- Récompenses
- 2 victoires et 3 nominations au total
Walter Jones
- J.B.
- (as Walter Emauel Jones)
Avis à la une
"American Gun" is all about an elderly man (Coburn) who goes in search of the owner of the handgun used to kill his daughter. A nominal film in most respects, "American Gun" uses a lame ploy to whet interest by excising important scenes from the front end of an ordinary linear story and then pasting them on the tail end so as to create mystery where none exists while providing a reward for sitting though the uneventful bulk of the film. The result is a disappointing par flick which has little more to offer than a modicum of entertainment and a last look at James Coburn. Reminiscent of "All the Rage". (C+)
JAMES COBURN bowed out like true star in AMERICAN GUN, a strange, yet rewarding cross between ON GOLDEN POND and THE LIMEY (with shades of THE CROSSING GUARD). And for once (oh well, maybe twice) COBURN does not come accross all smooth, cool and calm. He is very human, and is capable of making mistakes (one rather big one, it turns out!) and the director only gives you as many clues as he wants, so that when the events playback in sequence (and only in that order) does the viewer, fully understand the whole story. The final shot of COBURN, all bitter and twisted, yet slightly redeemed, is rather haunting COBURN asside, every performance in this movie is spot-on. The ever gorgeous VIRGINIA MADSEN especially effective, in the few scenes she's in. Once again, i cannot praise this fine movie, but it must be watched till the end (and in one sitting) to be truly appreciated. Oh well, JAMES COBURN, your 'star' will continue to shine on in heaven. But back here on earth, you shone also. You left the world, a better place than when you first found it.
10 out of 10
10 out of 10
I saw this film at the Sonoma Film Festival earlier this year and was pleasantly surprised. It was not what I was expecting.
James Coburn gave a tremendous performance and all the other actors were very good as well.
I was able to buy into what the film was selling, but I was not expecting the twist at the end. About ten minutes before the twist was revealed, I starting thinking this was the direction they were headed. I just sat there thinking "No, that can't be where they are taking this." It was difficult to see the ending and I felt disturbed by the movie for a while afterwards.
I recommended it to friends and think it is well worth seeing.
James Coburn gave a tremendous performance and all the other actors were very good as well.
I was able to buy into what the film was selling, but I was not expecting the twist at the end. About ten minutes before the twist was revealed, I starting thinking this was the direction they were headed. I just sat there thinking "No, that can't be where they are taking this." It was difficult to see the ending and I felt disturbed by the movie for a while afterwards.
I recommended it to friends and think it is well worth seeing.
some people on this messageboard seemed to enjoy this movie, though i can't imagine why.
it's hardly cinematic; it tells its story in a very heavy-handed fashion. i couldn't believe my eyes at the sight of the first scenes that had dialog; not only were the lines really corny, but throughout the scene, each of the two actors (james coburn and virginia madsen) got a close up while delivering his line! even for utterances as negligible as "okay"! i didn't think such disregard for storytelling technique is even possible anymore, but there it is.
the movie did get a little better as it went along, thankfully, and delivered various flashbacks detailing coburn's history (on film) and the gun's owners' (on video) to liven things up a little. but the movie doesn't know how to deliver any insight into american gun culture. coburn's voice-over is comprised of his embarassing letters to his dead daughter(!). finally, a surprise ending negates most of the movie and leaves you with close to nothing.
as for coburn's performance... you won't hear me say a bad word about him, but i just can't praise his performance in "american gun". i assume his oscar for "affliction" was well-deserved (i haven't seen the film), but i don't see any awards (or nominations) for this one.
the storytelling style can best be described as "naïve", and that's the kind of movie-goer you have to be to enjoy the movie.
it's hardly cinematic; it tells its story in a very heavy-handed fashion. i couldn't believe my eyes at the sight of the first scenes that had dialog; not only were the lines really corny, but throughout the scene, each of the two actors (james coburn and virginia madsen) got a close up while delivering his line! even for utterances as negligible as "okay"! i didn't think such disregard for storytelling technique is even possible anymore, but there it is.
the movie did get a little better as it went along, thankfully, and delivered various flashbacks detailing coburn's history (on film) and the gun's owners' (on video) to liven things up a little. but the movie doesn't know how to deliver any insight into american gun culture. coburn's voice-over is comprised of his embarassing letters to his dead daughter(!). finally, a surprise ending negates most of the movie and leaves you with close to nothing.
as for coburn's performance... you won't hear me say a bad word about him, but i just can't praise his performance in "american gun". i assume his oscar for "affliction" was well-deserved (i haven't seen the film), but i don't see any awards (or nominations) for this one.
the storytelling style can best be described as "naïve", and that's the kind of movie-goer you have to be to enjoy the movie.
`American Gun' offers several levels of reward to its audiences. First, is a Oscar caliber, powerfully moving performance from one of America's finest actors, James Coburn. It is rare in our system that an actor, even of James's stature, at his age is offered the opportunity to strut his stuff; and strut he does. With pain, wisdom, and gentleness expressed both in his face and in his gnarled hands, his performance is great. I guarantee no one will walk out of this film unchanged and unmoved by this alone. `American Gun' is a film about America and its scope is huge. On one level it deals with a subjects that are all but taboo in the mainstream media, i.e. American's contradictory infatuation with guns and violence and the all too real repercussions they have with our individual and collective lives. On another level it examines the ethical context of violence in religion, in warfare, in the streets, in the cause of justice as well as in the pursuit of evil. It sounds deep, but you will be entertained by this film, but you will also walk of the theater thinking about some fundamental issues. That's not bad is it?
Le saviez-vous
- AnecdotesJames Coburn's last film.
- GaffesWhile Coburn is reading the newspaper obituary of the gun maker's daughter at the American Gun factory, the date is shown as Thursday, March 18, 1988. However, 18 March 1988, actually fell on a Friday, not on a Thursday.
- Citations
Pastor: You're going to get through it Martin, believe me. God never gives us more trouble than we can bear.
Martin Tillman: So uh, if I were a weaker person, my daughter would be alive?
- ConnexionsReferenced in Film Geek (2005)
- Bandes originalesAmerican Gun Main Title
Music by Anthony Marinelli
Lyrics by William Blake (from the poem "The Lamb")
Performed by the Piedmont Boys Choir
Produced by Anthony Marinelli
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- How long is American Gun?Alimenté par Alexa
Détails
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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