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The Navigators

  • 2001
  • Tous publics
  • 1h 36min
NOTE IMDb
6,9/10
3,2 k
MA NOTE
The Navigators (2001)
Drame sur le lieu de travailComédieDrame

Cinq hommes du Yorkshire tentent de survivre après la privatisation de British Rail.Cinq hommes du Yorkshire tentent de survivre après la privatisation de British Rail.Cinq hommes du Yorkshire tentent de survivre après la privatisation de British Rail.

  • Réalisation
    • Ken Loach
  • Scénario
    • Rob Dawber
  • Casting principal
    • Dean Andrews
    • Thomas Craig
    • Joe Duttine
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    3,2 k
    MA NOTE
    • Réalisation
      • Ken Loach
    • Scénario
      • Rob Dawber
    • Casting principal
      • Dean Andrews
      • Thomas Craig
      • Joe Duttine
    • 32avis d'utilisateurs
    • 30avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Victoire aux 1 BAFTA Award
      • 3 victoires et 3 nominations au total

    Photos15

    Voir l'affiche
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    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
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    + 9
    Voir l'affiche

    Rôles principaux54

    Modifier
    Dean Andrews
    Dean Andrews
    • John
    Thomas Craig
    Thomas Craig
    • Mick
    • (as Tom Craig)
    Joe Duttine
    • Paul
    Steve Huison
    Steve Huison
    • Jim
    Venn Tracey
    • Gerry
    Andy Swallow
    • Len
    Sean Glenn
    • Harpic
    Charlie Brown
    • Jack
    Juliet Bates
    • Fiona
    John Aston
    • Bill Walters
    Graham Heptinstall
    • Owen
    Angela Forrest
    Angela Forrest
    • Tracy
    • (as Angela Saville)
    Clare McSwain
    • Lisa
    Megan Topham
    • Chloe
    Abigail Pearson
    • Eve
    Charlotte Hukin
    • Rose
    Jamie Widowson
    • Michael
    Andy Oldham
    • PICOP
    • Réalisation
      • Ken Loach
    • Scénario
      • Rob Dawber
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs32

    6,93.2K
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    Avis à la une

    9zordy

    flawless

    As always, a social issue is beautifully intertwined with personal drama: sad, funny, true like life itself. And cinema itself. It's a relief to see someone can entertain and move us in this way, that's definitely not the present-day Hollywood way. On the other hand, Loach's career is brilliant from beginning to end with the only possible exception of Carla's Song that I consider a faux-pas. Like all great artists, Loach with this films add something to our understanding of ourselves, and our present history. I supposed that you understood I liked it. Still it seems I've lost the best: the liverpuldian parley. In Italy unfortunately all these films come dubbed.
    penseur

    Highly recommended

    Although it contains some funny moments, this film is no comedy; rather it is a biting satire of the mess that resulted when the Conservative Government in the UK decided to split up and privatise British Rail in 1995 (one wonders why they didn't go all the way and do the same to the highways) as seen through the eyes of track workers. Perhaps the most ludicrous moment is when their supervisor in their newly created regional private company tells the workers to take equipment out to dump bins and smash it up because "it isn't up to scratch, we've got to have high standards now." "But it's perfectly good, can't we sell it?" they protest. "What, sell it to the competition?" is the response. Later they are told that management's streamlining (making staff redundant) has been too successful: they are now too small to be viable and the depot has to close, the rest of the workers have to go. Aside from the almost documentary of the plight of Britain's rail network, there are personal interactions between the working class characters in their daily lives that viewers can empathise with. In all it's well cast, well scripted and well directed.
    ethanschmeisser

    One of the best movies of the year. A real must

    I saw the movie today. It is good to know that while in Hollywood the so called entertainment industry wants to send our minds and conscious into sleep, comes a real humanist film maker and serves as a voice of society in a crisis, of real people like all of us that deal with problems that surface everywhere in the world. How men can survive and remain human and moral while fighting in vain in every establishment, including ones that suppose to help the individual. It is not just a Marxist manifesto but rather a compassion, loving, caring and worried look at a group of people that want to survive in a world that is changing rapidly economically and morally. You'll laugh with them, get frustrated with them and feel pity for them when they make the wrong choice (if such a thing can be defined). As always with Loach's films, it's so reliable that you immediately feel that the characters are a part of your life and there are no actors and no movie - just a look at familiar people who struggle to keep their jobs against a system that doesn't really care for its human resources and by that hurt them and herself. It is really touching and heart-tearing as much as loving with even quite a lot bits of humor which make it more credible. A real must!
    6silviopellerani

    Redundancies, privatisation of the British Rail ...is always Ken Loach

    I was lucky to see during the festival of Venice in Milan this very recent film from the good "social" director Ken Loach.

    A group of friends in 1995 work in the Yorkshire for the ex-state owned: British Rail, which meanwhile has been completely fragmented in a tremendous number of small private companies that compete one against the other in order to be more competitive and gain the different bids. This situation leads the whole structure of each private company to a very profitable organisation offering a very poor service that has to save money from any single item of the fixed/variable costs structure of the economic statement.

    Loach this time points out the lost of the social benefits of the labour class in a blackmail black and white situation where, if they want to get the job, they have to leave with these conditions which do not guarantee any type of social and physical safety to the worker.

    It is not by chance that England has been the frame of several train accidents during the last years.

    Unions are getting weaker and weaker and the so called "trouble makers" are led to leave the companies. The whole film is nicely viewed with some very fine, pretty uncommon in previous Loach's films, British humour. The scene where the supervisor has to read to the workers the message from the top management of productivity and their new rights is hilarious and superbly performed.

    Rating: 6/10
    6shi612

    workers are going to be variable costs

    Saying frankly, I did not enjoy, nor being moved by the movie. The story is neither dramatic nor exciting. The lead character is not well defined and thus easy to confuse the audience. After watching it, being little bit disappointed, I went out to walk my dog, but the movie occupied my thought even after I came home. This is a story in railway workers in the UK, however I could see similar situation in Japan too. In Japan, many companies are gradually recovering from serious downfall. But during the process of profit recovery, companies have replaced fixed-cost employees by variable cost contract workers. As a result, the lifetime employment system has collapsed, and the power of the unions, the members of which are employees only, have been eroding. At the same time, number of contract workers, who do not have systematic training and skills building, has increased. In this trend the gap between peoples of high wages and low wages are becoming wider. British society has been many years the forerunner in the world of winning the rights of workers. But these rights are now too easily forgotten under the pressure of global economy. This is a social crisis in longer term. At least this movie has succeeded to portray this crisis.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      The vest that John wears in the beginning (with the meter) and end (their last job), is actually a British Rail safety vest, over his Gilchrist coat (when he moves you can see the gray on it). He has the combination on before the company is renamed Gilchrist Engineering.
    • Citations

      Fiona: [Gerry playing chess against himself after everyone leaves] Ah who's winning?

      Gerry: Checkmate.

      Fiona: Checkmate, what's that mean?

      Gerry: What ever move you make, you lose.

      Fiona: [chuckles] Story of my life.

    • Connexions
      Referenced in Il était une fois...: Moi, Daniel Blake (2021)

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    FAQ17

    • How long is The Navigators?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 2 janvier 2002 (France)
    • Pays d’origine
      • Royaume-Uni
      • Allemagne
      • Espagne
    • Sites officiels
      • Distributor URL
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Demiryolcular
    • Lieux de tournage
      • Balby, Doncaster, South Yorkshire, Angleterre, Royaume-Uni
    • Sociétés de production
      • Alta Films
      • Parallax Pictures
      • Road Movies Filmproduktion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 3 052 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 940 $US
      • 23 févr. 2003
    • Montant brut mondial
      • 1 807 686 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36min(96 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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