Opération funky

I first saw "Undercover Brother" on cable a few years ago and since then it's become one of my favorite comedies of recent years. Though it's basically a "blaxploited" version of the "Austin Powers" concept, "Undercover Brother" is funny enough to be enjoyable on its own merits.

As the film opens, we are filled in on the ongoing battle between the black community and a super secret organization known as "The Man," who works tirelessly to negate African-American influence on the world at large. Fortunately, the black community has its own underground group, known as "The B.R.O.T.H.E.R.H.O.O.D." created to undermine The Man's plans to "Whitewash" the world.

Eddie Griffin stars as Undercover Brother, a funky '70s throwback hero with a huge Afro and platform shoes, who drives around in a pimped-out Caddy performing acts of Kung-Fu derring-do to aid the African American cause. Normally a lone wolf, he is drafted into the B.R.O.T.H.E.R.H.O.O.D. when a black war hero (Billy Dee Williams)'s plans to run for President are derailed by a mind control drug designed by The Man. Now rather than run for the White House, he runs a nationwide Fried Chicken chain instead. Ably assisted by fellow B.R.O.T.H.E.R.H.O.O.D. agents Sistah Girl, Conspiracy Brother, Smart Brother, and "Lance" (Neil Patrick Harris in a hilarious turn as the lone white member of the group -- he got his internship through -- what else? -- affirmative action), Undercover Brother infiltrates The Man's organization to destroy the plot, though he nearly becomes a victim of their most potent weapon, the gorgeous Denise Richards, aka "White She-Devil" (whom "The Man" calls "Black Man's Kryptonite.") along the way.

I have seen a lot of discussion on IMDb about this film being "racist" towards whites, but to be honest, I found "Undercover Brother" to be an equal opportunity offender, with no stereotype about blacks OR whites going un-skewered. The cast is excellent, especially Dave Chapelle as the eternally paranoid agent "Conspiracy Brother," and the always welcome Chi McBride as the long-suffering "Chief" of The B.R.O.T.H.E.R.H.O.O.D. Denise Richards looks amazing in a white leather catsuit (her catfight scene with "Sistah Girl" is worth the price of the DVD all by itself), and oddly enough, even though I usually find Eddie Griffin and Chris Kattan (who plays The Man's flunky, "Mr. Feather") quite irritating in other films, their shtick totally works in "Undercover Brother." Fast, funny, and an utterly silly good time, "Undercover Brother" is -- in the words of its hero -- "Solid."

UNDERCOVER BROTHER (2002) **** Eddie Griffin, Chris Kattan, Denise Richards, Aunjanue Ellis, Dave Chappelle, Chi McBride, Gary Anthony Williams, Neil Patrick Harris, Billy Dee Williams, Jack Noseworthy, James Brown (as himself). Hysterically funny adaptation of the cult Internet animated hero tailor made for Griffin (finally a vehicle to prove he's one funny guy) – a self-defined hero with a style not unlike Shaft or Superfly (well, at least the funky duds and humongo Afro with pork chop sideburns) – who teams up with THE B.R.O.T.H.E.R.H.O.O.D - an underground secret agency for the African American way of life – out to thwart The Man from whitewashing America. I haven't laughed from beginning to end of a comedy in many a moon and practically every sight gag, one-liner, and/or slapstick works on every level, low and highbrow thanks to the character's creator John Ridley (who collaborated on the riotous script with Michael McCullers) but it's hats off to Chappelle as the militant headstrong Conspiracy Brother that steals the show with every outrageous vent of his angry spleen; the sexy duplicity of babelicious Richards as Penelope Snow (aka White She-Devil) – ‘the black man's Kryptonite' – whose hellacious curves and pouty demeanor is campily and knowingly spoofed to full effect; Elllis equally hot and cool as ass-kicking Sista Girl; rotund nerd Williams as Smart Brother the techno dweeb; McBride as the gruff yet lovable Chief; Harris as white boy intern Lance (who arguably has one of the funniest cinematic breakdown fights ever put onscreen) and finally formidably nutty foil Kattan as right hand flunky to the archenemy. In the same vein as AUSTIN POWERS, ZOOLANDER & POOTIE TANG : quite simply the year's funniest film and one of the funniest films ever made. Solid! (Dir: Malcolm D. Lee)

OK, OK, it's basically a black "Austin Powers," but it's not claiming to be more than that, it's reasonably well made, and a good 65% is downright hilarious. But I agree completely with the member who said this is a movie you have to "get." Meaning that, as a 40-year-old A.A. male seeing this in a downtown Washington theatre with a strong presence of folks my age and slightly above (i.e., old enough to remember when all of the black references were taken seriously), then not only did I get it but so did the rest of the audience -- the perfect conditions in which to see this movie. Chances are most (under 25, non-black) folks who don't fall into at least one of these catagories better stick with "Episode II," even on the 3rd go-around. The member who tried to compare the two films is precisely what I mean by not getting it.

I realize it's an odd concept -- a summer movie that ISN'T made to appeal to absolutely everyone -- but, hey. See for yourself. What it is!

Undercover Brother is a smart and sassy comedy similar to Austin Powers. Eddie Griffin stars as Undercover Brother a smooth seceret agent type cat who is out to save the world from the Man. He gets help from the brother hood who have employess with names like Conspiracy Brother & Smart Brother and Sistah Girl. The supporting cast of Chi McBride, Chris Kattan and Denise Richards are all very good but Dave Chapple steals every scene he's in. Malcom D.Lee has made a worthy follow up to The Best Man and Unisversal may have a new franchise on their hands.

If you find 'Family Guy', 'Married ... with Children' or even 'The Simpsons' to be in bad taste, you may want to avoid this movie. If you found 'Good Times' and 'What's Happening!' to be stereotypical and buffoonish, you probably won't like this movie.

If you are still reading ...

According to this movie, African Americans have made numerous advances as a result of the Civil Rights movement. But a powerful Caucasian male known as 'The Man', whose face we never see, wants to put black people back in their place.

Which is why the B.R.O.T.H.E.R.H.O.O.D. must stop him.

If there was such a person as 'The Man', he could have written this movie.

Eddie Griffin did quite a good job in what were essentially two roles. Most of the time, he had the giant afro and the cool clothes and the classic Cadillac pumping out funky 70s music as he represented everything good (or bad, depending on your view) about the 'blaxploitiation' genre. And he worked undercover as Anton Jackson wearing a suit and acting more white than I do. A very good contrast, showing a lot of acting skill.

Billy Dee Williams nailed the potential presidential candidate obviously based on Colin Powell, who was acting very strange for some reason. Not quite stereotypical, because he was always dignified--but shouldn't have been. His advertising campaign was hilarious!

Denise Richards and Aunjanue Ellis also gave good performances as the two female partners of Undercover Brother--one when he was black, and one when he was undercover.

Chi McBride and Gary Anthony Williams were very funny as two of Undercover Brother's associates. And Dave Chappelle was very stereotypical, very racist, but very funny--it was just satire, after all. Neil Patrick Harris did quite a good job as the organization's token white. And let's not forget the one associate of 'The Man' who seemed to want to be black and even acted black at times. That must have been Chris Kattan.

With all these talented actors, there were of course very clever writers to make the material so hilarious. It takes real talent to produce satire as opposed to just being mean-spirited.

The music was good too, for this type of movie. I personally would like to have heard Jay-Z do Lawrence Welk. Or maybe not. Today's artists don't often sound as good as, say, Rod Stewart. I'm not hopeless, though. I can't stand Michael Bolton or Celine Dion or, even though he wasn't mentioned but could have been, Kenny G. For some reason I do like 'Jungle Boogie' by Kool and the Gang.

I highly recommend this movie for fans of satire.