Munje!
- 2001
- 1h 30min
NOTE IMDb
7,9/10
8,4 k
MA NOTE
Ajouter une intrigue dans votre langueJust an ordinary urban Belgrade night - two friends are trying to get their money back from their school friend, whom they bullied when they were kids. Gojko Sisa does not forget the old ene... Tout lireJust an ordinary urban Belgrade night - two friends are trying to get their money back from their school friend, whom they bullied when they were kids. Gojko Sisa does not forget the old enemies so easy.Just an ordinary urban Belgrade night - two friends are trying to get their money back from their school friend, whom they bullied when they were kids. Gojko Sisa does not forget the old enemies so easy.
- Réalisation
- Scénario
- Casting principal
Dusan Milasinovic
- Milance
- (as Dusan Milasinovic - Carli)
Matija Zivkovic
- Mali Mare
- (as Mateja Zivkovic)
Avis à la une
10Fnord233
Reading the previous comments I am a bit surprised by people who claim that this movie would appeal only to viewers from ex-Yugoslavia. I've seen this movie during this year's Film Festival in Warsaw, Poland. And it was extremely entertaining evening, people applauded many times during the movie, laughing all the way through. This reminded me of a similar mood and life-style in POland in early 90's after the end of Communism - when first ravers organized underground parties which then turned into techno and d'n'b scene. Maybe I feel some affinity with this movie cause I'm also Slavic and former heavy party-goer, but I believe that this movie could sell well in e.g. London, Paris or New York. True, it is hedonistic-pure trip, but well-acted (particularly older actors and a main hero in glasses and raver-hat). After the screening the audience had an opportunity to meet the director - a fan of Partizan Belgrad actually and not Crvena Zvezda represented by Dulan Savic in the movie. The movie was shot digital and then transferred to 35 mm. It cost just 30,000, unbelievable - return on investment should be probably calculated in thousands of percent! If you want to see not-politically charged movie from former Yogoslavia - this is a really good choice. Absolutely recommended, and not only to panters!
Serbian cinematography in the last decade dealt mainly with post war traumas and political issues, which means it didn't attract much attention from viewers who don't sympathize with "nation attacked by the whole world". However, Munje! is totally unpolitical and unburdened with sending any messages to the world. It is just very, very, very funny movie! It deserves all the awards and praises by critics as well as the audience who stormed cinemas in Serbia when it was released (more than 600.000 viewers). It happens rarely that good movie is recognized by majority of the audience but Munje! is exception. I try to avoid modern movies from former Yugoslavia areas, because they are usually overvalued. But Munje! is made on another level, I dare to say Andric is metropolitan Kusturica. P.S. Watching Slovenian copy Tu pa tam leaves really bad taste...
Yes, "Munje" is basically a piece of crap, but at least the scruffy-looking pseudo-hippy ultra-nationalist Fascist-Marxist (wtf!?) Maradona-hugging "poet" Kusturica had nothing to do with it. Pew...
This was the runaway hit in Serbia when it came out, breaking all sorts of records. The truth is, however, this: 1) Serbian audiences, while just as critical/picky as any nation when it comes to foreign productions, are VERY easy to please when offered the latest cheap locally-made crap. (Patriotism? Serbo-Croatian language bonus? Who knows...) 2) "Munje" came out after a long string of Serb movies that were political, heavy-handed and depressing. "Munje", on the other hand, gave the crowds something to relax to, being the kind of movie you can almost throw in the "Porky's" category. Hence the success of the movie, which came out at just the right time, should be taken with a grain of salt and not raise hopes too much.
Personally, I had no hopes as I prepared to watch it. Serbian cinema, like that of most small nations, is rather weak, especially the junk that's been released here in the last decade or so. "Munje" has no plot to speak of, but this is not a problem. The problem is that it's supposed to be a comedy yet simply isn't funny. It may be grin-worthy on several occasions, but the dialogue and some of the acting verges on the amateurish, a lot of both being very forced. Sergej Trifunovic, who is treated as a kind of Sean Penn or Edward Norton in Serbia, has very little charisma and absolutely no talent for comedy whatsoever. (I can already hear the screams of protest...) He is a little nepotistic preppie - a major reason why Serbian movies suck as much as they do. Whereas in Hollywood the occasional nobody can make it big now and then, in Serbia absolutely no-one can break into movies unless they have very fat (family) connections. (And no: I am not a struggling, bitter actor.) Trifunovic seems to force the role to suit him, and ends up being fake. Plus, he's too old for the role. Even worse is Maja Mandzuka: a cute girl, but with the acting ability of a goat lost at pasture (yes, another nepotist). Her monotone voice will put you to sleep quicker than the mostly lame gags. You wouldn't be blamed if you thought she was reading her lines straight off an auto-cue.
Boris Milivojevic is dull, ditto Zoran Cvijanovic, Djuricko has charisma but his role is crap, so that leaves us only with Glogovac as the only actor here who seems to know what he's doing. (Alas, he has a small role.) The stunningly beautiful Danijela Vranjes appears far too briefly to be able to redeem this turkey.
The much-praised soundtrack is forgettable, with the exception of Vroom, who briefly provide some much-needed energy.
This was the runaway hit in Serbia when it came out, breaking all sorts of records. The truth is, however, this: 1) Serbian audiences, while just as critical/picky as any nation when it comes to foreign productions, are VERY easy to please when offered the latest cheap locally-made crap. (Patriotism? Serbo-Croatian language bonus? Who knows...) 2) "Munje" came out after a long string of Serb movies that were political, heavy-handed and depressing. "Munje", on the other hand, gave the crowds something to relax to, being the kind of movie you can almost throw in the "Porky's" category. Hence the success of the movie, which came out at just the right time, should be taken with a grain of salt and not raise hopes too much.
Personally, I had no hopes as I prepared to watch it. Serbian cinema, like that of most small nations, is rather weak, especially the junk that's been released here in the last decade or so. "Munje" has no plot to speak of, but this is not a problem. The problem is that it's supposed to be a comedy yet simply isn't funny. It may be grin-worthy on several occasions, but the dialogue and some of the acting verges on the amateurish, a lot of both being very forced. Sergej Trifunovic, who is treated as a kind of Sean Penn or Edward Norton in Serbia, has very little charisma and absolutely no talent for comedy whatsoever. (I can already hear the screams of protest...) He is a little nepotistic preppie - a major reason why Serbian movies suck as much as they do. Whereas in Hollywood the occasional nobody can make it big now and then, in Serbia absolutely no-one can break into movies unless they have very fat (family) connections. (And no: I am not a struggling, bitter actor.) Trifunovic seems to force the role to suit him, and ends up being fake. Plus, he's too old for the role. Even worse is Maja Mandzuka: a cute girl, but with the acting ability of a goat lost at pasture (yes, another nepotist). Her monotone voice will put you to sleep quicker than the mostly lame gags. You wouldn't be blamed if you thought she was reading her lines straight off an auto-cue.
Boris Milivojevic is dull, ditto Zoran Cvijanovic, Djuricko has charisma but his role is crap, so that leaves us only with Glogovac as the only actor here who seems to know what he's doing. (Alas, he has a small role.) The stunningly beautiful Danijela Vranjes appears far too briefly to be able to redeem this turkey.
The much-praised soundtrack is forgettable, with the exception of Vroom, who briefly provide some much-needed energy.
The screenplay needed some polishing. At times it is funny, at times it gets cheesy and lazy. But it is a fond memory for me. The film does manage to capture much of the surreal feel of turn-of-the-century Belgrade, and I appreciate that. There was this feeling of being torn and desperately trying to escape to some better place, not just away from Serbia, but away from all the nihilism. I myself left Serbia around that time, and it wasn't so much because of poverty. It was an attempt to escape the ubiquitous feeling of being torn apart and inability to make sense of things. Like many others, I found out that I merely jumped out of the frying pan and into the fire, as the western world took a dramatic turn in the direction of total moral and cultural chaos. Anyway, I enjoy this film despite its faults. Nebojsa Glogovac definitely saves the day in a minor role as a reluctant cop who'd rather smoke weed with the protagonists. I give the film 8 stars, and that's generous.
In this movie we follow Mare and Pop the want to record music but there friend from childhood Gojko screw them and now both off them want to get revenge on Gojko together with ex girlfriend Kata and police officer and man dress up as Santa Claus . This is really different movie than we had before . It's funny and it's directed diffrentlly than other movies from that time, they got flashbacks when Mare , Pop and Gojko where kids and whole is happennig during one night. .This movie really deserved all off that success and male cast was great but they should cast better actress and to write there characters better.
Le saviez-vous
- AnecdotesThe word Munje in Serbian means lightning bolt, which is used as a symbol for electricity. This symbol can be seen on lamp posts throughout the city of Belgrade and it is featured in the film.
- GaffesLola's phone number changes throughout the movie. It starts as 3221-847, then changes to 3221-837, and then back to 3221-847.
- ConnexionsFeatures Une jeune fille étrange (1962)
- Bandes originalesMunje!
Performed by Mao
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Détails
Box-office
- Montant brut mondial
- 1 833 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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