Hollywood Ending

This is by far one of the year's most original films. It will certainly not win anything special, but HOLLYWOOD ENDING is still quite an entertaining trip. There are no majorly huge laughs in this film, but Woody Allen is a master at creating ingenious stories and plots that have never been done before. He is not one to go for the 'crude' humor feel that most films do go for nowadays. Now, yes, I love crude humor movies, but where would we be without Woody Allen?

This film is a far better improvement over his 'not-very-funny' PICKING UP THE PIECES and his even worse SMALL TIME CROOKS, which didn't really have much of a story to it. He is good and in a way daring, as it almost seems like he begins his screenplays without any idea as to how they will end. Usually, these types of films are not good ones, but Mr. Allen has the gift to be able to pull off an effective and original story for one of the better film's of his career. There is only one problem that I can spot-- and that is that I feel that Woody Allen doesn't have a great knack for being able to write effective dramatic moments. His moments of the film that try to be touching, are not really all that good, and they aren't all that believable as far as drama goes. Still, his humorous moments are pretty good, but you must have the proper sense of humor in order to understand Woody's creative comedy style.

While I wouldn't call the film 'unforgettable', it is still quite an enduring experience and you probably will not forget it any time soon. I recommend that you see the two other films that I mentioned, and his animated debut ANTZ, which is still one of the best animated films ever. Still yet, you should see this movie. It isn't going to be anything big, but still, HOLLYWOOD ENDING is a movie you should see.

HOLLYWOOD ENDING: 4/5.

For Woody Allen fans - this is one of the last ones with him acting so it is worth a watch. Unfortunately it's one of his weaker pictures. There are some laugh out loud moments esp his scene with Tea Leoni in the bar. The hypochondria isn't that funny. The main premise is interesting psychosomatic blindness but wears thin after a while. The supporting cast is not well utilized. Everyone is made to talk in that Woody Allen way. Tiffany Thiessen has such a small part. George Hamilton just a few lines. The Chinese cameraman and interpreter are quite funny at first. But overall it still is worth a watch for the pleasant neat storyline and the laughs in between. Just isn't that funny after all.

Did your mother ever tell you that it wasn't polite to make fun of blind people? Well, apparently, Woody Allen's mother didn't, since this is exactly what he does for a good hour or more in his latest film, `Hollywood Ending.' (Or, perhaps, he just doesn't WANT to be polite). Whatever the case, Allen himself stars as Val Waxman, a once brilliant film director who has fallen on hard times, partly due to his own temperamental nature and partly to his own tendency for obsessive/compulsive behavior and chronic hypochondria, all of which have made him anathema to Hollywood's major producers. Tea Leoni plays Val's ex-wife, Ellie, who convinces her current fiancé, studio boss Hal (played by Treat Williams), to take a chance on Val and turn a multimillion dollar film project over to the iconoclastic director. All is going well until, right on the eve of production, Val develops a case of psychosomatic blindness, a condition he and a few close allies try to keep a secret during the making of the film. The majority of `Hollywood Ending' revolves around Val's attempts to keep people from finding out the truth and delivering a creditable motion picture to the studio heads at the same time.

In many ways, this pallid comedy combines the slapstick elements of Allen's early works (`Bananas' and `Sleeper') with the cynicism of his later, more mature explorations of modern urban romantic life (`Annie Hall,' `Manhattan'). Unfortunately, `Hollywood Ending' winds up as an uneasy hybrid of the two forms, mixing lowbrow comic mugging and pratfalls with the customary angst-ridden dithering that Allen has been indulging in (often quite effectively) for well nigh a quarter of a century now. Well, the bloom is definitely off the rose here. Part of the problem is that Allen's neurotic tics are amusing only when he has some serious points to make under all the humor. In this film, however, he is providing no insights to go along with the chatter so that he comes across as whiney and self-absorbed rather than witty and ironical. Val always seems to be blathering a mile a minute, so much so that we finally just want him to shut up and give us a moment's silence. To make matters worse, the scenes of broad physical comedy – Allen bumping into furniture, Allen breaking glasses, Allen falling off platforms – are not particularly well executed, lacking the kind of adept, split second timing essential to make such scenes comically effective. Thus, the film fails on two levels: both as a work of slapstick and as a verbal comedy of ideas. The film could, potentially, have scored as an acerbic satire on the ludicrous commercial values that define the American film industry, yet even most of these `inside' jokes seem strangely unoriginal and old hat, especially coming from a man as attuned to the industry as Woody Allen.

Although Allen, in his old age, has degenerated into little more than a wan parody of himself, Tea Leoni sparkles as Ellie, creating a character who is simultaneously strong, sensible, insecure and vulnerable. Leoni's performance is, literally, the anchor that keeps this otherwise lighter-than-air trifle from floating away completely. Barney Cheng does a nice job playing a Chinese translator whom Val uses to help him carry off this impossible charade; Mark Rydell provides some memorable moments as Val's helpful agent; and Debra Messing glows as Val's beautiful but bubble headed `significant other,' who is far more concerned about losing her part in the movie than losing her role as bedmate to the neurotic director.

It would be unfair, as well as untruthful, to say that `Hollywood Ending' did not afford a couple of pretty impressive laughs along the way. This IS a Woody Allen film, after all. And even Woody on a bad day is better than many of our Hollywood humorists on a good day. But with so many great films in his oeuvre, one naturally goes into this film with high expectations. When a final assessment is made of all of Allen's prodigious cinematic output, `Hollywood Ending' will wind up somewhere very near the bottom of the list.

Before the film came out, I read some reviews saying that they felt Woody was back in top form, but now I'm reading reviews that say otherwise. I guess many people feel that in the case of a greatly talented filmmaker like Woody, after wooing audiences with his earlier works like "Annie Hall" and "Manhattan," there's nowhere left to go but down. So whenever people bash his films, they don't bash them in the same way they would the next SNL-inspired dud. They bash them even more brutally simply because he's Woody and they can't help but expect more from him.

"Hollywood Ending" is no gem, with moments that obviously drag, but I felt it worked. It's an excellent premise for a farcical comedy, and it played out fluently. My only criticism about the "blind" element of the film dealt with Woody's performance. Each scene where he talks to someone, he purposely turns away from that person. He was obviously trying way too hard to stress the fact that his character's blind (I guess in case the audience somehow forgot halfway through). People who are blind actually have a strong sense of hearing. Like the comic book character of Daredevil, their other four senses are heightened. When they're first faced with the blindness, it's hard to cope, but after a short while they get used to it.

Like most of Woody's films, the cast is an ensemble of multi-talented actors who each contribute more than their own five cents into the work. There was even an funny unbilled cameo by Isaac Mizrahi. A lot of people project snobbery upon Woody's recent work, but I happened to enjoy this movie very much, and the same goes with "Small-Time Crooks" and "Curse of the Jade Scorpion." As long as you don't proceed with gigantic expectations, you should have a lot of fun.

My score: 7 (out of 10)

I admit to being a big Woody Allen fan; when I was in college, I went to a Woody Allen movie - Play it Again, Sam - and all around me, people were laughing like hyenas. I had no idea what was funny. Now I don't know how I ever thought that.

"Hollywood Ending" is a 2002 film from the prolific Allen, and he gives it to Hollywood but good. He plays a neurotic, hypochondriacal film director named Val who can't get arrested thanks to being so difficult. But in a conference about a film, The City that Never Sleeps, his ex-wife Ellie (Tea Leoni), in charge of development, is positive that he would be the best man for the job. She is shot down by everyone, including her current producer boyfriend Yeager (Treat Williams) but she manages to convince him to at least meet with Val.

Val loathes Yeager and he doesn't want to have anything to do with him or Ellie but he's just come home from a Canadian winter shoot for a deodorant commercial, from which he was fired, and he's desperate. His long-suffering agent Al (Mark Rydell) gets him the deal, and Val is hired.

The night before the shoot, Val calls Al, in the middle of a Seder, and demands he come over. He's blind. Al gets him to a doctor but there's nothing wrong with Val's eyes. He can't lose the job, so Al goes with him to the set, but is thrown out by Ed (George Hamilton). Al suggests that he find a confidant who can see him through the film. Since Val has demanded a Chinese cameraman who doesn't speak English, the translator needs to be around, so he helps Val out. But Val is going to need a lot more help than the translator.

I found the premise and the whole movie quite funny, with some great dialogue and good acting from everyone, including Debra Messing, who plays Val's current bimbo girlfriend, whom he casts in the film.

The movie would have been better if Allen had actually attempted to cover up the fact that Val is blind rather than acting just like a blind man. The fact that no one noticed is ridiculous. When someone speaks to him, he looks the opposite way, and he stares straight ahead, and he needs help walking.

All in all, I really enjoyed it. It's not his best; it's not his worst. Some very funny scenes and filled with wit.