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Depuis des millénaires, les forces de l'ombre et de la lumière se livrent un combat sans merci pour s'emparer d'une mystérieuse relique, mais Magnus Martel charge son fils Jake et Mira, une ... Tout lireDepuis des millénaires, les forces de l'ombre et de la lumière se livrent un combat sans merci pour s'emparer d'une mystérieuse relique, mais Magnus Martel charge son fils Jake et Mira, une étudiante en alchimie, de la détruire.Depuis des millénaires, les forces de l'ombre et de la lumière se livrent un combat sans merci pour s'emparer d'une mystérieuse relique, mais Magnus Martel charge son fils Jake et Mira, une étudiante en alchimie, de la détruire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Benjamin Feitelson
- Tour Guide at Rennes le Chateau
- (as Ben Feitelson)
Avis à la une
I'll start by admitting that `Revelation' had me completely fooled. It had so many elements of the mega best seller `The DaVinci Code' that I assumed it was a quick knockoff to capitalize on the popularity of the book. It certainly feels like it was thrown together far too quickly. But since the movie came out well before the book, I'll assume this is an original mess. It is instructive to see how it is possible to take exactly the same elements and arrange them into an enjoyable book, which frankly some people are taking way too seriously, or totally incoherent movie.
Actually there are a lot of decent elements here. In addition to interesting historical background, the acting, dialog, and production values are better than average for this genre.
But in the end all of this is wasted in a confusing and pointless plot. Nothing could recover from a story this bad.
Actually there are a lot of decent elements here. In addition to interesting historical background, the acting, dialog, and production values are better than average for this genre.
But in the end all of this is wasted in a confusing and pointless plot. Nothing could recover from a story this bad.
I was baised towards this film as I know someone in it. I feel so sorry for the producer as he must have had great visions for this film, as did I. There are some shocking moments that leave you wide eyed and disbelieving what you have just seen, but it seems like a decent film spoiled by some terrible acting.
The last line that Jacob says.... had us rolling around in laughter from its pure cheeseyness.
How did such a good story line get made into such a Straight-to-TV quality film?
Could have been so good. Ended up as disappointing.
The last line that Jacob says.... had us rolling around in laughter from its pure cheeseyness.
How did such a good story line get made into such a Straight-to-TV quality film?
Could have been so good. Ended up as disappointing.
For a film so obviously ripped from the pages of "Holy Blood, Holy Grail", and the loathsome-but-funny "Templar Revelation", this film takes itself way too seriously. I guess with the bogus "Da Vinci Code" selling more than the bible nowadays, there's a market for so-called occult themed films, but honestly; even in films, it stretches credulity when "experts" of religious iconography are astonished at the fact that the egyptian ankh and the symbol of venus bears more than a passing resemblance. Or for that matter, when Sir Isaac Newton, in his monologue address himself as "I, Newton...". Oh, the pomposity! And then there's the matter of the phantom-ninja-templar-assassins and the apparently undying Udo Kier, whose strange powers are really never explained (except that they're EVIIIIL). Still, see it with a couple of like-minded friends for a good laugh (preferably with a couple of beers), but if your mind is liable to be "blown away", and you "really start thinking" by some self-important references to knight templars and goddess-worship; do us all a favor and rent Dr.Doolittle instead.
The film started with much promise, but is soon became obvious that either the script writer or the producer or both were out of their depth on the subject. Interesting story lines were made absurd by painfully obvious inconsistent and just plain wrong interpretations of the symbols and imagery. Disappointingly some of the imagery visible in the film at the locations where filming took place, could have been woven into the story to give it more body, but was instead given no more than backdrop status. This film is a lost opportunity; a little more research could have made it more coherent and provided a smooth flow rather than the disjointed feel it seemed to convey.
As a fan of Udo Kier, if a movie of his comes on the TV, I will watch it. So I watched Revelation, and, not being biased, Udo was a actually the best thing about this movie. Which is odd when you consider that Terence Stamp is in the same movie. But I don't know what happened. Stamp is AWFUL in this movie. Maybe he just couldn't be bothered, but his acting is atrocious. His line delivery is awful! But Revelation isn't that good a movie. And maybe Stamp knew that and so didn't put the effort in.
The movie is about some box called the Loculus which has been around since the crucifixion of Christ, and Stamp's character leaves his son Jake (James D'Arcy), and his female friend, to stop the evil Grand Master (Udo Kier) from getting hold of this box.
From watching the movie, I would imagine director Stuart Urban probably hasn't had much experience as the whole movie seems a little to student-movie-esquire. The acting from everyone (bar Kier) is atrocious, and a director who can't get a good performance out of Terence Stamp is clearly crap. And there is no chemistry between James D'Arcy and whoever plays the girl at all. The only thing worth watching it for is Udo Kier, he's always been good at playing the bad guy, and the only thing remotely creepy in it are the Grand Master's dogs who move freakishly fast.
Overall, unless you are a Kier fan, watching this would be a waste of your time. And it you're a Stamp fan, STEER WELL CLEAR! You'll be completely shocked his acting could stoop so low.
The movie is about some box called the Loculus which has been around since the crucifixion of Christ, and Stamp's character leaves his son Jake (James D'Arcy), and his female friend, to stop the evil Grand Master (Udo Kier) from getting hold of this box.
From watching the movie, I would imagine director Stuart Urban probably hasn't had much experience as the whole movie seems a little to student-movie-esquire. The acting from everyone (bar Kier) is atrocious, and a director who can't get a good performance out of Terence Stamp is clearly crap. And there is no chemistry between James D'Arcy and whoever plays the girl at all. The only thing worth watching it for is Udo Kier, he's always been good at playing the bad guy, and the only thing remotely creepy in it are the Grand Master's dogs who move freakishly fast.
Overall, unless you are a Kier fan, watching this would be a waste of your time. And it you're a Stamp fan, STEER WELL CLEAR! You'll be completely shocked his acting could stoop so low.
Le saviez-vous
- Citations
Curé at Rennes-le-Chateau: Curiosity strangled the cat.
- ConnexionsReferenced in Rewind This! (2013)
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- How long is Revelation?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Страж тьмы
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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