Ajouter une intrigue dans votre langueThe story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.The story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.The story of how the radical Huey P. Newton developed the Black Panther Party based on his 10-point program for social reform.
- Récompenses
- 3 victoires et 5 nominations au total
Georgina Ransley
- Mod Chic
- (as Georgina Keajra)
Marlon Brando
- Self
- (images d'archives)
- (non crédité)
H. Rap Brown
- Self
- (images d'archives)
- (non crédité)
William F. Buckley
- Self
- (images d'archives)
- (non crédité)
Stokely Carmichael
- Self
- (images d'archives)
- (non crédité)
Eldridge Cleaver
- Self
- (images d'archives)
- (non crédité)
Kathleen Cleaver
- Self
- (images d'archives)
- (non crédité)
Angela Davis
- Self
- (images d'archives)
- (non crédité)
Miles Davis
- Self
- (images d'archives)
- (non crédité)
Fred Hampton
- Self
- (images d'archives)
- (non crédité)
Martin Luther King
- Self
- (images d'archives)
- (non crédité)
Histoire
Le saviez-vous
- ConnexionsFeatures Orfeu Negro (1959)
- Bandes originalesBallad of a Thin Man
Written and Performed by Bob Dylan
Commentaire à la une
I've seen Smith in a bunch of movies usually in a small yet important role and on HBO's K Street. This rendering of his live play by Lee finally showcases his tremendous range. Smith is one of those enigmatic actors you see but can't quite place -- here he stands out magically: an enigma playing an enigma. Intense!
I liked the music, it was subtle, supportive and gave great context. Seeing the berets of the audience members reminds us the icon Newton has been. It seemed to be, to a certain extent, a memorial. The use of the archival footage was effective as was Smith's choreography.
As a writer, Smith incorporated many threads of Newton's life skillfully. One thing I didn't get from the film was a cardboard cutout of Newton in one way or the other. He was neither the oversimplified "angry black man" nor the "crazed junkie." Smith's rendering of the character had so much texture: he was vulnerable, strong, defiant, needy, angry, compulsive, confident, worldly and naive. Beautifully written, expertly done. Why Smith isn't playing more leads is a real mystery. I hope he does more work like this.
I liked the music, it was subtle, supportive and gave great context. Seeing the berets of the audience members reminds us the icon Newton has been. It seemed to be, to a certain extent, a memorial. The use of the archival footage was effective as was Smith's choreography.
As a writer, Smith incorporated many threads of Newton's life skillfully. One thing I didn't get from the film was a cardboard cutout of Newton in one way or the other. He was neither the oversimplified "angry black man" nor the "crazed junkie." Smith's rendering of the character had so much texture: he was vulnerable, strong, defiant, needy, angry, compulsive, confident, worldly and naive. Beautifully written, expertly done. Why Smith isn't playing more leads is a real mystery. I hope he does more work like this.
- deedeeshore
- 27 août 2004
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Huey P. Newton: I istoria enos mavrou panthira
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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