NOTE IMDb
4,1/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueA sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
The sniggering from the video store staff should have alerted my attention to the poor choice I had made in deciding to rent "Hotel." Is it really the worst film I've ever seen? Without doubt... and I say this having watched "Bogus Witch Project" (now relegated to the number 2 spot in the all time worst films). Sometimes films are so bad, they're good. This however is so bad it's dug deep, used some industrial mining equipment and broken through to a whole new kind of Hell that no-one knew existed. Truly awful. Everyone involved should be ashamed of themselves. Let us never speak of it again.
There have been a few times when I've watched a bad film and said the words, "Oh, God, that was the worst film I've ever seen", but I knew I never really meant it, I couldn't possibly make a serious judgement like that. Until now. This film remains the worst film I have ever seen. Even now, years later, when I watch some load of crap and say that it's the worst, this one comes back to me and I always have to add, oh no, apart from "Hotel", now that really was THE worst. It is pretentious. It is boring. God knows how they managed to get good actors to lower themselves to this wanky rubbish. You cringe and you squirm, just at the thought of how painful it must have been for all involved to have rammed their heads that far up their own arses. I watched this film ages ago, but I have come here, years later, and I still have the urge to shake my head at people over the internet, and say, no. No, don't do it. Don't watch it. There is absolutely no worth in it at all. Nothing.
I've stayed in many hotels. The movie Hotel reminds me of the worst hotels. Someone suggested film students should see this film. And yes, they should. So they know what it takes to make a boring film. I think the majority of movie watchers like a film they can follow, even if it is a bit confusing. But Hotel goes way beyond confusing. There was some interesting film work but most of the story was void of meaning on first watch. And there was such a void of story that I would not watch it again. Too boring in so many ways to make me want to watch it again to figure out the meanings. On the DVD container it says Roger Ebert called it "Bold, funny, delightful!". I think he meant boldly boring, funny for one scene, and delightful to eject from the DVD player. But then again, I think we all know Ebert is a little unreliable with his thumb up.
I came across this movie in the local rental outlet, where it has a fashionable DVD jacket, a cast list that seems to never end the names of celebrities and famous actors, and a text on the back of the cover that suggests this movie is a very smart, eery horror movie.
Well. It is not. I watched it, and after about five hours - or was it just 2? time distorts with boredom... - it ended, and I also watched the "making of". Which explained a lot. The concept: The director wanted to shoot a movie. In Venice. With lots of famous actors that receive equally small salaries. Using only digital cameras and his own handheld camera rig inventions. Without a script, entirely improvised. Without. A. Script.
That should explain it all. Let's just describe one scene, somewhere in the movie: A hotel maid pours white liquid into two cocktail glasses that are placed in front of a business man on a cell phone. She undresses, dipping her breasts into both glasses in front of the - now just mildly distracted - business man, who continues to bark orders into his cell phone. She dips them in again. She stands up and gets dressed. The guy drinks the white liquid from the glasses. The sequence lasts a few minutes, is completely without reference or context, and just sits there, eager to provoke an audience reaction, but failing (in my case).
Or, the 10-minute flamenco dance shot simultaneously with 4 cameras. Impressive, but useless. There are many such scenes - out of context, without purpose, done purely for the joy of doing them.
Now don't get me wrong - the movie (if it can be called a movie) has its moments. Yes, with a lot of effort, you can almost make out a story (a film crew shooting a cheap movie in Venice, sticking to a weird dogma of guerilla-movie-making). There is a murder - or at least an attempted murder. And, the most memorable scene of the movie has to be the 15 minutes or so that we see the shot director lying on the ground, only able to move his eyes, while his cast come to him and talk to him, too self-absorbed to notice he's dying. The three other (sex) scenes playing in the other split screen windows at the same time look pale in comparison. (Note to director: 4 split screens is just too much!) Or the scene where a woman undresses, whispering comments to the audience ("Now, why should this be particularly interesting to you?" she asks, while removing the first item of clothing) before engaging in sex with the comatose director.
But do 2 memorable scenes make up for all the rest? After all, the DVD jacket sleeve promised thrills, chills, and cleverness. There was nothing thrilling about the entire movie at all. And, while it may think it's clever, it just isn't. The actors, left to improvise a story out of nowhere, fail to achieve much. In the beginning, Rhys Ifans (playing the director) grabs the screen, eager to be the centre of attention, and shouting so much that no one else gets noticed at all. No wonder they "improvised" his assassination - they must have been sick of not being noticed. Then, the rest of the cast fail to do anything creative, and most of the pleasure is in watching their movie-in-a-movie, which has more dialogue and more of a storyline, and more displays of acting skills than the rest of the story. Then, Salma Hayek tries to steal the show (by being incredibly annoying) and is improvised away, just as she becomes unbearable. Is there a pattern here?
The moral is, a movie without a script cannot be entertaining. Film students and artists may appreciate it, but the rest of the population won't. And, with 20-odd egos, it's impossible to make a good movie.
Quite frankly, only watch this if you are looking for material to write a bad review or a bad arts essay about. Or if you need something to satirize - the entire movie feels like an extended version of the short film that the arts teacher presents to her class in "Ghost World" - a bad joke at art's expense....
Well. It is not. I watched it, and after about five hours - or was it just 2? time distorts with boredom... - it ended, and I also watched the "making of". Which explained a lot. The concept: The director wanted to shoot a movie. In Venice. With lots of famous actors that receive equally small salaries. Using only digital cameras and his own handheld camera rig inventions. Without a script, entirely improvised. Without. A. Script.
That should explain it all. Let's just describe one scene, somewhere in the movie: A hotel maid pours white liquid into two cocktail glasses that are placed in front of a business man on a cell phone. She undresses, dipping her breasts into both glasses in front of the - now just mildly distracted - business man, who continues to bark orders into his cell phone. She dips them in again. She stands up and gets dressed. The guy drinks the white liquid from the glasses. The sequence lasts a few minutes, is completely without reference or context, and just sits there, eager to provoke an audience reaction, but failing (in my case).
Or, the 10-minute flamenco dance shot simultaneously with 4 cameras. Impressive, but useless. There are many such scenes - out of context, without purpose, done purely for the joy of doing them.
Now don't get me wrong - the movie (if it can be called a movie) has its moments. Yes, with a lot of effort, you can almost make out a story (a film crew shooting a cheap movie in Venice, sticking to a weird dogma of guerilla-movie-making). There is a murder - or at least an attempted murder. And, the most memorable scene of the movie has to be the 15 minutes or so that we see the shot director lying on the ground, only able to move his eyes, while his cast come to him and talk to him, too self-absorbed to notice he's dying. The three other (sex) scenes playing in the other split screen windows at the same time look pale in comparison. (Note to director: 4 split screens is just too much!) Or the scene where a woman undresses, whispering comments to the audience ("Now, why should this be particularly interesting to you?" she asks, while removing the first item of clothing) before engaging in sex with the comatose director.
But do 2 memorable scenes make up for all the rest? After all, the DVD jacket sleeve promised thrills, chills, and cleverness. There was nothing thrilling about the entire movie at all. And, while it may think it's clever, it just isn't. The actors, left to improvise a story out of nowhere, fail to achieve much. In the beginning, Rhys Ifans (playing the director) grabs the screen, eager to be the centre of attention, and shouting so much that no one else gets noticed at all. No wonder they "improvised" his assassination - they must have been sick of not being noticed. Then, the rest of the cast fail to do anything creative, and most of the pleasure is in watching their movie-in-a-movie, which has more dialogue and more of a storyline, and more displays of acting skills than the rest of the story. Then, Salma Hayek tries to steal the show (by being incredibly annoying) and is improvised away, just as she becomes unbearable. Is there a pattern here?
The moral is, a movie without a script cannot be entertaining. Film students and artists may appreciate it, but the rest of the population won't. And, with 20-odd egos, it's impossible to make a good movie.
Quite frankly, only watch this if you are looking for material to write a bad review or a bad arts essay about. Or if you need something to satirize - the entire movie feels like an extended version of the short film that the arts teacher presents to her class in "Ghost World" - a bad joke at art's expense....
Everything you have heard about this film is true. It is horrible, it is an experiment that went terribly bad. I think Mike Figgis has perhaps lost his mind. What motivataed him to put such CRAP on film. Seriously, and to pay some actors who are not too bad in their own right, to play in it. The screenplay is irrelevant, because the horrible amateur hand-held cameras similar to blair-witch but even more annoying, and the horrible editing already make the film fall under a 5/10, then on top of that, the wasting of actors, the horrible dialogues, annoyingly boring script, and nonexistent directional voice just cause me to give perhaps the worst review i have ever gave of a film. I mean hated crap like Bad Company, when a stranger calls, etc.. but this is far outclasses those films in regards to how extremely bad it is...--- IMDb Rating: 4.5, my rating: 3/10
Le saviez-vous
- AnecdotesJohn Webster's play "The Duchess of Malfi" was first performed in 1614 at the Globe Theatre in London, and first published in 1623. The onscreen credits simply list the title followed by the author's name, and omit the word "play".
- ConnexionsReferences Citizen Kane (1941)
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- How long is Hotel?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Отель
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 29 813 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 840 $US
- 27 juil. 2003
- Montant brut mondial
- 35 588 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
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