L'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur reto... Tout lireL'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur retour.L'histoire de la première grande bataille des forces armées américaines lors de la guerre du Vietnam, et des soldats des deux côtés, alors que leurs femmes attendaient anxieusement leur retour.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Avis à la une
The central figure in the movie is Lt. Col Hal Moore, played by Mel Gibson. Moore, leading the 7th Cavalry, will train his men and lead them into whatever hell awaits them. The film begins back home as Moore assembles his new unit and begins to whip them into shape. Here we learn much about what makes Hal Moore tick and begin to see him for the true leader of men he is. These opening scenes are important as they show many of Moore's motivations and also the obstacles which are placed in his way. The time back home also allows us to see Moore the family man with his strong, stoic wife, played by Madeline Stowe, and their young children. We also meet other key characters. There is Moore's second-in-command, battle-tested Sgt. Maj. Plumley, played with wonderful gruffness and all the appropriate seriousness by Sam Elliott. There is helicopter pilot Bruce Crandall, played by Greg Kinnear, and young Lt. Jack Geoghegan, played, surprisingly well for someone who came to prominence in a silly farce like American Pie, by Chris Klein. But the key figure throughout is undeniably Moore and Gibson's strong, confident portrayal is a key to the movie's success.
While important in establishing the key characters and the emotional ties that bind them to each other and those whom they are leaving behind, the opening scenes back home have a feeling of just biding time about them. The film really takes off when the 7th Cavalry is dropped into the Valley of Death and confronts the overwhelming enemy force which awaits them. The rest of the film deals with this one epic, unrelenting battle. It sounds clichéd but the battle scenes are so well choreographed and photographed that you do truly feel as if you are there. The intensity of the conflict jumps off the screen. The focus is on the valor and heroism of the American soldiers but unlike so many war films which present a nameless, faceless enemy we also get to see things from the Vietnamese perspective. We see the enemy leaders detailing their strategy and also are presented with reminders that the Americans are not the only ones with loving, concerned families back home. We see the toll on both sides, not just for the soldiers but perhaps most poignantly in scenes inter-cut from home where soldiers' wives wait to learn the fates of the men they love.
We Were Soldiers is a brutally honest, unflinching look at the hell that is war. It is a story which begged to be told. Seeing as it is adapted from a book by two of the central figures in the conflict, Hal Moore and reporter Joe Galloway who found himself thrust into the middle of the conflict (and who is played wonderfully by Barry Pepper in the film) you can rest assured that unlike so many other war films this one would focus on "getting it right." The film tells it as it truly was. It is at times invigorating and inspiring and at other times truly heartbreaking. All in all it is a fitting tribute to, as the film states at the beginning, the men on both sides who died in that place.
The millions in Indo-China murdered at the hands of the Communist cry that our "racism" was so poorly lead at the highest civilian levels that we abandon them. Their blood is not on my hands or on the hands of my fellow soldiers. It is on the hands of those who are so blind they refuse to see. A valid case could be made that that there are errors in the story, certainly it doesn't tell the rest of the story, or of the next part of this battle where US casualties were 40%. What it does tell it tells very well. Those men were volunteers, and their nobility shows in this movie. I recommend it, especially for any who would want to understand those who served at that time.
Based on actual events in 1965, this was the first major involvement of US troops and North Vietnamese regulars. The writing, directing, and acting are first rate, and the battle scenes are too real for comfort. What really makes the mind reel is that after the slaughter depicted in this film, Mel's character Lt. Col. Hal Moore goes back to the valley of death for more than 200 days. The American dead are listed on 3 East of the Vietnam Memorial Wall. I stood at attention and cried when the names of the fallen were listed at the end of the film. You will, too.
We were soldiers is a movie about the first American attack on the Vietnamese. A col. rides into battle with his man and they have to encouter several attacks from the enemy. It also tells the story from the wife of the col., who receives the telegrams of the dead soldiers.
There are moments of action which are needed in a war movie. The action-moments are good and the special effects look real. There are also moments of drama, so the movie does not have full action only, which is good to stay concentrated. But the drama does not hurt the movie, because there's not to many of it.
Overall it's a movie which keeps your focus to the last minute. It's not the best war movie ever, but you should certainly see it. Not only because of the very good acting of Mel Gibson.
My dad was stationed with the 1st Cavalry. The "Valley of Death" was where he fought his first major battle and lived. I'll never forget the scenes in this movie because my dad didn't have to be alive and well today. After seeing this movie, there has not been one day where I wondered what would have happened to me if he didn't live to see it.
I am eighteen now, and my dad suggested that I see this and gain an idea on how gruesome the battle was and how he managed to live through it. I cried at the end, the same thing I did when I cried at the end of "Platoon", because I think of so many of those who may have been friends with my dad...who never lived to see the next day after that battle ended. I think of those who came back scarred deeply, not only physically, but emotionally and spiritually.
And I will continue to cry for them....cry as deeply as I can...
Le saviez-vous
- AnecdotesSam Elliott became so close to the real Basil L. Plumley and his family that during Plumley's funeral with military honors Elliott sat in the front row beside Plumley's daughter as she received the folded flag.
- GaffesContrary to what's shown in the movie, Lieutenant Henry Herrick and 2nd Platoon did not recklessly charge after a lone NVA soldier, but were in fact ordered to advance out to the flank by Captain John Herren and did so in a disciplined manner. However, he encountered a group of retreating PAVN soldiers and followed them, losing contact with the rest of the company and leaving the flank exposed. At one point, when coming to the clearing shown in the film, Herrick stopped and radioed back on whether or not he should continue through it or go around it, which was when he and his men were attacked by the NVA.
It was also Herrick's platoon that inflicted the first casualties on the NVA in said attack, not the other way around as shown in the movie.
- Citations
Lt. Colonel Hal Moore: [Hal Moore speaks to his men before going into battle] Look around you. In the 7th cavalry, we've got a captain from the Ukraine; another from Puerto Rico. We've got Japanese, Chinese, Blacks, Hispanics, Cherokee Indians. Jews and Gentiles. All Americans. Now here in the states, some of you in this unit may have experienced discrimination because of race or creed. But for you and me now, all that is gone. We're moving into the valley of the shadow of death, where you will watch the back of the man next to you, as he will watch yours. And you won't care what color he is, or by what name he calls God. They say we're leaving home. We're going to what home was always supposed to be. Now let us understand the situation. We are going into battle against a tough and determined enemy.
[pauses]
Lt. Colonel Hal Moore: I can't promise you that I will bring you all home alive. But this I swear, before you and before Almighty God, that when we go into battle, I will be the first to set foot on the field, and I will be the last to step off, and I will leave no one behind. Dead or alive, we will all come home together. So help me, God.
- Versions alternativesTrailers include a scene where Julie Moore explains that the last thing most dying soldiers say is "Tell my wife I love her". This is not included in the theatrical release.
- Bandes originalesHold On I'm Coming
Written by Isaac Hayes and David Porter
Performed by Tommy Blaize
Produced by Nick Glennie-Smith
Meilleurs choix
- How long is We Were Soldiers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Fuímos heroes
- Lieux de tournage
- Fort Hunter Liggett, Californie, États-Unis(Central Highlands, South Vietnam)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 75 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 78 122 718 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 212 543 $US
- 3 mars 2002
- Montant brut mondial
- 115 374 915 $US
- Durée
- 2h 18min(138 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1