Beonjijeompeureul hada
- 2001
- 1h 47min
NOTE IMDb
7,0/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueTwo soulmates find each other only to be torn apart by tragedy. However, not even death can keep them apart...but can destiny?Two soulmates find each other only to be torn apart by tragedy. However, not even death can keep them apart...but can destiny?Two soulmates find each other only to be torn apart by tragedy. However, not even death can keep them apart...but can destiny?
- Réalisation
- Scénariste
- Stars
- Récompenses
- 5 victoires et 7 nominations au total
Kim Kap-su
- Sculpture professor
- (as Kim Gap-soo)
Namgoong Min
- Kim Seong-cheol
- (as Namkoong Min)
Avis à la une
Shy Korean boy meets pretty Korean girl when they share an umbrella in the rain. They finally get together only to have the boy leaving for military service. She's on her way to see him off when she's killed by a bus.
Skip ahead a few years and the boy is now a man teaching in a high school. He becomes convinced that his love has been reincarnated into the body of a 17 year old boy that is his student. What are they to do?
Skip ahead a few years and the boy is now a man teaching in a high school. He becomes convinced that his love has been reincarnated into the body of a 17 year old boy that is his student. What are they to do?
10hideone
This film is simply innovative and beautiful. It leaves you such a warmth in your heart that you will appreciate more as whole. The plot contains full of witty and touching moments; it is a romance/fantasy genre between two soulmates in college with the amusing twist. I don't want to give out much details on the storyline, because they have almost the same effect, yet in a very comical way of what 'Sixth Sense' did in the ending; you dont want to know that Bruce Willis is already dead in the first place. Do you? You will find out when you see the movie. The script is perfect; it's got none of useless parts, and the actors give great lines with it. The cinematography is beautifully shot in clean and soft touches that fits to the theme. Just watch this one; I assure you it is different.
This love story is quite engaging. It portrays relatively simple, but very touching characters. There is an aura of innocence and naive charm that transpires.
The story itself is sweet. It deals with the themes of typical teenage romance (teasing, awkwardness, tension, comfort, confusion, initial steps into sexuality) and of deeper love (transcendence, bond, implicit connection, sharing, understanding).
The begging is excellent and shows Seo In-woo and In Tae-hee fall in love and figuratively leap together towards the uncertainties of life. They form a bond of heart-felt love, trust and appreciation. The cinematography and the dialogue of their sequences in the rain are magnificent. The right mixture of simple and grand. They're intimacy is also very well expressed and we feel like we almost fell in love anew as a viewer. Quite marvellously done.
After this exquisite prelude, the story then fast-forwards to a few years in the future, when Seo In-woo is now a professor. Little by little, we start to understand what has happened during the time gap and how the professor's inner world is resurfacing. It slowly comes back in a very interesting, non-conventional and unpredictable way.
While the characters remain simple, even if in conflict, the story then intensifies and reach a level of complexity and maturity that is truly exemplary.
The cinematography is again allowed to shine when we leave the classroom and even the interior scenes in Seo In-woo's home (or the earlier motel scene for that matter) are perfectly shot. Calculated, warm and poignant. The landscape, the window shots, the contrasts of light and colours are all top-notch. Picturesque. Incredible craft.
The dialogue is also very perky, often funny, and keeps the story moving along with ease. When it's not funny, it's deep and intense, allowing the actors to shine.
The resolution of the movie is at once unnerving and soothing. Unbelievable, but also fitting and true. We realize that it could not really have been otherwise. We are not sure if we approve or not, but we can somehow nevertheless understand. Life is also as such: we don't always agree with it, but in the end we have to accept it.
The story itself is sweet. It deals with the themes of typical teenage romance (teasing, awkwardness, tension, comfort, confusion, initial steps into sexuality) and of deeper love (transcendence, bond, implicit connection, sharing, understanding).
The begging is excellent and shows Seo In-woo and In Tae-hee fall in love and figuratively leap together towards the uncertainties of life. They form a bond of heart-felt love, trust and appreciation. The cinematography and the dialogue of their sequences in the rain are magnificent. The right mixture of simple and grand. They're intimacy is also very well expressed and we feel like we almost fell in love anew as a viewer. Quite marvellously done.
After this exquisite prelude, the story then fast-forwards to a few years in the future, when Seo In-woo is now a professor. Little by little, we start to understand what has happened during the time gap and how the professor's inner world is resurfacing. It slowly comes back in a very interesting, non-conventional and unpredictable way.
While the characters remain simple, even if in conflict, the story then intensifies and reach a level of complexity and maturity that is truly exemplary.
The cinematography is again allowed to shine when we leave the classroom and even the interior scenes in Seo In-woo's home (or the earlier motel scene for that matter) are perfectly shot. Calculated, warm and poignant. The landscape, the window shots, the contrasts of light and colours are all top-notch. Picturesque. Incredible craft.
The dialogue is also very perky, often funny, and keeps the story moving along with ease. When it's not funny, it's deep and intense, allowing the actors to shine.
The resolution of the movie is at once unnerving and soothing. Unbelievable, but also fitting and true. We realize that it could not really have been otherwise. We are not sure if we approve or not, but we can somehow nevertheless understand. Life is also as such: we don't always agree with it, but in the end we have to accept it.
Being a hopeless romantic, how can I not like this film? Many a young lady has shared my umbrella in a sudden downpour. But that's where the analogy ends. Bungee jumping is not for me.
A Korean student offers the shelter of his umbrella to a young Korean girl and yes! it's love at first sight. Urged on by his school mates he takes the matter further and books into a hotel room. It's hilarious to watch but a calamity for the couple when he gets a bout of nervous hiccoughs!
They promise to love each other forever. Even in death, he says he will find her again. He casts a spell on her. Whenever she thinks of him, her "little pinky" (little finger) will rise.
The rest of the film takes a strange and original twist. What happens next many will not believe possible. I suppose we believe what we want to believe.
Time passes and the student becomes a school teacher, a charming fellow but hiding his sorrow at the loss of his loved one. Never forgetting his promise of eternal love, he begins to imagine her spirit has entered the body of one of his students. He watches him incessantly, lovingly and one day he sees a definite clue. His "little pinky" stands up.
The homosexual element of this film is delicately handled as the handsome teacher and student become lovers.
The ending is beautiful as the lovers hand-in-hand fulfil the wishes of the young Korean girl whose goal in life was to go to New Zealand for a very special purpose.
Yes, this is a film for romantic lovers. I am very sure of that.
A Korean student offers the shelter of his umbrella to a young Korean girl and yes! it's love at first sight. Urged on by his school mates he takes the matter further and books into a hotel room. It's hilarious to watch but a calamity for the couple when he gets a bout of nervous hiccoughs!
They promise to love each other forever. Even in death, he says he will find her again. He casts a spell on her. Whenever she thinks of him, her "little pinky" (little finger) will rise.
The rest of the film takes a strange and original twist. What happens next many will not believe possible. I suppose we believe what we want to believe.
Time passes and the student becomes a school teacher, a charming fellow but hiding his sorrow at the loss of his loved one. Never forgetting his promise of eternal love, he begins to imagine her spirit has entered the body of one of his students. He watches him incessantly, lovingly and one day he sees a definite clue. His "little pinky" stands up.
The homosexual element of this film is delicately handled as the handsome teacher and student become lovers.
The ending is beautiful as the lovers hand-in-hand fulfil the wishes of the young Korean girl whose goal in life was to go to New Zealand for a very special purpose.
Yes, this is a film for romantic lovers. I am very sure of that.
This film is about a young man falling in love with a girl he meets on the street. She then disappeared without a trace. 17 years later, he is convinced that his girl reincarnated as his male student.
I did not know a thing about the film before I watched it, and I was completely blown away. The plot is amazingly well written. It is a very well told love story. The past and present are intertwined, and the past is revealed only when it is relevant to the present. The relationship between the young couple is well built, setting a great scene for subsequent developments.
The second part of the film portrays a forbidden relationship. They face a lot of self doubt and pressure from others. It exemplifies how hard it is to live an alternative life. And to think In-woo is doing so because he "knows" Hyeon-bin is special makes me wonder what price people would pay to love, and to honour previous promises. The little signs that In-woo uses to make up his conclusion is well planned and well placed throughout the film. I was amazed by it, as every scene shows its significance later on in the film.
Hyeon-bin and In-woo's relationship is a double taboo, and I congratulate the filmmakers for having the courage and determination to make this film. "Bungee Jumping of Their Own" is captivating and touching. It is like no other film. and I certainly recommend it.
I did not know a thing about the film before I watched it, and I was completely blown away. The plot is amazingly well written. It is a very well told love story. The past and present are intertwined, and the past is revealed only when it is relevant to the present. The relationship between the young couple is well built, setting a great scene for subsequent developments.
The second part of the film portrays a forbidden relationship. They face a lot of self doubt and pressure from others. It exemplifies how hard it is to live an alternative life. And to think In-woo is doing so because he "knows" Hyeon-bin is special makes me wonder what price people would pay to love, and to honour previous promises. The little signs that In-woo uses to make up his conclusion is well planned and well placed throughout the film. I was amazed by it, as every scene shows its significance later on in the film.
Hyeon-bin and In-woo's relationship is a double taboo, and I congratulate the filmmakers for having the courage and determination to make this film. "Bungee Jumping of Their Own" is captivating and touching. It is like no other film. and I certainly recommend it.
Le saviez-vous
- AnecdotesThe film takes place in 1983 and 2000.
- GaffesStanding at the edge of a cliff in 1983, Tae-hee talks about her wish to bungee jump in New Zealand. Commercial bungee jumping was introduced in New Zealand only in 1986.
- Citations
In-woo's wife: Are you really gay?
Seo, In-woo: No.
In-woo's wife: Then what?
Seo, In-woo: I only love one person.
In-woo's wife: If you're going to love that one person, does it have to be a 17 year-old boy?
- ConnexionsRemade as Dew (2019)
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- How long is Bungee Jumping of Their Own?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bungee Jumping of Their Own
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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