NOTE IMDb
6,1/10
25 k
MA NOTE
D'étranges événements se produisent dans un sous-marin de la 2eme Guerre Mondiale.D'étranges événements se produisent dans un sous-marin de la 2eme Guerre Mondiale.D'étranges événements se produisent dans un sous-marin de la 2eme Guerre Mondiale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Matthew Davis
- Odell
- (as Matt Davis)
Avis à la une
Sci-Fi escape drama that will have you on the edge of your seat and cracking your knuckles. When a WWII submarine picks up three survivors of an incident in the middle of the Atlantic Ocean in 1943, the crew suddenly experiences mysterious doings in the confined space. It appears this boat is doomed from the start. Typical problems for a submarine movie. Pretty good acting from a diverse cast that includes: Bruce Greenwood, Matt Davis, Olivia Williams, Scott Foley and Holt McCallany. Decent enough F/X and sometimes scary story line holds your interest.
Its's a bit weird that after all these years the overall rating is 6.1. I am no movie critic but I have watched this movie in my younger years and just did it again. And I can tell that nothing is fundamentally is wrong with it :/ . Acting is OK, story is enticing, effects are decent and soundtrack is befitting the vibe of the movie. Story is quite good too. I have watched every horror movie rated above 7 except black and white oldies and I rate it 6.5 easily.
This was only playing at one cinema in my area (off my usual track) and when I saw it listed in the paper I thought "Wait, how did I miss that?" But it was rated R (always a plus for me; for one thing, an R rating means the F-word gets used at least twice, so it'll have at least that much realism) and I had read somewhere (probably on IMDB) that it was about submarines, so I thought I'd take a crack at it. My venture was well rewarded.
Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.
Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.
Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.
Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.
In one scene we see a seaman with pet fish in a tank, a nice ironic touch.
Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.
Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.
Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.
Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.
In one scene we see a seaman with pet fish in a tank, a nice ironic touch.
I don't recall this one being released, but it didn't do very well. However it had a very tidy story, some more or less decent acting, and was a visual treat.
The story seems pretty simple - WWII sub picks up a couple survivor, is pursed by a German ship, and then strange things start to happen and some secrets about various crew members are slowly revealed.
This is more of a thriller than a horror movie. While it does contain some jump scenes in it and some spooky goings on, one is left with a feeling of "was it just cabin fever?" As said, visually, this movie looked nice. It somewhat captured the cramped life on a sub and the tense moments they go through. However, some liberties were taken on the set design to provide more room. The class of sub they are on are not nearly as comfy as this would make one think.
Bruce Greenwood gives what I though was a very good performance. The movie can even stand up to a little bit of rewatch as well.
The story seems pretty simple - WWII sub picks up a couple survivor, is pursed by a German ship, and then strange things start to happen and some secrets about various crew members are slowly revealed.
This is more of a thriller than a horror movie. While it does contain some jump scenes in it and some spooky goings on, one is left with a feeling of "was it just cabin fever?" As said, visually, this movie looked nice. It somewhat captured the cramped life on a sub and the tense moments they go through. However, some liberties were taken on the set design to provide more room. The class of sub they are on are not nearly as comfy as this would make one think.
Bruce Greenwood gives what I though was a very good performance. The movie can even stand up to a little bit of rewatch as well.
If you have seen your share of genre-movies, there will in this movie rarely be an idea that you have not seen, a cut that has not been there already or a character that is completely new - but it´s the mix that counts and this mix came out very right.
If you are on the edge of your seat, you know what is going to happen but nothing has been shown in the first half of the movie and the suspense just keeps on building, I for one know that I am going to enjoy it to the last second.
Oh, and another thing - although there is only 1 woman in the movie, she is neither token, nor does she fall in love or is killed in the classic shower scene, but she actually is given a role to play - bravo. The only little thorn I can think of is, that I could have done without the very few gory (or at least bloodyish) scenes - was not really necessary. A silouette and some shocked expressions do suffice. Go and watch - not a cheap thrill, a good one.
If you are on the edge of your seat, you know what is going to happen but nothing has been shown in the first half of the movie and the suspense just keeps on building, I for one know that I am going to enjoy it to the last second.
Oh, and another thing - although there is only 1 woman in the movie, she is neither token, nor does she fall in love or is killed in the classic shower scene, but she actually is given a role to play - bravo. The only little thorn I can think of is, that I could have done without the very few gory (or at least bloodyish) scenes - was not really necessary. A silouette and some shocked expressions do suffice. Go and watch - not a cheap thrill, a good one.
Le saviez-vous
- AnecdotesSome filming for this movie took place on an actual WWII submarine. The USS Silversides (which is available for tours) located in Muskegon, Michigan, was towed out into the middle of Lake Michigan where scenes with Bruce Greenwood were filmed. The Silversides had some minor re-painting done (rust coloration) but is now back to her original gray color. The rest of the sets and models used in this movie were all based on the look and layout of the Silversides.
- Gaffes(at around 1h 22 mins) When the crew comes out of the sub from the forward torpedo room, they walk up stairs. In submarines during the war, there were no stairs out of a ship; sailors climbed up ladders through hatches. They walked through the forward torpedo loading hatch that was opened, and stairs were added to the sub after turning it into a museum ship to make it convenient for tourists to enter and exit the sub.
- Citations
Lt. Loomis: Sorry about what?
Brice: Uh... she was... asking about Winters.
Lt. Loomis: What'd you tell her?
Brice: The story.
- Crédits fousThe only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over.
- ConnexionsFeatured in Une vie inachevée (2005)
- Bandes originalesSing, Sing, Sing (With A Swing)
Written by Louis Prima
Performed by Benny Goodman
Published by EMI Robbins Catalog Inc. (ASCAP)
Courtesy of the RCA Records Label, a unit of BMG Music
Under license from BMG Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sumergidos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 605 562 $US
- Week-end de sortie aux États-Unis et au Canada
- 201 431 $US
- 13 oct. 2002
- Montant brut mondial
- 2 622 015 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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