13 Moons

I knew every character in this movie as a real person. I knew the depressive clown and the hard-boiled midget and the drug addicted drag queen and even the self-doubting priests. While "13 Moons" was not set in New York City in the seventies, it might as well have been. Granted, I've been out of that crazy, all-night life for a long time, but I'm sure it hasn't gone away. People don't change, and the same kinds of tormented souls have to be there, pursuing their crazy odysseys, all night long. Perhaps you've missed them if you've been cocooned in the enclaves of the middle class, but if you're brave enough to go out and find them, you can.

I was totally engaged by "13 Moons." The ensemble acting was first-rate, so the characterizations were virtually perfect. The plot may be slightly less than believable, but if you tossed that particular batch of odd characters together under the right circumstances, something like it just MIGHT have happened.

Many reviewers refer to this film as "quirky." Well, LIFE is quirky, children -- and if you don't think Bananas and Binky and Lenny and Slovo and Mo and Lily and Suzi are real enough, you haven't been drinking in the right bars.

See "13 Moons." Believe in it. It's a close approximation of a world you may not have encountered, but which certainly is real.

13 Moons, surprisingly, is one of the most lucid and hopeful flicks to emerge from the muddled dreams and frequently vengeful psyches of Los Angeles in years. A quest film every bit as compelling and complex-- and considerably less tricked out-- than Lord of the Rings, it's Alexandre Rockwell's valedictory to a city which may have little use for the independent filmmaker, but which offered him a way back to his own larger, more magnanimous instincts as an artist. An ever greater number of characters, from a clown Steve Buscemi to a bail bondsman and dead beat dad (David Proval) to a remarkably bad and self aware rapper/singer/ho (the extraordinary Rose Rollins), find themselves inhabiting, momentarily, a similar platform, a little piece of Los Angeles in the dead of the night. Like most of us, their dreams only bubble rarely to the surface of their lives, jostling there with their disappointments until they're submerged again under the monotony of their day jobs. But unlike most of us, these 7 people, in spite of themselves, find purpose in their movement. They go from a downtown bar to a bail bureau, from a cop station to a memorable moment in the zoo; and in their sojourn, they intersect with real need…an 8 year old, whose kidney is failing, whom dialysis only momentarily helps, who's thrown on the mercy of a city whose larger, social impulses seem deadened…and yet. A strong ensemble cast, energetically directed and brilliantly shot by Phil Parmet, makes 13 Moons that rare independent LA flick: one whose ambitions are so much greater than an audition for a studio picture. 13 Moons wants to give us a different way of imagining ourselves and the city we inhabit but so little know.

13 Moons is an ambitious, unusual film that works really well. It has beautiful imagery, great music and fantastic acting. And it manages to feel spontaneous and free in a way that big-budget studio films never quite do. In fact, it's exactly the kind of movie a big studio would never attempt. It features a huge, eclectic ensemble cast in a wild series of events that are, at first glance, pretty far-fetched. But the result is surprisingly smooth and genuine. First of all, the cast is fantastic. In addition to Steve Buscemi and Jennifer Beals, I recognized many of the actors from television and other (mostly independent) movies: David Proval from The Sopranos, Karyn Parsons from The Fresh Prince of Bel Air, Daryl Mitchell and Sam Rockwell from GalaxyQuest, and Peter Dinklage from Living in Oblivion. The plot doesn't exactly ramble, but there are definitely points where it's unclear where the story is moving. It's hard, with so many interesting characters, to maintain a perfect narrative balance. But the great thing about 13 Moons is that it is a little off-balance. It's basically a collection of strange little moments, but they all feel so sincere that it's easy to lose yourself in them. And in the end, everything and everyone comes together. In fact, it's one of the most satisfying movie endings I've seen in a long time. It's a shame 13 Moons wasn't released to the public the way it deserved to be. I hope more people can find a way to see this movie.

Writers Alexandre Rockwell and Brandon Cole managed to do the impossible: combine ten misfit characters into a storyline that gives each individual characterization bona fide arc and dimension.

The combination of Steve Buscemi and Peter Dinklage as an out of work clown and his loyal sidekick is priceless. Peter Stormare uses his entire acting arsenal to bring his homeless drunk to life and Sam Rockwell is terrific in his smaller part as an enterprising strip club bartender. Daryl Mitchell and newcomer Rose Rollins nearly steal the show as a P Diddy-esque record mogul and his tone deaf girlfriend, respectively, and Karyn Parsons is a long way from Bel Air as the stripper who is the object of Steve Buscemi's affection. Jennifer Beals is effective and stunning as ever as Buscemi's wronged wife. Austin Wolfe is touching and believable as the little boy who brings them all together and David Proval does a great turn as the kid's absentee father.

After a night of unparalleled shenanigans, in the end, the message is simple as delivered by Elizabeth Bracco as the little boy's mother. Having been told that this group of strangers has risked life and limb to help her son, she asks innocently, "Why would they want to help Timmy? They don't even know him." And therein lies the question that in a more compassionate world none of us would be compelled to ask.

TV clown Bananas (Steve Buscemi) has problems everywhere. His show hasn't got the same success it once had, his wife is discovered with another woman and tried to run him over, and with his partner Binky (Peter Dinklage) they have to help a sickly young boy left in care of a bail bondsman. Along the way they will meet drug addict Slovo (Peter Stormare) who after accidentally saving the kid wants to get rid of his habit of wandering the streets, two priests that got into a fight with the owner of a strip club (Sam Rockwell, the brother of the movie's director) and a few others.

Despite 13 MOONS is quite forgotten today, has a direct to video look and according to NateWatchesCoolMovies it wasn't even marketed properly back then, I found it unique. Now this doesn't mean it's a bad movie, but that you have to follow the movie really carefully for understanding the all point of the situations. At times I could relate for the characters because they were played by actors that are used to play normal guys and this was probably the most important thing in the movie for me.

Not an outstanding movie by all means, but if you are in the right mindset for it, you might probably understand the hidden meanings.