Puckoon

Spike Milligan was one of the funniest men I've ever seen, and a huge influence on my life.

This movie is limp and awful, and does his memory no credit. The script is cluttered and preserves too many lines from the book intact (the leg jokes here are incomprehensible). The actors' performances are uniformly ineffective, a great cast wasted, and the lead, Sean Hughes, delivers Milligan's belligerent hostilities in a plaintive whine, which misses the point completely.

The gentle pacing is a killer as well. Farce should accelerate towards the end. The Goon Shows often did, the novel "Puckoon" definitely did, but this film, if anything, slows down just when you want the various elements to smash together in a final climax.

Milligan narrated an abridged audio recording of "Puckoon" in 1980, with T.P. McKenna, Dermot Kelly, Norma Ronald and Jack Hobbs. Now, that's funny. Ten minutes of that is funnier than this whole film. I believe the LP was transferred to CD, but don't know if it's still in print.

There is a movie of "Adolf Hitler: My Part in his Downfall" with Jim Dale and Arthur Lowe. It too is a godawful mess, but it's funnier than this thing.

It's possible that Milligan's spirit is too rambunctious for the screen. The other reviewers here are indulging in politeness and wishful thinking. This film fumbles virtually every opportunity and never misses a chance to disappoint.

I hope, from his seat on Heaven's comedic throne, Spike Milligan can see and can enjoy this film, as Terence Ryan and Ken Tuohy have taken a book that the author himself said writing it "nearly turned me mad" into a joy to watch.

The film tells the story of the Irish town of Puckoon and the problems befallen upon it when the partition between Northern Ireland and the Republic is drawn up, cutting its way through the centre of the village and, more worringly, through the middle of the churchyard. This causes some deceased, buried in the Catholic churchyard, to now be in the Protestant north - and so the local priest, assisted by a wide variety of eccentric locals, aims to move the bodies back undercover of darkness, and so avoiding the bureaucratic British border guards.

It was inspired work to cast the Irish comedian and poet Sean Hughes to play the part of Madigan. He brings an innocence to the part, especially in his to-camera pieces (which is normally where he interacts with the voiceover of Richard Attenborough, playing supposedly the writer/director of the film). Daragh O'Malley playing Father Rudden is also worthy of considerable praise; and the rest of the cast, from the household names like Elliott Gould and Griff Rhys Jones to people with what would normally be called 'bit parts' - such as Spike's daughter Jane who plays Madigan's wife give 100% The credit for this goes, in no small part, to the wonderful characterisations given by Spike in the original book.

I could argue that the film is slightly too long, or that Elliott Gould's Irish accent left a little to be desired, but those would be only minor points and take nothing away from the excellence of this film.

I saw this at a Boston Irish Film Festival screening a few years ago and thought it was just simply amazing!! Does ANYONE know where to get it in the U.S.? It rivals such other Irish flicks as Waking Ned Devine and the Rat in it's hilarity, but alas it is unavailable here as far as I know. All about a little town in the hills that gets divided up during the separation of the counties of Ulster from the rest of the country. The most memorable scene to me was when people were trying to cross the border to get to their everyday lives. Women unable to feed their chickens/harvest the eggs, men being able to go into the bar but not actually sit at it. The church even gets separated from sections of the graveyard, which in turn creates some more very funny situations where some of the villagers and the priest (Daragh O'Malley) try and sneak into Ulster to bury a body of one of their late friends. Absolutely BRILLIANT!!!

This film is a must see for fans of the book and Milliganesque humour. I think the best thing about it is that the film works as a stand alone film in itself, irrespective of the book. It must have been very difficult to pull all the various scenes and diversions in the book together into one cohesive film.

All your favourite characters and scenes are in, and a great deal of the dialogue is word for word from the book, so you don't miss out on some of the characters' classic soliloquies, descriptions and chats with the author/director/viewer. The characters and setting really did appear as they did in my mind when reading the book. Off the top of my head, look out for the following classic scenes and dialogue from the book: - Madigan talking to the camera ('author' in the book) about his legs, his wife, retreating not running away etc.. - The owner of the Holy Drunkard pub describing his wedding day - Drawing the line to decide the border - Rafferty - Moving coffins to and fro across the border - two brothers smoking the same fag - the soldiers waiting for a train to show up - and lots, lots more!

Sean Hughes is great as Madigan (changed from Milligan in the book), .... Gryff Rhys Jones is head of the border patrols, Ronnie Drew of the Dubliners has a cameo role, Richard Attenborough plays the 'author', and one of the Macgann brothers is in it as well. For me, it's one of those films that I could watch over and over again as there are so many funny lines and scenes - bit like rewatching Life of Brian.

Puckoon, the story of a small Irish town divided by the Partition of Ireland in 1924 - really divided, the border goes through the middle of it! The characters are wonderful - the village idiot, the poacher, the priest and the hero(?)Dan Madigan, who participates reluctantly in hare-brained schemes to smuggle explosives into the North and deceased Catholics from the now Protestant side of the churchyard back into the Catholic part. Spike Milligan really hit the nail on the head with this hilarious story - pointing up the ridiculousness of political partition by 1)making it so farcical and 2) making the authorities who try to enforce it look like idiots. I notice that the Norwegian reviewer thought it a waste of money - but perhaps this film has the sort of message that only the Brits and Irish would understand. 10/10