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Mafia Love

Titre original : Avenging Angelo
  • 2002
  • Tous publics
  • 1h 37min
NOTE IMDb
5,1/10
10 k
MA NOTE
Sylvester Stallone and Madeleine Stowe in Mafia Love (2002)
Home Video Trailer from Columbia Tristar
Lire trailer0:53
2 Videos
36 photos
ActionComedyCrimeRomance

Ajouter une intrigue dans votre langueA woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.A woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.A woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.

  • Réalisation
    • Martyn Burke
  • Scénario
    • William Porter
    • Steve Mackall
  • Casting principal
    • Sylvester Stallone
    • Madeleine Stowe
    • Anthony Quinn
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    10 k
    MA NOTE
    • Réalisation
      • Martyn Burke
    • Scénario
      • William Porter
      • Steve Mackall
    • Casting principal
      • Sylvester Stallone
      • Madeleine Stowe
      • Anthony Quinn
    • 77avis d'utilisateurs
    • 24avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Avenging Angelo
    Trailer 0:53
    Avenging Angelo
    Avenging Angelo
    Trailer 0:59
    Avenging Angelo
    Avenging Angelo
    Trailer 0:59
    Avenging Angelo

    Photos36

    Voir l'affiche
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    + 28
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    Rôles principaux44

    Modifier
    Sylvester Stallone
    Sylvester Stallone
    • Frankie Delano
    Madeleine Stowe
    Madeleine Stowe
    • Jennifer Barrett
    Anthony Quinn
    Anthony Quinn
    • Angelo Allieghieri
    Raoul Bova
    Raoul Bova
    • Marcello
    Harry Van Gorkum
    Harry Van Gorkum
    • Kip Barrett
    Billy Gardell
    Billy Gardell
    • Bruno
    George Touliatos
    George Touliatos
    • Lucio Malatesta
    Angelo Celeste
    • The Priest
    Ezra Perlman
    • Rawley Barrett
    Carin Moffat
    Carin Moffat
    • Ashley
    John Gilbert
    John Gilbert
    • Whitney Towers
    Dawn Greenhalgh
    Dawn Greenhalgh
    • Peggy Towers
    Angelo Tsarouchas
    Angelo Tsarouchas
    • Thug
    Nancy Beatty
    • Meter Maid
    Lori Alter
    Lori Alter
    • Kay
    Kristina Nicoll
    Kristina Nicoll
    • Becky
    Gino Marrocco
    • Sammy Carboni
    Francesco Zimone
    • Young Angelo
    • (as Franco Zimone)
    • Réalisation
      • Martyn Burke
    • Scénario
      • William Porter
      • Steve Mackall
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs77

    5,110.4K
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    10

    Avis à la une

    uds3

    "Everybody's going somewhere!"

    If nothing else, the film justifies its existence for the restaurant scene at the beginning, wherein Quinn utters the above line. Short as it may be, THAT scene was cinematic magic, especially if you study Quinn's face as he delivers the words. The briefest of pauses makes you wonder if the reality of that line had momentarily struck him, fatally ill as he was with throat cancer during shooting. He died before the film's release bringing to an end one of Hollywood's most illustrious screen careers - one that spanned six decades. Restricted as the role of Angelo was, it was ENOUGH to say "goodbye" with, and with such dignity too. Quinn "conveyed" more in his ten minutes on screen here than others have amassed in a lifetime. He would have been delighted to be working, up to his last breath, literally. Stallone even, if you really look closely, appears to extend a real reverence to his co-star in those opening minutes.

    I think to have any hope of either understanding or even "liking" this film, you would need to be over 40 with a depth and awareness not everyone has. It is NOT a "surface" film. If that is all you can see, you're wasting your time. There is fun, chemistry, humor- subtle and less so....and a decent storyline. Whether you view it as parodying THE GODFATHER (which at times it appears to be doing) or telling a less than straightforward tale of revenge...mafioso style, this film has genuine moments of endearing drama. Many reviewers appear to feel short-changed expecting as they were, THE VALACHI PAPERS 2 or THE CURSE OF DON CORLEONE....nor was this wallowing in the putrid wake of OSCAR, Stallone's last "stab" as it were, at portraying the unfunny eccentricities of "la cosa nostra."

    I won't bother rehashing the plotline....enough here have done that. I would simply say that it is a great shame it went straight to video - Quinn deserved way more respect than that, and SO did this film. I agree with the reviewer who offered a 6.6 as being reasonable. Like I said though, you have to be able to look past the plot holes, the uneven direction and the oddball characterizations. Stallone and Stowe handed in some good work here!
    annomy

    Quinn for the last time...

    When I knew that Anthony Quinn was in this title, I had to see it. It's nice to see The Master on the big screen one more time.

    The story line for this film is nice and funny but unfortunatly there was a slight miss cast... The Leads!!! Sylvester Stallone is a great actor, no doubt about that, but the character here is faced with comedic situations and even has some funny lines. I admire the change that Stallone made to his roles, but let's face it... he's not funny at all. He can do great in drama, action... but not comedy!!

    Madline Stowe was fine but not convencing enough. It was obvious from the first look that there was no chemistry between the two. That can be seen clearly from the seen where Frankie trains Jennifer the cat walk. to me that's the worst scene in the movie.

    I personally liked the Funeral scene. I felt as if it was the last goodbye to Anthony Quinn.

    In short... The movie is entertaining but not worth going all the way to the theatre. If you are a Quinn fan, then rent it to see him for the last time.
    7artzau

    Ciao, Tony Quinn

    This was Tony Quinn's last film. He was dying of cancer of the throat when the film was being made and it shows in his weakness in the film. Appropriately, he gets offed and indeed, he was dying and died before the film was released. A grand old man who gave us lots of moments in hundreds of films from bad guys to good guys, always in the character realm. This film with Maddy Stowe and Sly Stallone is a fun film that wanders between being a kind of Prizzi's Honor in the chick-flick mode to a rather slap-stick comedy. However, what the reviewers herein who are panning Stallone with their "he's over the hill" comments seem to miss is that old Sly can do more than Arnie Swartzenegger clenched teeth grimacing action films with usually lousy story lines. True, this film at times can't seem to make up its mind whether to be a black comedy or pratt-fall filled lampoon of the traditional gangster/mafioso genre. No matter. It's fun because Stowe and Stallone are a delight to watch. Although, it does make one sad to know this was old Tony's last film, we should appreciate he worked right up to the last gasp, as it were. Ciao, Tony and thanks for all the good times. You'll be missed.
    ClarkDevlin

    Give it a chance...you might be surprised

    Disclaimer: I am a Stallone fan, so this is not by any means an impartial review. Still, I readily admit that Sylvester Stallone has made both good and bad films. This is definitely one of the former, though not typical of his better work.

    Stallone will never get any respect for his acting in the mainstream press, which is too bad: if he were an unknown in this role, and had given an identical performance, the press would laud him for his ability to handle subtle bits of comedy interspersed with action and gunplay. But he's Stallone- with all the baggage that carries, both good and bad- so his work is often overlooked.

    If I were assisting Mr. Stallone's career, I would have suggested putting this out in film, and keeping 'Get Carter' for video.

    Madeline Stowe has always been vaguely annoying to me, but not in this film. For one thing, one has to give kudos to her for her amazing physical shape: she's beautiful, with a figure that a lot of current 20-year-olds should aspire to! She deftly handles both the comic and the pathos of the script.

    Rent it with an open mind. I think you'll be pleasantly surprised.
    7roger_nt

    Good clean fun!

    I bought this movie for two reasons, first, I wanted to get something my wife and I could watch together and Wal-Mart was selling it for $5.50, and secondly, it was filmed partly in the city where I work, and I saw Stallone standing between two sound trucks, looking just like Sylvester Stallone as I was leaving my office one night. I had always thought I should have a look at the movie.

    I expected a grim-mouthed actioner, but having seen some of Stallone's other work I should have known better. The movie is played with a lot of good humour, and fine interplay between Stallone and Stowe. There were a couple of places where I actually laughed out loud, and it's hard to make me laugh.

    If you want a movie you can watch on a quiet night with your teen-aged kids and your wife, this'll do fine.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Never released theatrically in the United States. Went direct to DVD.
    • Gaffes
      At the opera, the book and the candle on the table switch positions.
    • Citations

      Frankie Delano: You ever read this book?

      Bruno: Have I ever read that book? Not only does that insult my intelligence but it insults my ignorance. Why would a man like me, who happens to like himself, be caught dead reading a bit of boy toy fluff like that?

      Frankie Delano: [using his book to muffle his pistol fire] Because it's a killer.

    • Connexions
      Featured in Making 'Avenging Angelo' (2003)

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    FAQ17

    • How long is Avenging Angelo?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 août 2004 (France)
    • Pays d’origine
      • États-Unis
      • France
      • Suisse
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Avenging Angelo
    • Lieux de tournage
      • Castellammare del Golfo, Trapani, Sicily, Italie
    • Sociétés de production
      • Dante Entertainment
      • Epsilon Motion Pictures
      • Quinta Communications
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 17 000 000 $US (estimé)
    • Montant brut mondial
      • 824 597 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.35 : 1

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