Lilo & Stitch
- 2002
- Tous publics
- 1h 25min
Une fillette hawaïenne adopte un animal de compagnie inhabituel qui est en réalité un fugitif extra-terrestre recherché.Une fillette hawaïenne adopte un animal de compagnie inhabituel qui est en réalité un fugitif extra-terrestre recherché.Une fillette hawaïenne adopte un animal de compagnie inhabituel qui est en réalité un fugitif extra-terrestre recherché.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 12 victoires et 28 nominations au total
Daveigh Chase
- Lilo
- (voix)
Chris Sanders
- Stitch
- (voix)
- (as Christopher Michael Sanders)
Tia Carrere
- Nani
- (voix)
David Ogden Stiers
- Jumba
- (voix)
Kevin McDonald
- Pleakley
- (voix)
Ving Rhames
- Cobra Bubbles
- (voix)
Susan Hegarty
- Rescue Lady
- (voix)
Amy Hill
- Mrs. Hasagawa
- (voix)
Emily Anderson
- Woman
- (voix)
Jack Angel
- Alien Guard
- (voix)
Bill Asing
- Man
- (voix)
Bob Bergen
- Officer
- (voix)
- (as Robert Bergen)
Steve Blum
- Hammerhead Guard
- (voix)
- (as Steven Jay Blum)
Résumé
Reviewers say 'Lilo & Stitch' explores themes of family, belonging, and love, emphasizing the concept of "ohana" and unconventional relationships. It addresses single-parent struggles and the challenges of raising a child post-loss. The film promotes tolerance, understanding, and acceptance of differences, highlighting that everyone can find a family. It also values cultural heritage and community, set against a Hawaiian backdrop. The movie balances heartfelt moments with humor, and the performances, particularly Lilo's, are praised for their authenticity and charm.
Avis à la une
It feels like ages since Disney gifted us with numerous gems like 'Bambi', 'The Little Mermaid', 'The Lion King' etc (to name only a few) but things haven't been going too well for them in the last 20ish years. The other day I saw 'Tarzan and Jane' and I was mortified at how awful it was. Not just in term of its content, but even the animation looked very amateur. 'Lilo and Stitch' is a gem to have emerged from Disney after a long long time. Sadly, Disney has gone back to churning the usual crap and the success of trash like 'High School Musical' can assure us that we cannot expect anything great from Disney for a while longer.
'Lilo and Stitch' presents a very new style of animation with a new story. The characters, setting and music are all very refreshing. It's quite a nice touch of Disney to reintroduce Elvis to the younger generation. I loved most of the songs including Wynonna's version of 'Burning Love'. the only song i hated was A-Teens version of 'Fools Rush In'. Those bitches totally ruin that song. I didn't listen to the rest of the songs during the end credits but i hear that those too have been ruined by non-talents of the current-day. The setting in Hawaii is beautiful. I know it's only animation but it makes one want to go live there. The Hawaiian culture is very nicely portrayed.
The characters are very unique, real and lovable. We can recognize the little brat we once were in Lilo. She's a brat and gives her sister one hell of a time but also has a soft spot. She clearly loves her sister and is pretty much a lonely child. The sisters relationship was very real. Nani is pretty much the sole guardian struggling to make a living and raise her sister. This was also another point that 'Lilo and Stitch' lightly tackle, real life situations where an elder sister is trying to be a good parent to her little sis while she is also threatened by a social worker and tries to balance her worklife and life at home (which is clearly dysfunctional). At the same time we also see that she hardly has time for any romantic relationships. Stitch is one of the most unique characters of a Disney film. He is pretty much like an outsider who doesn't get along with anyone in the beginning, mostly through faults of his own but gradually forms a close bond with Lilo and Nani (kind of like me when I was a teen except that instead of Lilo and Nani I had a few good friends). The voice cast (that includes names like Tia Carrere, David Ogden Stiers Ving Rhames and even Chris Sanders who created the film) do a fine job giving life to their characters.
'Lilo & Stitch' is sheer entertainment. It tackles some relevant themes such as family value, the need to belong and unconditional love but it is well handled and doesn't do it in a way that will bore the kids. It's as much a movie for kids as it is for adults. It all started with Chris Sanders's (who also dubbed for Stitch) idea and he deserves full credit for it. Just think of the beautiful line often repeated in the film. 'Ohana means family, and family means NO ONE gets left behind'. Simple words yet such a powerful line. And it's coming from a Disney film. A real gem indeed.
'Lilo and Stitch' presents a very new style of animation with a new story. The characters, setting and music are all very refreshing. It's quite a nice touch of Disney to reintroduce Elvis to the younger generation. I loved most of the songs including Wynonna's version of 'Burning Love'. the only song i hated was A-Teens version of 'Fools Rush In'. Those bitches totally ruin that song. I didn't listen to the rest of the songs during the end credits but i hear that those too have been ruined by non-talents of the current-day. The setting in Hawaii is beautiful. I know it's only animation but it makes one want to go live there. The Hawaiian culture is very nicely portrayed.
The characters are very unique, real and lovable. We can recognize the little brat we once were in Lilo. She's a brat and gives her sister one hell of a time but also has a soft spot. She clearly loves her sister and is pretty much a lonely child. The sisters relationship was very real. Nani is pretty much the sole guardian struggling to make a living and raise her sister. This was also another point that 'Lilo and Stitch' lightly tackle, real life situations where an elder sister is trying to be a good parent to her little sis while she is also threatened by a social worker and tries to balance her worklife and life at home (which is clearly dysfunctional). At the same time we also see that she hardly has time for any romantic relationships. Stitch is one of the most unique characters of a Disney film. He is pretty much like an outsider who doesn't get along with anyone in the beginning, mostly through faults of his own but gradually forms a close bond with Lilo and Nani (kind of like me when I was a teen except that instead of Lilo and Nani I had a few good friends). The voice cast (that includes names like Tia Carrere, David Ogden Stiers Ving Rhames and even Chris Sanders who created the film) do a fine job giving life to their characters.
'Lilo & Stitch' is sheer entertainment. It tackles some relevant themes such as family value, the need to belong and unconditional love but it is well handled and doesn't do it in a way that will bore the kids. It's as much a movie for kids as it is for adults. It all started with Chris Sanders's (who also dubbed for Stitch) idea and he deserves full credit for it. Just think of the beautiful line often repeated in the film. 'Ohana means family, and family means NO ONE gets left behind'. Simple words yet such a powerful line. And it's coming from a Disney film. A real gem indeed.
First time, I commented how "The Emperor's New Groove" was my favorite Disney movie of the last ten years, and how "Lilo & Stitch" had left me wanting for more.
How wrong I was then.
I gave it another chance. I went back to watch it with a couple of friends and their sons and daughters. What best atmosphere to enjoy a Disney flick?
And then, the scene were Stitch is alone, with "The Ugly Duckling" book, shouting "I'm lost!" (or at least that's what he was saying in spanish) made me change my mind. I suddenly became very identified with the main character's quest for belonging, and suddenly realized he was actually everyone I know - searching for approval, trying to be loved, longing for love. The watercolor drawings, the facial expression, the music, the mood - perfection, indeed. There are a couple of animated scenes that convey this kind of mood - the Ballroom Sequence in "Beauty and the Beast", Simba's dad being killed in "The Lion King", Jessie's song in "Toy Story 2" - and this one is one of the best I've ever seen. Such simplicity and beauty is strange to find.
When we walked out of the movie, my friend's kids were talking excitedly about the movie, when one of their mothers asked them what they enjoyed most about the movie. And one of the girls exclaimed "Ohana means family! And your family never forgets or abandons you!" (that's what is said in the spanish version of the movie).
Then I suddenly realized we need more movies like this.
Solid 9 / 10 for Lilo & Stitch.
How wrong I was then.
I gave it another chance. I went back to watch it with a couple of friends and their sons and daughters. What best atmosphere to enjoy a Disney flick?
And then, the scene were Stitch is alone, with "The Ugly Duckling" book, shouting "I'm lost!" (or at least that's what he was saying in spanish) made me change my mind. I suddenly became very identified with the main character's quest for belonging, and suddenly realized he was actually everyone I know - searching for approval, trying to be loved, longing for love. The watercolor drawings, the facial expression, the music, the mood - perfection, indeed. There are a couple of animated scenes that convey this kind of mood - the Ballroom Sequence in "Beauty and the Beast", Simba's dad being killed in "The Lion King", Jessie's song in "Toy Story 2" - and this one is one of the best I've ever seen. Such simplicity and beauty is strange to find.
When we walked out of the movie, my friend's kids were talking excitedly about the movie, when one of their mothers asked them what they enjoyed most about the movie. And one of the girls exclaimed "Ohana means family! And your family never forgets or abandons you!" (that's what is said in the spanish version of the movie).
Then I suddenly realized we need more movies like this.
Solid 9 / 10 for Lilo & Stitch.
I don't know why the animators decided to use the ballroom scene from Beauty and the Beast to advertise the film. It did put me off seeing it, but when I eventually decided to do so, I am glad I did. I thought Lilo and Stitch a warm and entertaining film, with beautiful animation with the Hawiian coast. The characters were engaging and funny, especially Jumbaa(wonderful voice work from David Ogden Stiers, in fact all the voice work was terrific, the other standout being Tia Carrere) and Pleakley. Their scenes were hilarious, like Pleakley getting bitten by mosquitoes. This is all helped by a superb script, that mixes hilarious and poignant brilliantly. The music is lovely and quite nostalgic. I thought I would never say that, but it honestly does add to the sense of fun. Both Lilo and Stitch are engaging, and there are plenty of bonding scenes with them together, that makes the film often moving(I was genuinely touched by Lilo telling Stitch about her parents and the significance of the Ugly Duckling story). I have two criticisms with the movie, and they are that at times it is a bit slow, and the climax is a tad rushed. But both flaws are redeemed by the film's good nature, emotional heart and spirit. I will award Lilo and Stitch an 8/10, for entertainment and warmth. Bethany Cox
This was a pretty entertaining "kids" animated film. It was a little different in that there is some dramatic action you usually don't see in nice animated cartoons and you have heroes who aren't exactly good role models. However, as the film progresses, all those characters (small child, big sister and alien) all become nicer and more caring "people." There also is a good "no one is left behind" family message. You just have to be patient with the human kid and sister in the beginning.
I think the best feature of this film are the brilliant colors. This is a great visual movie. It's also nice to hear a kids movie these days with absolutely no profanity in it. (What a sad statement to have to make.)
In summary: one of the better modern-day animated films. Highly recommended.
I think the best feature of this film are the brilliant colors. This is a great visual movie. It's also nice to hear a kids movie these days with absolutely no profanity in it. (What a sad statement to have to make.)
In summary: one of the better modern-day animated films. Highly recommended.
Yes, it's a sad fact that Disney, the family favourite for close to a century, have fallen into decline. All the same, it annoys me no end when people go on about how 'The Lion King' of 1994 was the last truly great film that the company produced, because, in their period of decline and lack of success, the House of Mouse still surprised us all by churning out one cracking exception - the sassy and heartwarming 'Lilo and Stitch'.
In the Stitch of the title (and face it, he may have shared his title logo with Lilo but Stitch has always been the undisputed star of this empire) it really feels like Disney have found that very likable and very different kind of hero to break them out of their rut. To begin with at least, he has none of the noble or high moral qualities that Disney usually attributes to its lead characters. And the circumstances in which he comes about are, for a family film, startling - the result of an illegal extra-terrestrial experiment to produce a creature that is both destructive and indestructible. When Stitch finds himself seized by the Intergalactic Council to be punished for his inbuilt wickedness, he escapes - it wouldn't be much of a movie if he didn't - and flees to planet Earth, with the alien authorities in hot pursuit. Though the film's anarchic spirit owes a fair bit more to 80s creature films like 'Gremlins' and 'Critters', I suppose you could look at it as a inversion on the plot of 'ET', in which, this time round, the humans are harmless and it's his fellow aliens who pose greater threat to Stitch.
Finding himself stranded on Hawaii, our little anti-hero has no choice but to disguise himself as a dog and take refuge with Lilo. Lilo being a lonely young orphan living with her older sister Nani, and who may be taken away in a matter of days if Nani doesn't prove herself to be a more responsible guardian. The merging of these two very troubling story lines shows a lot of tenaciousness on Disney's part and in the end they produce a film that is fun and funky enough for the younger audiences, but also heartwrenching enough to touch even the most cynical of adults. It's also helped by a good line secondary characters, the most successful of which are Jumba and Cobra Bubbles, because, like Stitch, they're unconventional in the roles they fulfil. Jumba is an evil genius with a heart. Bubbles is a social worker who, fittingly since he's voiced by Ving Rhames, looks like he walked straight out of 'Pulp Fiction'.
It ain't perfect though. Considering that Stitch is one of Disney's most engaging heroes, it really blows that Gantu should have to be one of the stuido's flatter villains. He isn't drawn very well and he isn't developed as a character much further than being ruthless and bad-tempered. There is also one pretty big plot-hole that older viewers may be troubled by - if that lady at the pound really thought that Stitch was dead, why did she put him in with the dogs? And wasn't she alarmed by his six legs and his antennae?
It may be flawed, but in the end it's the merits that triumph. And it's a good example of just how dazzling 2D animation can be when given the right attention to detail. Once you get past the pretty pale opening scenes in outer space and enter the world that Lilo inhabits, visually this is beautiful stuff, employing the technique of watercolour backgrounds for the first time in decades. And the soundtrack too is one of the most memorable in Disney's canon. I believe this is the first time they've based its score around the pre-existing songs of a familiar artist - in this case the immortal Elvis Presley. Needless to say, it's great music.
(Sadly, we also had to tolerate the likes of Gareth Gates and A Teens doing sugary covers over the end credits, but at this stage you can always switch off or leave the cinema.)
Too bad that Disney are now really on the wane, or they could have tried doing these themed soundtracks more often with the Beatles and Pink Floyd...oh well, I can dream.
To sum up, Stitch is the best. Watch him.
Grade: A-
In the Stitch of the title (and face it, he may have shared his title logo with Lilo but Stitch has always been the undisputed star of this empire) it really feels like Disney have found that very likable and very different kind of hero to break them out of their rut. To begin with at least, he has none of the noble or high moral qualities that Disney usually attributes to its lead characters. And the circumstances in which he comes about are, for a family film, startling - the result of an illegal extra-terrestrial experiment to produce a creature that is both destructive and indestructible. When Stitch finds himself seized by the Intergalactic Council to be punished for his inbuilt wickedness, he escapes - it wouldn't be much of a movie if he didn't - and flees to planet Earth, with the alien authorities in hot pursuit. Though the film's anarchic spirit owes a fair bit more to 80s creature films like 'Gremlins' and 'Critters', I suppose you could look at it as a inversion on the plot of 'ET', in which, this time round, the humans are harmless and it's his fellow aliens who pose greater threat to Stitch.
Finding himself stranded on Hawaii, our little anti-hero has no choice but to disguise himself as a dog and take refuge with Lilo. Lilo being a lonely young orphan living with her older sister Nani, and who may be taken away in a matter of days if Nani doesn't prove herself to be a more responsible guardian. The merging of these two very troubling story lines shows a lot of tenaciousness on Disney's part and in the end they produce a film that is fun and funky enough for the younger audiences, but also heartwrenching enough to touch even the most cynical of adults. It's also helped by a good line secondary characters, the most successful of which are Jumba and Cobra Bubbles, because, like Stitch, they're unconventional in the roles they fulfil. Jumba is an evil genius with a heart. Bubbles is a social worker who, fittingly since he's voiced by Ving Rhames, looks like he walked straight out of 'Pulp Fiction'.
It ain't perfect though. Considering that Stitch is one of Disney's most engaging heroes, it really blows that Gantu should have to be one of the stuido's flatter villains. He isn't drawn very well and he isn't developed as a character much further than being ruthless and bad-tempered. There is also one pretty big plot-hole that older viewers may be troubled by - if that lady at the pound really thought that Stitch was dead, why did she put him in with the dogs? And wasn't she alarmed by his six legs and his antennae?
It may be flawed, but in the end it's the merits that triumph. And it's a good example of just how dazzling 2D animation can be when given the right attention to detail. Once you get past the pretty pale opening scenes in outer space and enter the world that Lilo inhabits, visually this is beautiful stuff, employing the technique of watercolour backgrounds for the first time in decades. And the soundtrack too is one of the most memorable in Disney's canon. I believe this is the first time they've based its score around the pre-existing songs of a familiar artist - in this case the immortal Elvis Presley. Needless to say, it's great music.
(Sadly, we also had to tolerate the likes of Gareth Gates and A Teens doing sugary covers over the end credits, but at this stage you can always switch off or leave the cinema.)
Too bad that Disney are now really on the wane, or they could have tried doing these themed soundtracks more often with the Beatles and Pink Floyd...oh well, I can dream.
To sum up, Stitch is the best. Watch him.
Grade: A-
Le saviez-vous
- AnecdotesHawaii-born cast members Jason Scott Lee and Tia Carrere helped the writers with dialog and accents.
- GaffesThroughout the final parts of the film, Jumba's head keeps switching from big to medium size to big again.
- Crédits fousThe Disney logo features a green beam of light, and the logo gets beamed up.
- Versions alternativesIn international versions, the headline of the newspaper Jumba is reading ("Idiot Scientist Under Arrest") is printed in an alien language.
- ConnexionsEdited into Zenimation: Water (2020)
- Bandes originalesCan't Help Falling In Love
Written by Luigi Creatore, Hugo Peretti, and George David Weiss
Performed by A*Teens (as the A*Teens)
Produced by Mark Hammond
A*Teens appears courtesy of Stockholm Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Lilo et Stitch
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 145 794 338 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 260 212 $US
- 23 juin 2002
- Montant brut mondial
- 274 749 220 $US
- Durée
- 1h 25min(85 min)
- Couleur
- Mixage
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