The Last Minute

to compare this to any guy ritchie film is foolish and plain out bad reviewing. many would simply class it in the same school because it is british, it features "hip" newcomers, and the direction is very flashy and effects rich.....well except for the british part this describes most every film coming out now. the last minute is as far from guy ritchie as one can get. try connecting the dots to david lynch while passing through alex de la iglesia territory and you'll be on the right track. from the insane tap dancing crooner psycho sledge hammer wielding gangster to british literary classics over to the monsters people keep hidden from the world....or should we say gifts? this is a film of many varied and twisting turns which serves up its fair share of bite and bile. one forever feels that around the next corner will be the demon awaiting to devour the souls of the main characters, but lemarchand's box is not quite so literal as it is in a film like hellraiser. the demons that give pleasure and devour your being are much more real and familiar in this world. it is true that the plot balances on the old carpe diem type thing, but unlike every hollywood dungheap to tread this ground in the last 20 years, this film manages to do it with some grace, some originality, and with a large dash of realism amongst the severe surrealism. overall, a very impressive film with intelligence, originalty and style. a fabulous cast tops it off supremely and left me riveted for the entire length of the film and a strong desire to show it to everyone i know.

The impression I received watching this film, which at times teeters on the brink of unbelievable intensity, is Stephen Norrington's experience making "Blade". It is not exactly a family friendly film, but mature audiences only! Jason Isaacs will wow you in a way you've never seen him before, I thought "James Bond!" right away. His features are just slightly on the side of pretty to be a proper James Bond but he oozes menace with those eyes! He is easily the best thing about this movie. The film almost loses its way with the Oliver Twist second act (and I know people who love the film only because of that... go figure). The ending is quite memorable and I applauded. I hope to see the magnificent Norrington rise from the ashes of LXG and kick my cinematic a** again.

The Last Minute had the potential become something great. The synopsis of the film cited other titles such as "Fight Club" and "Trainspotting" yet I failed to make a connection. Yes, the main character is an overnight success. Yes, he wakes up and it's all gone. And yes, he falls into a life of crime and drugs all the while wanting to return to his cozy life as a star. So where does the Fight Club come in? The only thing I found to even be remotely like Fight Club was the main menu on the DVD. I could see a slight Trainspotting influence with the heroin but just because a movie has heroin doesn't make it a Trainspotting-esque movie. If they had let the movie stand on it's own instead of trying to cite all those past hit movies like "Bruises you like Fight Club", "Injects you like Trainspotting" etc. What is that? It's almost as if the director wanted you to compare his movie to those. And sorry mate, those are the future cinematic classics of our time. Anybody would be a fool to plaster all over their own movie that it's like Snatch and Lock,Stock and Resovoir Dogs etc. Those movies have huge cult followings so even if The Last Minute was a decent movie, the fact that the director was so hell-bent on drawing the Tarantino/Ritchie/Lynch crowd he in reality just drew a crowd of critics. I'm ranting now. As you can see, I didn't like this movie. No, I really didn't go into why, but that's only because it had so much potential. My review would better resemble a "woulda, coulda, shoulda". Bad movie.

The atypical gritty Guy Ritchie British school of modern film class has reared a muddled mess of a movie. With a grandiose, meaning of life premise, the somewhat shallow and undefined plot leaves little room for depth of any real substance. Between the drawn-out stylistic vignettes and the over-abundance of effects, the film falls flat on it's fashionable face. A lower rating would have been in order had it not been for some humorous and entertaining moments, where levity and brevity are welcome friends and make the almost unbearable bearable. Overall, it's a mildly entertaining bit of mindless madness with a side order of "seize the day." Not worth a trip to the theater, but might do in a pinch at your local video store.

A really weird, unknown and rare film that attacks you out of no where and strikes you to the bottom of the unpredictable downer pit.

Long story short, it is about a guy who is the new and hip guy, until he isnt and falls down to obscurity, including becoming a Junky. As you might already have written a couple of times about this film, there isnt much to read about it out there, it seems to be a semi autobiographical piece of work about its director Stephen Norrington (Blade, Death Machine, League of....), which even though i hope he didnt became an addict, who left directing & directing right after "League of... ", due to having again being traumatised and shattered by the studio system (you can look it up for yourself what went down). The film could and should be seen as a metaphorical dream turned nightmare turned re-awakening. Its themes of Fame, celebrety cult, creativity, ego centrecism, exploitation and much more couldn't be more relevant today, in the age of social media reality tv and talent shows where most of the western and eastern world seems to seek fame and attention like heroin addicts to an absurd extreme. We live in an age of people becoming famous for the sake of it without having any talents whatsoever and others for having video channels with millions of followers without doing anything more than reacting to other videos infront of the camera, people watching other people play video games and so on. The film indirectly predicts that obsession for attention and shows its aftermath that will come someday to whomever seeks that attention for whatever. What surprised me about this film was its sheer nihilistic madness and chaotic nature that until the very end doesnt quite seem to match up, by the end you'll understand and as only a few movies do this flick gets better the more you watch it.

Be warned this film ain't for the faint heart and especially is not for the traditional moviegoer, at times it reminded me of the spontaneous chaotic nature of Godard' s Breathless (make no mistake it is not near as good as Breathless). This film surely deserves more attention and a cult following, not many people have seen or do even know about that film, so i say spread the word for this bizzare and unique experiment called film