Dogtown and Z-Boys

A close-up look at the birth of skate board culture in Southern California, Dogtown and Z-Boys has attitude to burn, just like the sport it documents. Directed by Stacy Peralta, one of the legends of the sport, it captures the punk rock spirit of skate boarding, and perfectly places it into context within the boundaries of time (the 1970s) and location (a neighbourhood between Santa Monica and Venice, California). Even if you are not a fan you'll be fascinated by the story, which is told using a combination of narration, stills, great vintage 1970s skate boarding footage and new interviews with all the key players. Sean Penn provides the narration, and adds a flair all of his own. The opposite of stodgy, Penn speaks to the audience not at them, sounding like someone sitting at a bar telling the tale. At one point in mid-sentence he coughs, pauses for a moment and then continues. It's this kind of approach that gives this movie its edge.

If you have ever been, has a friend, or a kid that is or was into skating at one time, then watch this flick!. I have seen it several times and I get something new out of it every time that I see it. It reminded me of why I got into skating in the first place (a long time ago) . It reminded me of what skating brings to a person and I have found will also help a person who doesn't understand why skaters, well, skate. Sure there is a very dark side to the whole seen, which the movie does touch on slightly. But it tends to focus more on what is at the core of skating. Just a person on a board, doing it because they love to do it. This movie was so inspirational to me that I'm now skating once again (I'm 32) and I haven't been this happy with my self in years….. Give this one a go, you will not be disappointed.

Back in the day, I was one of the RN's in the Emergency Rooms, these skaters would occasionally land in. They were not treated well, and some of it was brought on by their asocial personalities- but we all knew they were a talented bunch of "wonderkids" even then. They deserved better care than they received, I'm afraid. They had "attitude" in spades.

I'm so glad I caught this documentary on IFC tonight- it will be on again at 1 am and I'll be watching again!

Little attention was given to them until the rich dying kid was able to talk his parents into draining the pool- and the film really highlights that as the taking off point....it was an amazing time, and deserved to be recorded. Stacy Peralta is due all the praise heaped on him, and long may those Z-Boys enjoy their memories and contribution to the real sport of skateboarding. As for the few "sour grape" reviews contained herein, there always were and there always will be "wannabees" and hangers-on who never do more than dream...the Z-boys lived it, breathed it, were it.

Nice to see the vintage films and even the lone girl, "Peggy" who was so talked about as being the only female to win their respect.

Thanks to IFC I get to really take the occasional drug-free head trip of my youth and relive the heart pounding excitement again.

First off, the movie was great. It did what it was supposed to do.. and that was to tell the story of a certain time, place and people. Maybe the Z-Boys weren't choir boys (and one girl) but they were real people (kids) and they took the whole idea of skateboarding to new levels... I absolutely enjoyed this movie.. not only because I am from Dogtown (Venice/ Mar Vista/ S.M (south of Wilshire)), used to skateboard (I sucked) and that I dealt with the Z-Boys a few times when they were using my aunt's pool and were scaring my grandma.. but because this movie was about them (the Z-Boys) and the time and the place. Sure there was a semi skateboard culture in the 60's that died out pretty quickly... but the Z-Boys restarted the whole skateboard thing again.. and not only did they restart it; they resurrected and recreated it. Nowadays it is almost a regular thing to see some guy flying out of a pool or a half pipe getting air, etc.. But back then it was something new. They revolutionized the whole thing. There were electric guitars and guitar players before Hendrix but he took it to a whole different level and what he left in his wake is the same thing the Z-Boys left in their's.

To the people who seem to want to criticize the movie or the Z-Boys for talking about themselves.. well the movie was about them.. Remember what it is like to be young and invincible.. and to revolutionize something that they loved by just doing what they loved.. sure it is easy to get an ego.. just ask a kid who learns how to finally play a Hendrix song on a guitar... it is the same thing except the Z-Boys defined the revolution that was to come. They were young, brash and from a place that was a slum by the shore. Sure it was wrong to trash and terrorize people who came to their beach or whatever.. but by the same token.. people from this side of the hill would get a lot of abuse when they went to the Valley or other areas. That doesn't make it right but it does make it what it was. There was a sectional divide in the greater L.A. area. The Z-Boys just happened to be at the forefront of the beach wars.

The Z-Boys rocked and they weren't perfect angels but they were real.. look what happened to Jay Adams.. They were part of the times and places that was the L.A. beach scene.

Finally, I think the style of this movie fit the subject very well. Stacy Peralta was part of the Z-Boys and he did this film as a tribute to what they were all about. It was a rebellion not for the sake of ego but for the sake of something they all enjoyed doing. The camera work, the (killer) soundtrack and the memories were great. The best part, though, might have been the fact that they themselves seemed to document their own history with still pictures and film.

To quote the Surf Punks, "My beach, my waves, my chicks, go home".

Rock on!!!!

My skateboarding career ended in 1974 when my two-by-four skateboard with steel roller-skate wheels hit a rock and I tumbled, for days it seemed, down the sidewalk outside my parent's house in Boston. By the time the cast came off my arm, summer was gone.

But I have always admired the X-games types and surfers especially. I think I spent the first month after I moved to Southern California on the beaches and piers watching the surfers, bemoaning that fact that I had missed my calling. It's the sort of thing you should learn young, before the horrible senses of self-preservation and self-awareness burrow in. Or else at best, you'll be so worried about not getting hurt or laughed at, you'll wind up looking like a trained bear.

I always admired how a good surfer seems to not care about anything but that moment, that wave, that experience. At one with the forces of nature. A good surfer makes it look like there is nothing else but that wave right there, and the way you interact with it. There's a lot of Zen in it to me.

This documentary outlines how a few young folks took the surfing concepts and extended them to skateboarding. Ramps, downgrades, low sweeping curves while interacting with the cement waves beneath their feet. In their day and time, this was all new. radical. Prior to the Zephyr Skate team the idea apparently was to go as fast as you could in a straight line on a skateboard, hence my long "Evel Knievel at Caesers Palace" like tumble down the front walk.

This film is a look back through time, to an America before EVERYTHING was labeled, tagged, marketed, and jam-forced down our throats as "Extreme". (Seriously, what's so "extreme" about an "Extreme value meal" at Taco Bell? Other than the fact that it is an extreme hazard to your colon...)

Watch this film and watch the birth of 'extreme sports'. Before there was an X-games, before Boom-boom Huck-Jam, before Crusty Demons, before the ASA...there were these young street urchins who created 'extreme sports' without really trying. They were just doing it for the purity, the pure pleasure, of skateboarding in the sun with friends.

I hope they get a cut of the 'extreme' money out there. Goodness knows they don't get the credit they deserve. Maybe this film can correct that.

Excellent film with a great soundtrack, a portrait of a Southern California, indeed an America, that no longer exists.

I don't care for Sean Penn but he does a decent job narrating.