La princesse du désert

Emissaries from Korea stumble across an attempt by Mongol warriors to kidnap a Chinese princess. Nice clean and simple premise for a Summer blockbuster, one whose marketing (and casting) coasts on the popularity of Crouching Tiger and Hero but whose execution is very different.

I saw this one by accident thinking it was Hero, the massive 2002 Oscar nominee also starring Zhang Ziyi (and, for all its dodgy ideology, worth discovering for the visual feast alone). The region 2 (Korean & French audio 5.1) looked good so I rented it... Back when that was still a thing.

First, this is not Hero, nor is it a wuxia or wire-work driven martial arts film. This is a Historical action film, and despite the prowesses of its heroes, Musa's violence is realistic and brutal. It is a very clever men-on-a-mission flick, with interesting balance and variety within the team, with echoes of Seven Samurai. Where things take an even more pleasant turn are in the interesting portrayal of our characters: a borderline unlikable "hero" (or so he seems at first) and princess, great nobility in the lower ranks, and a surprisingly likable and charismatic villain, if indeed you can call him that.

In production value terms, this can compete with anything Hollywood churns out, and the technical credits, from editing to earthy cinematography, are all excellent. Fast-shutter action, made popular by Saving Private Ryan and Gladiator, is put to brutal use here, and there is a fine balance of chaotic individual moments and interesting strategies, something that would later be explored in John Woo's Red Cliff. This film procures that very rare delight of watching a film and knowing exactly where all the money, effort and care went, because it is all up there on screen, and for once, equally distributed, performances included. Something you have got to see.

For your consideration, ladies and gentlemen: Musa.

There are several kinds of War movies. Some most interested in the romance (I do not know why but there are a lot of them) using the war as a background and others only in the facts and history.

MUSA or THE PRINCESS WARRIOR is probably in between. Because this war and almost everything that happens here is related to an unfinished love story between three characters (if you think is stupid, remember Homer's ILIADA and the reason of the Trojan War).

About seven centuries ago, Chinese got divided and a diplomatic mission from the Koryo kingdom (protected by small group of soldiers), try to make peace with the Ming dynasty. The Ming's army refuses to accept the ambassadors and escort the whole group out of the country. In the dessert, Mongolian's forces attack and kill the Ming's soldiers releasing the Koryo people in the dessert.

An ambitious, very tough (and young) Koryo general, tries to lead his people back to his country, until they found a Mongolian group carrying a Ming's princess prisoner. Engaged by the woman's beauty, he decides to rescue her, justifying his actions as a political opportunity.

Meanwhile, an ex-slave (released by the noble Ambassador before dying in the dessert), itself a great but silent warrior, gets involved in the rescue and after showing his courage and ability in combat, is forced to protect the Princess, creating obvious jealousy on the young general.

Mongolian's of course, will not accept being defeated, so they run after the small group, to recover the princess.

What happens after (the movie is more than two and a half hours long but never boring) is somehow predictably; however this is a Korean movie, so do not expect the silly and forced happy ending. What make the movie worth (a 10 / 10) is the way things are told, the beauty of the images and the poetry surrounding the story.

This movie war movie, but is not glorifying war, but the honor of people fighting for their countries. This is a love story, but a real one, were words are unnecessary and everything that happens is inside every character, but just looking at their eyes, we know what exactly are their feelings.

Halfway through the film, we realize that the line between bad and good guys is not really clear. That the real enemy is sometimes on the same side.

There are a lot of small characters, and everyone gets enough screen time, to make us care about them; sometimes even more than the main characters.

A special mention deserves the numerous war scenes. Using a slow motion, first person shots, quick editing and almost every camera trick you could imagine, you will feel in the middle of the battlefield (and a very scary one ). The blood and violence are much more realistic, than BLACK HAWK DOWN or WHEN WE WERE SOLDIERS, and the impression created is more than those two plus any other recent war related.

In brief; as far as I know this movie did not get a cinema release, but you can find it in EBAY or in some special video stores. DO NOT MISS IT; is probably the best movie of the year.

It's Ancient China circa 1375, the Koryo king sent a diplomatic delegation of diplomats, soldiers, and a mute slave to the Ming emperor to make peace between the Yuan and Ming dynasties, but they are regarded as spies, and thus are dispatched to a remote desert. So they begin a journey to get back home, but after learning that a Ming princess has been kidnapped by Yuan troops, the same troops that they had met and fought with earlier, they see that if they rescue her it's possible that they can get a ship needed to sail home. Cinematic ally this is a beautiful film, the action suitably epic and the film even poetic at times. I can safely say that this film is a wonder to behold even in it's edited Iternational incarnation.

My Grade: A

Region 0 DVD Extras: nothing and it's the 132 minute international cut. I love this film, but try your best to seek out the R2 Scandinavia 3-Disc SE, as it has the longer 155 minute version AND the international cut AND a great deal of extras

I'd never heard of this movie until my buddy Eric rented it; that Blockbuster carries it is I guess a good sign. Part Crouching Tiger, part Saving Private Ryan, with just a smidgen of Hidden Fortress and an echo of Xenophon, Musa is a highly enjoyable movie.

The movie begins in 1375 with a failed delegation from Korea to the Ming dynasty. Led by General Choi Jung (Jin-mo Ju), the delegation become prisoners of the Ming, being led off to exile, when the Mongols strike. Suddenly finding themselves free, the delegation decides to rescue the captive Ming princess (Ziyi Zhang, of Crouching Tiger fame) who travels with the Mongols. When they succeed, naturally, the Mongols want her back, and thus begins an arduous trek across the desert, culminating in a Road Warrior-esque fight at a battered old castle where the survivors hole up against their much more mobile but less-civilized attackers.

Musa has action in spades, some of it exceptionally grisly (every archery attack is cause for dozens of shots of gruesome impalings). The battles are tense and tautly filmed and feel more dangerous than most combats of this type. We eschew the beautiful martial arts style so prevalent in many Hong Kong films for a grittier and far more realistic, if a bit bloody, style here. But what Musa also possesses is atmosphere; the locations and the cinematography are top-notch, from the boundless deserts to the broken-down castle by the sea. Musa does an excellent job of selling the world it is set in.

The costumes help with this as well. Not since Brotherhood of the Wolf have I seen such elaborate and effective costuming (the armor and such here was even more intricate and character-intensive than Last Samurai, which is saying something). Each character has his own particular look, is easily told apart from the others, and costuming is ultimately an extension of character, which to me has always been the whole point. These are some of the best period costumes you'll see anywhere.

The acting is all pretty good, though it tends to come from the George Lucas school of `faster, more intense.' One facet I did like is that no one is perfect; the general is a bit of a jerk; his loyal retainer Ga-nam (Jeong-Hak Park), while a mighty warrior, lacks the ability to really think for himself; the princess is spoiled; the slave-turned-warrior Yeo-sol (Woo-sung Jung) is selfless but headstrong, and so on. Even the Mongols come across as human, if a bit savage (which, having done the research, I can attest is more or less pretty accurate).

Musa isn't for everyone due to the violence. But it's a very well done period piece with wonderful visuals that certainly captivates the viewer. It's as good or better than any of the historical epics Hollywood has released in the past few years (with the exception of The Last Samurai), and from a costuming and cinematography sense is very much worth your while to see. Just don't bother tracking this down if you're a little squeamish, that's all.

There is a nothing like a good epic film. Here is a fine entry to the genre from South Korea, a nation that doesn't normally make these sort of films. Film in China and staring the beautiful Zhang Ziyi it had potential.

Set in 1374 relations between Korea and the Ming Dynasty in China are at a low. The Koreans send a diplomatic mission to resort their relationship, led by General Choi-Jung (Joo Jin-mo). However when arriving in a city he team are captured and exiled from China. Left for dead in the desert their run into a Mongol army party which have captured Princess Bu-yong (Zhang Ziyi). The Korean party save her and hope to return her to Emperor, saving their mission. Within the party is Yeosol (Jung Woo-sung), a recently freed slave who was loyal to his master and excellent fighter with a spear. He and the Princess have an attraction to each other. After freeing the Princess, the Mongols are upset. There were hoping to use her as a bargaining chip against the Ming's China. They chase the Koreans and destroy countryside villages to get her back.

The story and plot are simply and believable within the context of the film; always good signs. Within the group many of characters and relationships are developed, especially Yeosol, the General, the Princess and Jinlip, the veteran of the group. Even the main bad guy has some nobility about him. The costumes and weaponry are excellently done. The warfare was brutal and shows woman and children getting killed, something that rarely happens in Hollywood films. The film is deliciously violence. My only real problem with the film, which lets it down is the action. It is good that the action is violence, but it is so overly edited and the shaky-cam make it difficult to follow. If the action was better then the would have been even better.

If you enjoy films like the Lord of the Rings trilogy, Gladiator, Conan the Barbarian and Red Cliff, you will like this film.