Wendigo

This film based on Ojibwa (chippewa) and Algonquin Native American Legends.

I had expected this film to center mostly around this but it was only a small part of the plot.

The Wendigo, Windigo, or Windago is a spirit that comes with the wind. It would entice persons by calling to them in an irresistable way. It then would drag its victims along at great speeds until they burn up.

This film mostly centers around a family that vacations un upstate New York during winter and have an unpleasant run in with some local hunters. This film has some excellent cinematography and special camera angles. There is much time-lapse photography and one part with the now-famous "time slice" photography better known as "bullet time" which was made famous in "The Matrix (1999)"

It is an unusual film and I could describe it as a combination of Blair Witch, Sixth Sense, Abominable Snowman.

As a character-driven chiller, Wendigo is a thoroughly satisfying film, though not one that successfully plays out its early promise. From the establishing shot of a young family driving a winding road into the darkened wilderness I was immediately reminded of The Shining. And if Wendigo doesn't quite display that films polished visuals, it certainly borrows the themes of isolation and familial tension, especially patriarchal, that Kubrick examined so well. Cult director Larry Fessenden has gone back to horror movie basics to achieve a palpable tension in his film: black shadows in every corner of a very-underlit rural house, creaky floorboards, shrieking nighttime winds. His film starts to unravel when he pushes to far - the appearance of the Wendigo, an Indian spirit that travels on the wind, is at first frightening but ultimately overplayed; Fessenden feels compelled to reveal the monster in an extended attack sequence on the films hillbilly badguy, and in doing so belies the slyness with which we had so successfully frightened us up to that point. The ending is particularly murky, both visually and narratively, feeling rushed and a little self-consciously obscure. The cast is uniformly solid: Jake Weber and Patricia Clarkson as the yuppies-in-peril are very real, and 'Malcolm In The Middle' youngster Erik Per Sullivan provides the perfect conduit for audience fear and apprehension. The print I viewed at the recent AFM conference was particularly grainy and I am unsure as to whether this was due to the transfer from HDV-to-film or whether Fessenden shot it like that. Regardless, it proved very effective in creating a sense of dread and foreboding, especially in the early twilight scenes. Also nice to see a film that revels in its ability to scare, not always winking at the audience in a self-mocking "Scream" sort-of way. More often than not lately irony and revisionism have gotten in the way of a good fright, which Wendigo certainly provides.

I believe this movie needs to be watched through the eyes of the boy, Miles. He has traveled with his Mom and Dad to a strange old house out in nowhere land, and has to sleep in a large room by himself. To me, the real horror in this film is the woods, and the darkness. The boy has been told about the legend, or folklore of the Wendigo. It roams the woods and fields looking for its next victim. In his bed the boy looks through old books which show pictures of Indian cultures which practice the rituals of wearing animal heads and masks. Everything around him is strange and creepy. I specifically remember long ago riding in the back seat of the family car on cold, dark winter nights, just like Miles was doing. Just me back there and Mom and Dad up front. Driving down a country road at dark, especially just as darkness has fallen, I could see the trees and woods as we passed by them, but just a short distance into the wood line, it turned completely black. The cold and snow added to the chill that would come over me. My boy brain could imagine that someone, or some thing, was in there watching us pass. If our car broke down here, we've had it. We would all be torn to pieces by whatever is out there, watching us. It may even be a large black wolf, and I imagined I could see only two yellow eyes, just into the trees. Cars did not have automatic devices back then, and I would slowly reach over to be sure the door was locked. I could not wait to get home and into my warm cozy bed in my own safe room. I personally really liked the extremely moody photography in this film and the snowy, dark, late evening and night scenes. To me, that is the real scare and even now gives me chills to think about. The Wendigo itself is almost a side story to the isolation, darkness and the unknown of the woods at night. If nothing else, I like this film because it introduced me to, or reminded me of, a wonderful old poem by Robert Frost, "Stopping by Woods on a Snowy Evening". I printed that poem and hung it by a window in my house where I look out onto the woods out back.

The movie was pretty good. Entertaining to say the least. I just expected a little more wendigo like the title mentions. Story and acting are pretty good and entertaining. A lot of open ended items in story. This is a decent movie and a good for a rental. I was a little disappointed it wasn't more of a horror flick. The wendigo in legend is supposed to have an insatiable appetite that grows as it does. The more it eats the more it has to eat and so on. It also smells bad like that of rot, and decay and death. Like I said it is pretty good, I just expected the Wendigo to play more of a part in the movie like the title says.

Larry Fessenden is an independent director who has focused his career in making horror movies with philosophical and existential subtexts. Despite his sparse production (four movies in 16 years), his original approach to the genre and the quality of his work has given him recognition and praise in festivals and in the independent scene. "Wendigo", the third of his horror-themed films is probably the weakest of them, but it has many of the unique characteristics of Fessenden's film-making that make it stand out among the genre.

A young family of three heads to upstate New York hoping to spend a time relaxing hoping to relieve from the stress from the city. However, they find problems as they find an angry local named Otis (John Speredakos) who is not very happy with having them as neighbors. His strong and intimidating presence serves as catalyst for the family's inner conflicts and fears, specially those of little Miles (Erik Per Sullivan), whose feelings of loneliness are increased due to the fear Otis creates in him. As he learns about the legend of the Wendigo, Miles will learn to face the harsh world that is out there.

Very loosely based on the Anishinaabe legend of the Wendigo, the movie is a haunting drama mixed with horror that perfectly combines a lucid visual style with a clever storyline. Told from Miles' point of view, the film is genuinely creepy and the snowy landscapes together with the feeling of isolation Miles feels increase the haunting atmosphere of the film. Basing its scares on mood and atmosphere makes the film a rare species among modern horror movies, and the excellent camera-work makes the film look a lot better than other low-budget independent films.

Fessenden visual approach may seem a bit "style over substance" at first, but he takes a good time in developing the characters and their relationships. In fact, the relationships between them are probably the most important thing in "Wendigo". From Miles' distant relationship with his parents George (Jake Webber) and Kim (Patricia Clarkson) to both parents' struggle to keep a balance between job and family's responsibilities. The impact Otis has in the family and the Wendigo's legend work perfectly as plot devices to make the film move.

The lead cast is superb, with Erik Per Sullivan being an excellent actor despite his young age. Jake Webber and Patricia Clarkson show their talent and the three of them have very good chemistry as a family. The rest of the cast is average, but their work is fine considering that the center of the film are our three main characters. The Wendigo spirit, an important part of the plot, is very well recreated and despite its cheap low-budget look, Fessenden camera-work make it work very good.

Sadly, the movie is not perfect and despite having a very strong start, the movie loses steam and by the end it falls short to the expectations built. Larry Fessenden offers a creative and actually haunting film that is severely hurt by the lack of a competent conclusion, a shame if one considers that the characters are very well developed and the plot has lots of potential. The fact that the use of atmosphere, visuals and audio is superb makes the weak ending the more disappointing. It feels as if Fessenden had not cared about how to finish the tale as the movie feels incomplete.

"Wendigo" has been hailed as both a masterpiece and as a failure. While the movie has enough good things to be called a great film, it's disappointing pay-off and lack of conclusion are a big stain. In this case the best thing to do is to watch and judge for yourself, just don't expect a typical horror film. 6/10