Ajouter une intrigue dans votre langueAmericans and Russians are stranded aboard a damaged space station. A rescue crew is sent from earth, including Carpenter (Michael Dudikoff) and Jack McKendrick (Hannes Jaenicke). When attem... Tout lireAmericans and Russians are stranded aboard a damaged space station. A rescue crew is sent from earth, including Carpenter (Michael Dudikoff) and Jack McKendrick (Hannes Jaenicke). When attempting to return to earth, the astronauts find that the reentry codes have been changed. Wh... Tout lireAmericans and Russians are stranded aboard a damaged space station. A rescue crew is sent from earth, including Carpenter (Michael Dudikoff) and Jack McKendrick (Hannes Jaenicke). When attempting to return to earth, the astronauts find that the reentry codes have been changed. While the astronauts are helpless and stranded, Jeffries (Ice-T) pursues a Russian man who k... Tout lire
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Every cliché is used: - the million bullets that don't hit anyone, then each bad guy in turn stands up in full view and gets shot - the rookie who shouldn't be there but goes anyhow, first treated with little respect by the crew but gains their admiration - the rookie dies saving someone's life - the crew member who doesn't respect himself (drinks on the job) performs the ultimate sacrifice - the rousing "we're not going to let them die" speech near the end (remember Apollo 13's "not on my watch" and Independence Day's presidential inspiration speech) - the recruited, reluctant villain gets shot by the good guy but, just before dying redeems himself by passing on the "crucial" information - the successful just in time getaway - the greedy villain willing to kill to make the big business deal - the heroic female leader beginning to cry over a mistake but being pepped up by a crew member (shades of [slap] "Thanks. I needed that!) - cigars at the end!
One of the worst movies I've ever seen.
As with a number of Olen Ray films, STRANDED seems primarily to be a celebration of stock footage. Almost every time you see a space shuttle or an outer space shot, it's likely to be stock footage. The dialogue scenes are dull and the whole film feels as lifeless and weightless as a body floating in outer space; certainly for a film whose main aim is to thrill the audience, it fails spectacularly. Even a few familiar faces like those of Ice-T, action man Michael Dudikoff, Art Hindle (THE BROOD), and Andrew Stevens (THE FURY) fail to make an impression.
It MUST have been made for TV or Cable.
Look: forget the screenplay - forget the bunch of forgettable actors. Excuse me? Continuity? The NSA/NIA/whatever or whoever he is (an agent) takes-off in an F16 - is shown in an F18 chucking his guts up and, later, the aircraft shown taxiing is an F4 Phantom! Oooh, wish that I could be so cavalier.
Apart from the male actors(!?) The women are WASPS: blue-eyed and long-legged and, eventually, get to cry about the heroes who save them. Even when a solid weld could save most of the cosmo- astro-nauts, the blond drops the welding tool. Duh!
As an SF movie one out of ten. As a movie per se: 1/2 (that's a half point). They should have ditched the space station and headed for Mars.
Major raspberries.
Le saviez-vous
- GaffesThe shuttle used in the film is clearly established as "Atlantis", however, stock footage of the shuttle "Discovery" is shown during liftoff.
- ConnexionsEdited from L'Art de la guerre (2000)
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Détails
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage