Jeune femme, récemment libérée d'un hôpital psychiatrique, obtient le poste de secrétaire d'un avocat exigeant, où leur relation employeur-employé se déroute en relation sexuelle, sadomasoch... Tout lireJeune femme, récemment libérée d'un hôpital psychiatrique, obtient le poste de secrétaire d'un avocat exigeant, où leur relation employeur-employé se déroute en relation sexuelle, sadomasochiste.Jeune femme, récemment libérée d'un hôpital psychiatrique, obtient le poste de secrétaire d'un avocat exigeant, où leur relation employeur-employé se déroute en relation sexuelle, sadomasochiste.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 victoires et 26 nominations au total
- Jonathan
- (as Oz Perkins)
Avis à la une
Although it was sold off the back of the salacious material and offer of dark sexual comedy, Secretary is actually a nicely ambiguous character piece that looks at the development of a submissive woman and the conflicts within a man who takes pleasure from S&M. It is nowhere near as shocking as it was marketed, nor does it try to force things to the detriment of the characters. I wasn't sure what to expect but found myself easily taken into the film through the two characters because of how well written it was. I'm not into S&M and have no knowledge of that world but yet the film made the feelings and emotions of the characters easy to access and understand (and even if relating to them was beyond me, it was to its credit that the film never asked this of me). Shainberg's script deserves a lot of praise but his direction is also good in the way that he keeps much of the film ambiguous and intriguing.
The cast respond really well to this. I say "cast" as if it is group effort but it is really a double-hander from a talented pair. Spader is very good and manages to make a character out of what could easily have been a weak part of the film. He is convincing and has the complexity that one would associate with someone with an "unusual" fetish. Gyllenhaal is better as she develops her character across the film and seems to have totally understood who she is trying to be. Although their scenes were potentially challenging, their performances are strong enough to make them work well.
Overall then a film that is understandably select viewing with a subject that may put some off. However it is actually much more accessible than it appears at first glance because of how well the characters are written by Shainberg and realised by Spader and Gyllenhaal.
This is a film i doubt many would be brave enough to make today and it is handled very well and for that it is to be celebrated.
Maggie Gyllenhaal is outstanding in a potential minefield of a role - she handles it with dignity and even provides some effective dark humour.
The story here is that her character, Lee, applies for a job as a secretary for the firm owned by James Spader's brilliant Mr Grey. However, Lee has a history of self-harm and masochism and Grey has a dominance complex along with a very sadistic streak. Combine these 2 in theory and you have 2 very happy people. But this is no ordinary love story...
Spader, as stated, is brilliant. He brings an icy steel to the troubled Grey, but also provides a touch of black humour which comes at some great moments to 'release the tension'.
For the themes supplied here you'd probably expect a lot of raunchiness - well there are sexual moments, of course, but there is nothing gratuitous, which is in itself an achievement and well handled.
Overall it's quirky, off-beat, and a little bit different.
Worth a view.
Obviously not for all tastes but I would say that you should try it out, even if the BDSM stuff doesn't float your boat. I think you'll be surprised at how much you like it. One thing that I would like to address is that I see a lot of other reviewers who liked the movie saying they hated the ending. Gotta say I can't disagree more with this. I assume these people would have preferred a more downbeat ending. Frankly, that would have ruined the whole experience for me and I would have subtracted points from my score. The fact that the ending left me with the warm fuzzies is a large part of why I enjoyed it so much.
Le saviez-vous
- AnecdotesIn a 2018 interview Maggie Gyllenhaal called her role in Secretary "the first time that I was given a role where I could express something about myself," describing taking the role of Lee as an opportunity to "explore something that's on the edge of what I know about myself but with the protection of fiction." She also gave director Steven Shainberg a lot of credit for his collaborative approach, describing him as "interested in me as an artist, was interested in what I was offering, and the way that shifted the story, as opposed to whatever he had imagined before I got there."
- GaffesAll the cars in the film have Florida license plates on the front of the car. Florida only has back plates.
- Citations
[Lee talks about Mr. Grey and how in love she is with him]
Lee: [narrating] In one way or another, I've always suffered. I didn't know why, exactly. But I do know that I'm not so scared of suffering now. I feel more than I've ever felt, and I've found someone to feel with, to play with, to love, in a way that feels right for me. I hope he knows that I can see that he suffers, too. And that I want to love him.
- Crédits fousThe legal disclaimer has typing errors:
- "fictitious" is misspelled "ficticious"
- "unintentional" is misspelled "unitentional"
- unauthorized use of the film is warned as resulting in "civil liberty" instead of "civil liability"
- ConnexionsFeatured in Late Show with David Letterman: Épisode #10.42 (2002)
- Bandes originalesWhatchamacallit
Performed by Juan García Esquivel (as Esquivel)
Written by Juan García Esquivel (as Juan Garcia Esquivel)
Courtesy of The RCA Records Label, a unit of BMG Entertainment
Under license from BMG Special Products
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La secretaria
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 059 680 $US
- Week-end de sortie aux États-Unis et au Canada
- 182 306 $US
- 22 sept. 2002
- Montant brut mondial
- 9 304 609 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1