Queer as Folk

Before I begin, I am a 35 year old guy who tried to supress my homosexual feelings until May of this year. Now I have slowly been coming out and experiancing my true self,and "Queer as Folk" really is inspirational in hitting so many issues in the Gay society. As sexually active as some of the main characters are they always use a condom and make a point of saying so. The show came around at a great time for me, as I am still new to gay culture and want to become part of the culture, and this series,QAF really gave me glimpses of it, and I am ready to start exploring the many gay bars down in Santa Monica Blvd and perhaps meet some cool friends, or something more? Anyhow, this show is the smartest soap opera type show, gay or not, because it makes you think about things! It makes issues of very relevant topics. ANd the actors are amazing. Especially Gale Harold, as the sexy, manipulative, self serving Brian Kinny, who's portrayal is so ruthless and emotionless at times, the actor manages to sometimes show a very human, soft loving side that Brian trys to keep hidden. Hall Sparks also is another big reason to watch. He gives his character of Micheal such warmth and compassion and sincerity. Any gay guy would love to have a best friend like Micheal. And the chemistry between Brian and Micheal is undeniable. This is the best series on TV! And thanks QAF for giving me a much needed spark of interest to actively pursue the gay culture and be true to myself....

What can I say about the show? It has incredible characterisation (capable of drawing even a straight man into the lives of the characters), beautiful cinematography, great acting and compelling writing. I have seen the first two seasons and I am currently watching the third on VHS because I lost showtime in the process. I have 3 episodes left of season 3 and, barring a few rather flagrant showings of male nudity (which although arguably contextually appropriate did seem a bit over the top), the shows have continued the quality of the first two seasons. What is great about the show is the fact that you really do care what happens to the characters, you can see an element of yourself in them (well maybe not all of them but you can find something in at least one of the characters that you relate to--I really relate to Ted myself, particularly in the middle of the first season and most of the third season). The show has tackled a lot of touchy topics (HIV, gay marriages, homophobic politicians) and, barring Emmett's brief fling with quack therapy in an attempt to be straight, they have been dealt with in a thoughtful, intelligent and sensitive manner (although how can you deal with reparative therapy seriously?), and, in a real stretch, showing that the gay community has its own flaws, which i think is what really sets the show apart, it says that the gay community isn't perfect and the gay characters aren't perfect.

And even though all my straight friends who have never seen the show may laugh and ask me if I have started to play for the other team, I will continue to watch as long as the quality is kept up like this. Besides Six Feet Under, Monk and MI-5, this is one of the few shows I would go out of my way to see. Bring on season 4 and let Ben die already (the second part is only a personal opinion, I just never cared for his character although I think Robert Gant does an excellent job of portraying him, I would rather have seen Michael with David).

And I have seen the second series of the British version and, loath as I am as an anglophile and a purist to say it, the American version has gone further then the British series (although in all fairness they have had a lot more episodes to explore the characters). My only beef is that Gale Harold may seem cold and rather like a jerk (since a stronger term may be censored but one is definately implied), Aidan Gillen was creepy. Gale was the kid in high school that was popular although he never really liked anyone while Aidan was that guy who you would see somewhere and he would just creep you out yet you couldn't take your eyes off him. Two totally different characters and I think one works better for a miniseries and the other works better for a regular series.

I love the American version of Queer as Folk. I never saw the British version, though I'm interested to see if I can find a copy of it. I started watching the show because I was bored and I like Hal Sparks (Michael) from seeing him on VH1's I Love the 80s. But in this show, I discovered some things that a lot of television shows now seem to lack: interesting plots, three-dimensional characters, and most importantly, realism.

I like how the character's issues are never resolved in one episode, and how the actions of one have some effect on the other main characters of the series. The characters are all three-dimensional, and very strongly played by their respective actors. They have wide ranges of emotion, and though they at first appear to be stereotypes, it is soon very evident that each one has plenty of flaws. The story lines are extremely engaging as well, and I find myself disappointed at the end of every episode, because now I have to wait and see what happens.

Of course, it isn't a documentary of gay life in Pittsburgh, so of course there are over-exaggerations and the occasional predictable plot line or relationship. But that's okay, because this is television, and the writers are allowed to have creative license. Now into the fifth season, I am a dedicated fan of the show, and will be sorry to see it end.

My family was taken more than somewhat aback to find out that this mainstream retired accountant highly touts Queer as Folk and watches it not just once a week, but also the repeats. I tell them that after awhile you forget that these are gay people - yes, a few of the more scorched sex scenes are very explicit and take some getting used to. What wins one over is the superb writing and story lines (especially the first year). The characters are well fleshed-out and you can't wait from week to week to see what happens to them - in point, you have really learned to care for these people and understand their joys and agonies and day to day tribulations. The acting is first rate and you sometimes forget that these are people just emoting and not playing out their own lives. I love to see the contrasting facets to Brian: sometimes ruthless and cunning, but perfectly balanced with great acts of compassion and kindness - and he juggles these traits perfectly.

I subscribe to Showtime Cable Channel just to see this show.

It's always fashionable to negatively critique US versions of British material, but I am not always into that fashion.

I loved the first two episodes of this Americanized QUEER AS FOLK. It certainly follows the plot of the British version (so far at least). Yet the pace is more leisurely since the US version takes 45 minutes to do what was done in 30 minutes on the British version.

The US version is also easier to understand -- and it's not just the fact that we aren't getting the British slang in quickly-spoken thick British accents. Maybe it's the more leisurely pace that makes the plot easier to follow.

Hal Sparks has a wonderful dead-pan dry humor as the narrator, Michael. Randy Harrison is sweet as Justin, the newly-out teenager. When he was rejected by his dream-man Brian, his pain looked genuine and touching.

Even though the opening narration indicates "It's all about sex," the show is actually about more than that. The narrator is referring to the fact that gay night life in trendy bars is "all about sex," but we see in Michael and Justin the reality of people searching for a sense of connection in a world that doesn't offer a lot of connection -- especially for gay people.

While the British version was only 8 episodes with a 2 hour finale (which I found disappointing), this US version promises to begin with 22 episodes and possibly go on from there. I look forward to the future developments. So far, I see nothing to complain about.