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IMDbPro

Queer as Folk

  • Série télévisée
  • 2000–2005
  • 16
  • 45min
NOTE IMDb
8,5/10
23 k
MA NOTE
POPULARITÉ
2 463
422
Sharon Gless, Hal Sparks, Michelle Clunie, Robert Gant, Thea Gill, Gale Harold, Randy Harrison, Scott Lowell, and Peter Paige in Queer as Folk (2000)
Home Video Trailer from Showtime
Lire trailer2:07
6 Videos
99+ photos
DrameRomance

La vie et les amours d'un groupe d'amis gays à Pittsburgh, en Pennsylvanie.La vie et les amours d'un groupe d'amis gays à Pittsburgh, en Pennsylvanie.La vie et les amours d'un groupe d'amis gays à Pittsburgh, en Pennsylvanie.

  • Création
    • Ron Cowen
    • Daniel Lipman
    • Russell T. Davies
  • Casting principal
    • Gale Harold
    • Hal Sparks
    • Randy Harrison
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,5/10
    23 k
    MA NOTE
    POPULARITÉ
    2 463
    422
    • Création
      • Ron Cowen
      • Daniel Lipman
      • Russell T. Davies
    • Casting principal
      • Gale Harold
      • Hal Sparks
      • Randy Harrison
    • 179avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 34 nominations au total

    Épisodes83

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos6

    Queer As Folk: Season 4
    Trailer 2:07
    Queer As Folk: Season 4
    Queer As Folk
    Trailer 3:22
    Queer As Folk
    Queer As Folk
    Trailer 3:22
    Queer As Folk
    Queer As Folk: Season 5
    Trailer 1:49
    Queer As Folk: Season 5
    Queer As Folk: Season 1
    Trailer 1:32
    Queer As Folk: Season 1
    Queer As Folk: Season 3
    Trailer 0:52
    Queer As Folk: Season 3
    Queer As Folk: Season 2
    Trailer 0:33
    Queer As Folk: Season 2

    Photos454

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 448
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Gale Harold
    Gale Harold
    • Brian Kinney
    • 2000–2005
    Hal Sparks
    Hal Sparks
    • Michael Novotny
    • 2000–2005
    Randy Harrison
    Randy Harrison
    • Justin Taylor
    • 2000–2005
    Michelle Clunie
    Michelle Clunie
    • Melanie Marcus
    • 2000–2005
    Thea Gill
    Thea Gill
    • Lindsay Peterson
    • 2000–2005
    Scott Lowell
    Scott Lowell
    • Ted Schmidt
    • 2000–2005
    Peter Paige
    Peter Paige
    • Emmett Honeycutt
    • 2000–2005
    Sharon Gless
    Sharon Gless
    • Debbie…
    • 2000–2005
    Robert Gant
    Robert Gant
    • Professor Ben Bruckner
    • 2002–2005
    Jack Wetherall
    • Vic Grassi
    • 2000–2004
    Diane Higgins
    • Passerby
    • 2000–2005
    Sherry Miller
    Sherry Miller
    • Jennifer Taylor
    • 2000–2005
    Makyla Smith
    • Daphne Chanders
    • 2000–2005
    Harris Allan
    Harris Allan
    • James 'Hunter' Montgomery
    • 2003–2005
    Stephanie Moore
    • Cynthia
    • 2000–2005
    Logan Hoover
    Logan Hoover
    • Gus Peterson-Marcus…
    • 2003–2005
    Kegan Hoover
    Kegan Hoover
    • Gus Peterson-Marcus…
    • 2003–2005
    Peter MacNeill
    Peter MacNeill
    • Detective Carl Horvath
    • 2002–2005
    • Création
      • Ron Cowen
      • Daniel Lipman
      • Russell T. Davies
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs179

    8,523.4K
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    Avis à la une

    nolanjwerner

    TV Masterpiece

    What can I say about the show? It has incredible characterisation (capable of drawing even a straight man into the lives of the characters), beautiful cinematography, great acting and compelling writing. I have seen the first two seasons and I am currently watching the third on VHS because I lost showtime in the process. I have 3 episodes left of season 3 and, barring a few rather flagrant showings of male nudity (which although arguably contextually appropriate did seem a bit over the top), the shows have continued the quality of the first two seasons. What is great about the show is the fact that you really do care what happens to the characters, you can see an element of yourself in them (well maybe not all of them but you can find something in at least one of the characters that you relate to--I really relate to Ted myself, particularly in the middle of the first season and most of the third season). The show has tackled a lot of touchy topics (HIV, gay marriages, homophobic politicians) and, barring Emmett's brief fling with quack therapy in an attempt to be straight, they have been dealt with in a thoughtful, intelligent and sensitive manner (although how can you deal with reparative therapy seriously?), and, in a real stretch, showing that the gay community has its own flaws, which i think is what really sets the show apart, it says that the gay community isn't perfect and the gay characters aren't perfect.

    And even though all my straight friends who have never seen the show may laugh and ask me if I have started to play for the other team, I will continue to watch as long as the quality is kept up like this. Besides Six Feet Under, Monk and MI-5, this is one of the few shows I would go out of my way to see. Bring on season 4 and let Ben die already (the second part is only a personal opinion, I just never cared for his character although I think Robert Gant does an excellent job of portraying him, I would rather have seen Michael with David).

    And I have seen the second series of the British version and, loath as I am as an anglophile and a purist to say it, the American version has gone further then the British series (although in all fairness they have had a lot more episodes to explore the characters). My only beef is that Gale Harold may seem cold and rather like a jerk (since a stronger term may be censored but one is definately implied), Aidan Gillen was creepy. Gale was the kid in high school that was popular although he never really liked anyone while Aidan was that guy who you would see somewhere and he would just creep you out yet you couldn't take your eyes off him. Two totally different characters and I think one works better for a miniseries and the other works better for a regular series.
    smoothhoney1265

    crazy sexy sweet cool

    Two men are standing on the roof of a hospital. Brian and Michael are in their late twenties, gay and best friends. In the past three hours before this rooftop scene, Brian has had sex in a gay nightclub, hooked up with a 17-year old boy (whom he will deflower approximately one hour later) and has become a father. Michael, on the other hand, was about to have a one-night stand and realized but once again that he actually is secretly in love with Brian.

    With drugs inside, Brian goes on a trip, climbs the edge of the roof, pulls Michael to him and whispers in his ear: "Come on, Mickey, let's fly!" In the background, Heather Small sings "I step out of the ordinary…" It is a mild summer night in the middle of a sparkling city and there is magic in the air.

    The first episode of "Queer as folk" was probably the sexiest, craziest, sweetest and best TV show premiere I've ever seen (well, apart maybe from "Desperate Housewives"). It really impressed me and woke my interest. But it was this magical moment Michael and Brian share on the roof that made me fall in love with this show. You can almost smell the night air, feel the warm summer wind breeze and know: it's one of those crazy, unusual moments that make us feel alive. The music, the atmosphere, the scenery – it's all perfect and goes straight under your skin into your heart and soul. The scene gives a promise to the viewer that in the future we will witness unusual, as well as profound and ordinary things, but most of all it is a promise that there will be more magical moments like this one and breathtaking surprises like the ones that happened previously and followed right after. And what better promise can a first episode give – and keep? We witness the lives of four gay friends, a newbie, a gay man's mother and a lesbian couple plus their friends, lovers, relatives and one-night-stands in Pittsburgh. Brian, the main character, is a selfish asshole and Casanova on the one hand and a vulnerable, caring, sweet young man on the other. Michael, whose relationship to Brian I have already described a bit, on the one hand loves his proud mother, on the other tries everything to pretend that he's straight at the supermarket he works in. Emmett, a sweetheart of a queen, always delivers flamboyant one-liners and looks for the man of his dreams. So does Ted, suffering from his not-classically-attractive looks, but having a heart of gold. Young Justin is about to discover the scene and has the (bad) luck to choose Brian as his first love(r). And then there are Lindsay and Melanie, just your average lesbian couple, who has just become mother and … mother with the little help of … Brian.

    After having seen three more episodes I am completely addicted to this show. I could enumerate at least 1000 reasons why it went so quickly with me and scenes like the one above which pulled me inside this "queer" world. But I won't. Because everybody has their own reasons to love (or hate) this show and the right to discover it for themselves. But I would like to mention "QAF" 's greatest strength and maybe THE reason why this is a brilliant series. Today's TV shows have so many clichés, try to judge, to label. You will find none of this in "Queer as folk". It just witnesses the lives of people without commenting on it, judging or trying to justify what they do. If they want to shag, they shag, if they want to take drugs, they do so without asking anyone's permission, if they want to party, they party and they make just as many and stupid mistakes as everyone does. Sometimes they screw up and there are times they don't know if they want to scream of joy or suffering. They just live and the show celebrates them for it. And what better message can it have? I know that the show was already a huge success in the US, I am glad that it finally reached Europe (or at least Germany) and I am very grateful that I have the opportunity to see it. Great performances by a brilliant cast and a plot that simply knocks you off – for me one of the best TV shows that has ever been done.
    vze4zq45

    I am a retired grandmother who loves this show

    My family was taken more than somewhat aback to find out that this mainstream retired accountant highly touts Queer as Folk and watches it not just once a week, but also the repeats. I tell them that after awhile you forget that these are gay people - yes, a few of the more scorched sex scenes are very explicit and take some getting used to. What wins one over is the superb writing and story lines (especially the first year). The characters are well fleshed-out and you can't wait from week to week to see what happens to them - in point, you have really learned to care for these people and understand their joys and agonies and day to day tribulations. The acting is first rate and you sometimes forget that these are people just emoting and not playing out their own lives. I love to see the contrasting facets to Brian: sometimes ruthless and cunning, but perfectly balanced with great acts of compassion and kindness - and he juggles these traits perfectly.

    I subscribe to Showtime Cable Channel just to see this show.
    cute_fun_04

    A piece of my life

    This show, has brought the best five years to my life. I started watching the show when I was 13, and was the backbone for my coming out. Without this show, I don't think I would have had the courage to come out when I did. It was like home to me when things got rough. Now 17, I have developed a connection with the characters based on the lifestyle they led and the one I lead. Through the whole last episode, I cried, it was like a part of me had died, remembering that it was the biggest reason why I came out. I already miss the show, and I am anticipating buying the rest of the box sets I'm missing, the two Cd's I'm missing, and the book, to keep in my collection of the greatest t.v show to be aired and the greatest backbone support to gay people around the world. That's all folks!
    10Rogue-32

    Best of Show(time)

    QAF is, in my opinion, the best cable TV series of all time (since Rude Awakening is off the air). Kudos to Showtime for having the courage to put it on. The most important reason this show works is because of THE ACTORS, who are all superb, creating 3-dimensional characters that you care about, deeply, week after week. It's impossible to imagine any different actors in the main roles, in fact - the true sign of brilliant casting. This is the only show on television, cable or network, that I watch religiously and I couldn't be any more thrilled that it's been renewed for another 2 seasons.

    Added on August 8th (a day after the series finale aired) - Just wanted to say that this show has changed television forever, not just because it pushed the envelope - actually, it EXPLODED the envelope - but also because of all the lives it touched, informed and/or changed. This show crossed all barriers, appealing to every kind of viewer, thanks to the beautifully written characters, magnificently realized by the superb cast, and I for one am sad to see it end, this once-in-a-lifetime bold and redemptive journey.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Executive producers Ron Cowen and Daniel Lipman said they encountered an extreme amount of homophobia from other Hollywood industry professionals, during the pre-production and casting process for this television series.
    • Gaffes
      There is a hexagon shaped window on the wall between Debbie's front door and the stairs that lead upstairs. In season 1 this window was clear and you could see 'daylight' coming through it. In subsequent seasons the glass panes of this window were covered in gay pride colors and had a non-see-through look. When you see the outside porch and front door of Debbie's house, her house is a semi-detached home with the other half of the house attached to the wall that has the window.
    • Citations

      Brian Kinney: [whispers in his ear] I love you.

      Justin: [sighs]

      Brian Kinney: I love you.

    • Crédits fous
      "Queer As Folk is a celebration of the lives and passions of a group of gay friends. It is not meant to reflect all of gay society."
    • Connexions
      Featured in Prom Fight: The Marc Hall Story (2002)
    • Bandes originales
      Spunk
      (Main Title Theme)

      Written by Don Pyle & Andrew Zealley

      Performed by Greek Buck

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    FAQ23

    • How many seasons does Queer as Folk have?Alimenté par Alexa
    • I loved the song in <fill in the blank> episode. What was it?
    • Did Hal Sparks compare kissing men to kissing dogs?
    • What is the drawing/painting hanging on Michael's wall

    Détails

    Modifier
    • Date de sortie
      • 26 septembre 2002 (France)
    • Pays d’origine
      • Canada
      • États-Unis
    • Site officiel
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Q.A.F.
    • Lieux de tournage
      • 6 Church Street, Toronto, Ontario, Canada(Brian's Loft exterior)
    • Sociétés de production
      • Cowlip Productions
      • Tony Jonas Productions
      • Showtime Networks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      45 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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