Empire

Empire (2002)

Not knowing much about the drug world, or about the Latino drug world in Brooklyn in particular, I was fascinating on the basic level of curiosity. And some amazement, I suppose.

This isn't a badly made movie. The leading actor, John Leguizamo, is subtle enough as Victor Rosa and has an inner core of decency to keep you identified enough to watch. The plot needs that because there's a lot of the well worn drug violence to wear you out. There is also, however, a second plot element that you don't quite expect—Rosa finds an opportunity to invest his drug earnings into high yield stock deals through a very non- Latino Wall Street man.

So there is a big twist or two to come, and this really makes the movie more of a fictional bit of creativity. Written and directed by Franc Reyes, "Empire" is about all kinds of rivalries. It's also wants to be about love and is thin there. You wish he had taken the slightly different tack the script offered him and tilted away from the shooting and strutting (lots of cocks hanging out here) and more into the minds and hearts of these people, who start to become real for us.

No such luck. Somehow they managed to get Isabella Rossellini in for a small but good part—if you're a fan you'll enjoy that. And Leguizamo adds some tenderness (real or not) to larger scene. And location shooting, frankly, is really nice, showing not the usual sides of New York (or LA) and not the romanticized ethnic neighborhoods (like the Italian or Jewish sections of old), but the regular, rough-edged reality of Brooklyn now. Or at least in 2002. Things keep changing down there really fast.

I don't recommend or not this movie—it's purely about whether you like this kind of world and want to get immersed in it. Nothing really special happens, but it's got a steady interest that might keep you going.

"Empire" is all about a streetwise drug dealer (Leguizamo) in South Bronx, NY who self-narrates his take on how to work your way out of the ghetto and go legit. A slick shoot with a bunch of trite recycled street crime and gangland snippets pieced together for a screenplay, this predictable and contrived flick never really gets where it's trying to go. Chock full of plot holes and nonsequiturs, the auteur asks us to care enough about a thug, murderer, and drug pusher to sit through 1.5 hours of all-sizzle-but-no-steak nonsense about his life. A so-so no brainer action/drama for Leguizamo fans and crime buffs only. (C+)

There's probably no point in discussing the plot of "Empire," since the whole movie is all but divulged in the trailers, but it's not in my best interest to leave people in the dark. Victor Rosa (John Leguizamo, also providing voice-over narration) is a South Bronx drug dealer who wants to get out of the business and lead a normal life with his pregnant girlfriend (Delilah Cotto), who is expecting their first child. Victor believes Wall Street investment banker Jack Wimmer (Peter Sarsgaard) is his lifeline to quick – and legal – financial freedom. It's not long before his alliance with Wimmer begins to alienate relationships with his friends and partners, which in turn yields serious consequences. This solid storyline is lost in the abyss of director Franc. Reyes' world of near-pitch black sets, endless gunplay, flat dialogue that's composed mainly of colorful metaphors, and rappers playing trigger-happy drug dealers (in this case, Treach and Fat Joe; at least they're a major improvement over stiffs like Ja Rule and DMX). The third act collapses under the weight of its predictability; a field guide and binoculars won't be needed to spot twists that can be seen from a country mile away. Denise Richards pops up in the egregious role of Wimmer's sexpot girlfriend, but don't let that deter you from seeing an otherwise fairly entertaining movie. It's difficult to argue, though, that Leguizamo's talents were better put to use in "Ice Age." 7/10

Empire stars John Leguizamo in a fairly decent role this time, as Victor Rosa. He is a drug dealer who is living life at a good pace. But as sucessful as his buisness is, he finds that he should get out while he still can and settle down. He sees his chance as he meets a wall street stock broker named Jack. He has a propasition for Victor that involves millions of dollars in which Victor needs to borrow from his drug dealing allies. It soon turns out that Victor is screwed out of the deal and Jack has made off with the money! Victor soon discovers he has no choice but to seek out Jack and have his revenge. What starts out with all the characteristics of a flop movie soon turns into something interesting. Leguizamo portrays Victor well, with smarts, feelings and charisma. It's not the greatest gangster flick out there (say Goodfellas blows it out of the whole movie making buisness) but this is surely worth a look. Empire provides insites into the crime world and keeps interest for a lot of the time (except the flat beginning). There are sometimes surprises that you wouldn't expect, good gun fights, and the ending is really something else. Overall not bad, do not judge the cover by all the bad things everyone says about it. Give it a shot! you may be surprised. 7.0/10

Despite its poor box office performance and multitude of bad reviews from major critics, I found the movie to be quite good. John Leguizamo gives a powerful performance, exhibiting that same dramatic power he did in Spike Lee's "Summer of Sam." This is writer/director Franc Reyes' first film, and it's no masterpiece, but he definitely shows signs of talent. Not to mention the film was made on a low budget, yet it's just as effective, if not more, than urban gangster movies twice its budget. The film is flashy, but not too flashy. There is one shot, inspired by John Woo, in which Fat Joe flips a shotgun up in the air and it's played in slow-motion. Moments like that have their charm, "moment" being the key word. Too many scenes like that and you've got yourself the stereotypical, hare-brained, MTV music video disguising as a motion picture ala "Charlie's Angels." Reyes used an interesting lighting technique, making the ghetto scenes appear more golden and the uptown scenes a darker, blue-ish color. In most movies of this type, the ghetto scenes would be much more darkly lit, but Reyes wanted to break from the mold.

The story is predictable, except for one moment at the very end, but at the same time it's inspired and realistic. There are a few contrived, you-asked-for-it moments like Leguizamo's girlfriend catching him cheating on her with Denise Richards, but I didn't make a big fuss out of them. Reyes himself grew up in the South Bronx, so some of the scenes and characters are inspired from his childhood, and that inspiration really shows. Also, I always condone films with predominantly Latin-American casts, whether they're good or bad, because Hispanics are still very much snubbed in the world of media. So this is a film from a real Latin-American perspective, and not the perspective of a white man who did some research on their barrios and starring white actors with cheesy Latin accents (i.e.: Al Pacino in "Scarface").

Even though I'm all for minorities getting their art out there, that doesn't mean they have to diss the majorities. What I wasn't too thrilled about was the way the white characters were written. They're portrayed as the usual stuck-up, Armani-wearing fools they are in most films with a cast predominantly consisting of minorities. The climax involves the Peter Skarsgard character yelling out a racial slur. That seemed like a cheap device to elicit huge reactions from the young Hispanics in the audience. And the Denise Richards character is a ditsy floozie. What else is new? However, I've seen worse Caucasian stereotypes in African-American films. At least in this case, the whites weren't complete objects of ridicule.

The only member of the cast who I felt was out of place was Isabella Rossellini, who for some reason just seems like she walked onto the wrong movie set and never seems comfortable with her role. But the rest of the cast is superb. God knows I don't condone rappers venturing into acting, as a general rule, but the rappers who are in the film (Fat Joe and Treach from Naughty By Nature) are effective in their small roles, the key word being "small." If they had more major roles, my opinion would probably be a lot more negative.

"Empire" is a good, solid, well-acted, entertaining, action-packed joyride with great elements of truth. In a way, it's like an inner-city film noir.

My score: 7 (out of 10)