Jay & Bob contre-attaquent

For the record, I have not seen Kevin Smith's previous works, Clerks, Mallrats, Chasing Amy, or Dogma, which, I'm almost positive, affected how I saw the movie, since Smith puts in so many in-jokes and references to his previous movies, I didn't get them, except for the blatantly obvious ones.

Jay (Jason Mewes) and Silent Bob (Kevin Smith) hang out in front of a convience store selling weed. When the get a restraining order, they find out that the comic starring their likenesses Bluntman and Chronic is being turned into a Miramax movie. However, they aren't being paid for it, so what to do? Travel cross-country to Hollywood from New Jersey to stop the movie from getting made, what else?

Crude, inappropriate, and extremely funny. If there's ever a movie that you should watch with your drinking friends and not with a date or family, this is the one! It has jokes about genetalia, bodily functions, innuendoes, and more, and I haven't laughed this hard at a movie for a long time. Call me immature, but I like this type of stuff, ones that actually have substance behind the crude jokes (not like Old School).

Mewes was f-ing hilarious, when he f-ing say the f-ing f-word every f-ing word. It has over 230 f-words along in this movie, with the total number of curses probably around 300. I have never heard so many, but I laughed. I'm not ashamed to admit it: Mewes cracked me up, with his stylish arrogance and foul mouth. Smith, who was laconic for almost the entire film, expressed everything with his eyes, which were funny. There were more cameos than a movie of The Simpsons, with Ben Affleck, Matt Damon, George Carlin, Jamie Kennedy, Chris Rock, Tracy Morgan, Joey Lauren Adams, and many, many more.

There were many pot-shots of American movies. For instance, when Jay and Silent Bob meet a drug dealer played by Tracy Morgan, he says that Miramax accounts for about 75% of his income. Also, everyone on-screen looks at the camera when they mention, `No one would pay to see a Jay and Silent Bob movie,' and when Ben Affleck says that one reason you do a picture is because you owe a friend a favor. As the Bluntman and Chronic movies premieres, someone says, `Well, it was better than Mallrats.'

Are you easily offended? Does the mention of various body parts upset you? If you answered yes to either question, Jay and Silent Bob Strike Back is not your movie. If you answered no, sit back and enjoy the ride!

My rating: 7/10

Rated R for nonstop crude and sexual humor, pervasive strong language, and drug content.

Kevin Smith's previous movies always seemed to be something of a mixed bag. Whether ambitious thematically, ("Dogma", "Chasing Amy"), or outright comedy, ("Mallrats"), the movies as a whole were less satisfactory than their many very funny parts. The sporadic appearances of the second string character duo of Jay and Silent Bob were always a welcome event.

The big question was whether this 2001 styled Laurel and Hardy, when promoted to center stage, could carry a movie. The answer much to my surprise was a resounding yes. Smith outdoes himself, producing an exceptional comedy. It's consistently inventive, with surprises, in jokes and many cameos from Smith regulars, all who seem to be genuinely having a ball. Never has irreverence and bad language been done with so much charm.

Those who disliked Smith's previous works would do well to stay away, they are unlikely to be converted. But for fans, Smith really does deliver the goods, in a big way.

I was totally baffled by reading that certain gay groups took offence to this movie. It would seem to me a total misreading as well as a great deficiency in the humor department. Apart from the fact that Smith lampoons all and sundry, it actually struck me as a particularly gay friendly movie. The fact that a gay character sums the movie up as one big gay joke should be taken as a compliment more than anything else.

It's clear that this brings Smith's cycle to a close. He couldn't have wished for a better ending.

Whether or not you enjoy `Jay and Silent Bob Strike Back' is going to depend a lot on whether or not you enjoy director Kevin Smith. I, for one, think the guy is a genius. If you don't mind my lauding his name, read on. First, a little background for the uninitiated.

Kevin Smith's movies (Clerks, Mallrats, Chasing Amy, Dogma, and now JSBSB) are a world created by the director himself, in the sense that all are interconnected by characters, plot points, and subtle references. The one constant, though, is the entity known as Jay and Silent Bob, a pair of pot dealers who have more or less spent their entire lives standing in front of the Quik-Stop convenience store. Jay (Jason Mewes) is the long-haired guy we all knew in high school, his endless stream of four-letter epithets almost endearing because the goofy guy just doesn't know any better. Silent Bob (played by director Kevin Smith), Jay's self-described `hetero life-mate' stands by without speaking a word and provides some sort of moral counterpoint for the duo.

In Smith's `Chasing Amy,' Banky and Holden (Jason Lee and Ben Affleck, respectively) created a comic book entitled `Bluntman and Chronic,' based on their real-life buddies Jay and Silent Bob. Fast-forward to `Jay and Silent Bob Strike Back.'

Banky has sold the rights to his comic to Miramax pictures, leaving Jay and Silent Bob in the dark about the business deal. Jay and Bob, with help from Holden, discover via the Internet (`What's the Internet?' asks Jay) that a movie based on them is about to start production. Realizing that they won't see a dime of the money, and even more upset by their defamation on Internet message boards, they decide to truck across the country to stop the film from being produced.

It's important to note that while the comedy is crude, slapstick, and even resorts to fart jokes, it's not dumb comedy, it's satire at it's finest, reminiscent of such self-deprecating masterpieces as `Pee-Wee's Big Adventure' and `Blazing Saddles.' After the fairly serious `Chasing Amy' and the spiritually overtoned `Dogma,' we see that Smith has decided to get together with his buddies and put together one big inside joke. Fortunately, he's decided to let a few of us in on it. The viewer's enjoyment of the movie is going to depend completely on his or her knowledge of Smith's previous films and characters.

Smith's friends show up in cameos, from Chris Rock to Will Ferrell to Alanis Morrissette to Carrie Fisher to Mark Hamill (Smith is an infamous Star Wars fanatic). You can literally see a man's childhood dream coming true when at one point, Smith's Bob gets to carry on a lightsaber duel with Hamill.

Local interest: In one of the many subplots, a group of female jewel thieves bring Jay and Silent Bob to our very own Boulder, Colorado, to steal a monkey from a medical testing facility. `Jay and Silent Bob Strike Back' is a comedy, and doesn't try to be anything else. The only thing I felt was missing was one of Jason Lee's inspired monologues bitterly bemoaning the state of society. Some of Shannon Elizabeth's screen time could have been cut, I felt, in favor of some trademark Smith dialogue.

Smith now intends to focus his time on more dramatic pursuits, and we are given this as the fifth and last film in his so-called `Jersey Trilogy.' The bottom line is, Smith loves his fans, and this film was created for the loyal. A fitting send-off for Jay and Silent Bob, this film gets an `A-.'

Stoners Jay and Bob spend their time selling drugs in front of a grocery store and hanging out. When they are introduced to the world of the internet they discover that a film version is being made of the comic book that they were the inspiration for. Not only that but people are on the message boards insulting and slandering them. In order to stop the slander Jay and Bob decide to travel to Hollywood to stop the filming and therefore stop the internet discussions. A cross-country adventure ensues that includes stolen monkeys, international jewel thieves, the scooby-doo gang, a star wars confrontation, many many cameos and a million rude jokes.

The plot for this film is very, very weak. However for the most part you're laughing so hard you don't care how thin it is. It's only the middle section where the Scooby Doo bit and the jewel thief bit come in, where the jokes are less funny and the plot is more silly where you feel it. That said it's still really funny - Jay's desire to steal/liberate a monkey in order to get a woman to sleep with him is hilarious ("we steal monkeys all the time in Jersey" "If I'd known stealing monkeys would get me sex, I'd have been doing it since I was 7!") as is his rant on behalf of C.L.I.T.!

The humour is all of one type. If you know these characters from the other Red Bank films then you'll know if you'll like them or not. If you don't know them already then some of the jokes here will go over your head - there's lots of in-jokes and references to actions and characters in the other films that you won't understand (although some are still funny). Some of the references go too far and aren't funny - one joke in particular where the characters say something like "who'd pay to see a movie like that?" or "I hate it when you get roped into a movie by a friend" and then look out at the audience, isn't funny the first time or the 5th time. However most of the jokes are really funny thanks to a) Mewes's wonderfully un-PC, obscene dealer and b) Smith's great writing.

As I said some of the scenes are funny for 5 seconds but soon die out (the scooby doo bit gets dry pretty quick) but the majority is great. Standout bits include the monkey stuff, the whole Miramax-ribbing climax, the Phantom Menace skit and Chris Rock's angry black director (very similar to Hooper in Chasing Amy). The focus on sex related jokes makes for a film you're either going like or hate - and I loved it. Yes too many characters from other film are shoved in unfunny scenes (Affleck's Holden is poor and Lee is given nothing to work with in the role of Brodie that he was fantastic in in Mallrats), but the majority of it is great.

There are too many cameos to mention but nearly all of them are funny - high points include Chris Rock who missed out on making a black Sesame Street (he was going to call it N.W.P. - you work it out!), Carrie Fisher as the nun who lives by the book, Jason Biggs lamenting his pie-humping typecasting, Mark Hamill in the star wars spoof, the director and cast of Good Will Hunting poking major fun at Miramax and money grabbing sequels and Wes Craven directing Shannon Doherty in Scream 4 in a bang-on swipe at the Scream movies. The main acting pressure was all on Mewes as Jay, as Bob doesn't speak enough to carry the film, and he succeeds. Here his dirty mouth is given plenty of funny situations and good lines to work with and it ensures that his good performance carries through the whole thing and stops him getting annoying.

Overall this is one funny film and a very good way to say goodbye to these characters. Dry is some places, brilliant in others this isn't to everyone's taste but will please Smith fans easily. It's not The Godfather but it does what it's supposed to and does it well.

Kevin Smith proved with J.S.B.S.B. that he is no longer just a glorified independent film maker. In past films, Kevin Smith seemed to have a limited appeal, mostly among arm-chair directors (such as myself)who had become jaded with the Hollywood film industry, but with his slap-stick-like middle finger to the movie industry he seems to have branched out and struck a note with the "MTV audience" (10 to 16 year olds). Smith's grade-school humor, delivered mostly by Jay, is nothing new to previous movies, but with the focus on Jay & Silent Bob this humor became more evident AND more inviting to a younger audience.

Nonetheless, Smith has not alienated his core audience who are, "...over and underweight guys who can't get laid." (See Holden McNeil in "Chasing Amy"). The simple visual affects, as in his past movies, are FAR overshadowed by the fantastic dialogue he writes which has Hollywood stars chomping at the bit to deliver. If anything, the only disappointment was a very thin plot (OK, Mallrats: Had a plot, no one ever said it was a good one). But as he did in Mallrats, for what J.S.B.S.B. is lacking in plot, Smith sure as hell made up for it in laughs.

This movie junkie gives "Jay and Silent Bob Strike Back" a 9 out of 10.. .let's just hope what Chris Rock says in the movie doesn't come true. See the movie and you'll get what I mean.