Pas un mot...

You may be used to seeing mean Sean Bean act ugly and beat people up, treating violence as a standard operating method. But you have got to see him as a cowardly thug in "Rowin", a shy schoolteacher in "My Kingdom for a Horse" and a bi-sexual in "Carnavaggio" to know how resourceful this he-man is. He is 43, but knows how to act and how to make violent scenes very realistic. Although he says that the superfluity of dirt in this film almost got him.

The suspense is well played up with Michael Douglas doing his concerned father/prof/drug czar with druggie daughter role as well as he usually does it. He has had enough practice to get that down pat by now. You get a real good feel for bank robbers who are almost without conscience, who love the thrill of the 'hit'.

Brittany Murphy does the crazed abused daughter so realistically that you wonder how she knew to play a mad person without hamming it up too much. I'll be looking for more from this young woman.

Yes, it's just an adventure yarn without little background given for why Bean is such a bastard, but it's a great escape yarn. See it, just don't expect 'MacBeth' (which Bean is supposed to be doing in London this summer).

I hadn't seen this and at a loss of what to stream one evening I put it on. It's a really good little thriller with a great star turn from Michael Douglas and a very on form, and top villain, Sean Bean.

There's some really dodgy plot points. The moment Michael Douglas returns from checking his front door is one, watch it and you'll see what I mean. A very odd response and scene. That said i really enjoyed the old school thriller-ness of it and was swept along.

The sad bit is that Brittany. Murphy puts on a stunning performance here, vulnerable yet strong and totally on point throughout her plotline which holds the movie together. She died far too young and this movie shows us a glimpse of what she would have surely built upon as her career progressed. Also, in a double tragedy for this film Skye McCole Bratusiak has also passed away, her performance here is charm without ever being too much at points a touch of a young Jodie Foster about her. Both huge losses and both of their performances alone make this movie worth watching and a little sad to reflect on as the end credits roll by.

Overall, I really liked this movie, which surprised me a little bit. The trailers I had seen for it had me thinking it was going to be kind of "cheesy" for lack of a better word, but this was actually very engrossing. It had an interesting story line, sustained suspense and for the most part was well acted.

I particularly liked Brittany Murphy as Elisabeth Burrows, the psychiatric inmate whose tortured mind holds the information that Dr. Conrad (Michael Douglas) needs to get in order to save his young daughter Jessie's (Skye McCole Bartusiak) life. Murphy seemed so "into" her character that it was almost spooky to watch her. She was extremely convincing. Douglas I thought also offered up a good performance, as did Sean Bean as Patrick, the head kidnapper. Young Miss Bartusiak was commendable but to me didn't seem to portray the range of emotions I would expect a young child to be feeling in Jesse's circumstances. She just seemed altogether too calm. The same could be said for Famke Janssen as Jessie's mother Aggie Conrad. I realize the character had a broken leg and apparently couldn't get out of bed, but again she just seemed to take the whole thing too calmly (and, when her own life was threatened she seemed able to move around well enough, broken leg or not!) As for Oliver Platt as Conrad's colleague Dr. Sachs? I find that, depending on the movie, I either like Platt or don't (no middle ground) and I didn't care for him in this movie.

Overall, though, the movie was quite good as a vehicle for Douglas. I'd rate it as a 7/10.

A sad, unfortunate fact about this movie is that the 2 young female stars Brittany Murphy and Skye McCole Bartusiak (who plays the daughter of Michael Douglas) both died in a young age.

Anyway, this is a conventional thriller, nothing extraordinary. Although the critics hated it, it manage to become a commercial success doubling its budget in box office.

The plot is flimsy and fragile: The daughter of a psychiatrist is kidnapped, and her kidnappers want from his to "extract" a secret from a young woman who is imprisoned in a mental institution, that could lead them to a valuable object they tried to stole some years ago.

It starts slow but soon some action picks-up but it becomes exaggerated and coincidental maybe even absurd.

Michael Douglas does what he cans to save the movie but doesn't seem enough.

Overall: If you can catch it on TV watch it, but never think of paying a single dollar/euro/whatever for it.

"Don't Say A Word" belongs to that group of films that, while they're not bad, do nothing to stand out from the crowd.

The surprise twists in the story are so over-foreshadowed that they end up being no surprise at all.

The casting of a Brit as the head villain was a cliche twenty years ago - now it is truly old hat and shows a lack of imagination on the part of the producers and casting agents. This is compounded by the lack of an interesting an original script for grade A actor Sean Bean to work with. Brittany Murphy is also shortchanged by the script, and what at first appears to be a promising performance is not allowed to blossom.

This is symptomatic of the film as a whole - truly dramatic events are underplayed, and as a result the film feels like it has no climaxes.

"Don't Say A Word" is a film with an interesting premise that has been produced as a run-of-the-mill thriller.