The Forsyte Saga

This is the sequel to the previous year's mini series, The Forsyte Saga, based on John Galsworthy's novel. It continues on with the dramatic lives of the younger generation of Forsytes, namely the forbidden romance between Fleur and Jon. Fleur is the daughter of Soames Forsyte, and Jon the son of Soames's former wife, Irene. Once again scandal, secrets, and deception dominate the tale. Like its predecessor, this saga has beautiful English scenery, finely furnished country manors, and lovely period costumes.

The story is interesting, though I personally find Fleur not a sympathetic heroine at all but instead totally self absorbed, deceptive, and manipulative. Jon is much more appealing, a young man with a deep love and respect for his parents. From their first encounter at an art gallery, the lovely & spoiled Fleur has made up her mind to have Jon for herself. Naturally their ill advised love affair opens up all the old wounds between Soames and Irene. In addition to Fleur and Jon, there is a likable third party to the love triangle... Michael Mont, who also vies for Fleur's affections. Essentially the conniving Fleur uses poor Michael for her own selfish purposes.

Actually, the most compelling part of the story for me remains the unfolding lives of the older generation, Soames and Irene. Soames is now wed to the unfaithful French Annette, and Irene is happily married to Jolyon. Especially given the drama with their offspring, will Soames ever be rid of his obsession with Irene, the wife who never loved him and is now married to another?

I came across "The Forsyte Saga" and its sequel, "The Forsyte Saga: To Let," in my local library. It was the sequel that I had watched first, not realizing there had been a mini-series made prior to this. THE FORSYTE SAGA is an utterly brilliant film, in my opinion, ranging from the exceptional performances of the actors (notably Rupert Graves, Damian Lewis, Gina McKee, Gillian Kearney, & Corin Redgrave), to the screenplay, to the cinematography, to the music (closing theme). The actors executed their portrayals with such realism that I was engrossed in the mindsets of the major players in the film. Such performances are refreshing in the movie industry, as one loses sight of the actors for the "characters." The plot was very good and well written; as such, the movie never seemed to drag. For me, this drama evoked powerful emotions ranging from: deep sorrow & loss (Old Jolyon), to empathy & sympathy, and even a few moments of unexpected humour. I kept wanting more. All in all, this miniseries shows us many injustices, and that dignity, integrity, goodness, and compassion can prevail. If you can set aside an afternoon or long evening to relax and watch the miniseries in one sitting, it will be worth savouring. I hope others find THE FORSYTE SAGA to be a pleasure to watch. I certainly plan to add the DVD set in my film library soon.

Comparisons between the 60s version of this splendid work and the latest one are difficult because they were both great. I have really enjoyed the last version especially as regards the performances of Damian Lewis and Gina McKee.

One previous contributor said that he found himself almost liking Soames which 'we were not supposed to do'. Is that right? Galsworthy intended The Forsytes to be representative of the upper middle class with some bad aspects - arrogance, lack of sentiment, conscious always of their respectability - but also with a positive side - sturdy, determined, ambitious, but ultimately concerned with ownership and property. Soames is an extreme example of his kind, to the extent that he regards people - especially his wife - as potential property. Irene, on the other hand, represents the new force which, along with the effects of WWI and the rise of the Welfare State, nationalisation etc will soon overthrow the old order.

Superficially at least, Soames is the villain. He appears to terrorise his wife, physically abuses her and more. However, is there another side to this? Irene marries him quite cynically for materialistic reasons. It's not merely a question of 'not loving' him. He positively makes her flesh creep right from the start. We are given the idea that she is forced to marry him by her stepmother and by her poverty. Force her?? As the story goes forward, we see that she is a strong character - no-one can force her to do anything. Her poverty? She has £50 per annum from her father. This might not seem a lot, but it was about what an artisan earned in a year at that time (on which he was expected to keep a family). Despite his treating her as property, Soames does love Irene in his way and he does try his best to give her what she wants. In return she is openly unfaithful to him, denies him children and even conjugal rights. As regards his bad treatment of her, she certainly returns the compliment in kind. She could be looked on as something of a vampire - she sucks the life force from Soames and old Jolyan and wantonly destroys the happiness of her friend June and Bossiney (though admittedly he goes along willingly). As regards her own son her hatred of Soames tempers her dislike of Fleur so even her son is badly affected by her force of character and neurosis.

I think Galsworthy, as well as writing a simple commentary on Edwardian and Victorian life was also trying to divide his readers into factions - the pro-Soames camp who like the old ways, and the pro-Irene (the 'new woman' camp) who wanted change.

Whatever, I have to congratulate Gina McKee. She carried off that complex character of Irene so well. Her enigmatic Mona Lisa smile, did it display goodness? Or the opposite? I'm still not sure

I had never heard of The Forsyte Saga before seeing the mini-series but I enjoyed it so much that I bought the novel, and isn't that really what these adaptations of novels are all about- trying to interest people enough to read the book the movie was based on? I'm glad this version wasn't completely true to the novel considering that so many of the characters in the novel are either underdeveloped or so enigmatic that it's hard to have any kind of feelings about them.It was a stroke of genius to develop Dartie and George into the two jokers of the family, who provide light entertainment when the plot gets a little dark. In defense of Gina McKee, I think the choice to cast her as Irene was a wise one. I can't think of any other actress today who has such an elegant, classy beauty without being "showy" about it and I thought her characterization of Irene was true to how she is portrayed in the book, considering that Galsworthy deliberately made Irene a very shadowy, unreachable figure. Ioan Gruffudd, who, with his dark good looks just seems to be made for these lavish period pieces, was his usual dashing and charming self playing "The Buccaneer" and the rest of the cast put in a fine performance. While I admit these costume drama mini-series aren't to everyone's taste, you can not doubt the painstaking hard work put in by all involved that makes them a cut above the rest.

A remake of the 1967 original, the 2002 mini-series boasts some fine performances, especially from Band of Brothers' Damian Lewis as the often unfeeling Soames Forsyte, and Gillian Kearney as June Forsyte (the graveyard scene between these two characters is superb!)

The story follows three generations of the Forsyte family, from about the 1880s to the death of Queen Victoria. There is a nice blend of humour, action, and drama to keep the viewer interested in the proceedings. If you're like me and into family sagas, I recommend watching this, or, if you can't, reading the book by John Galsworthy.