Ajouter une intrigue dans votre langueThe films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.
- Réalisation
- Scénario
- Casting principal
Nicholas Josef von Sternberg
- Self - Interviewee
- (as Nicholas von Sternberg)
Avis à la une
This documentary, made by her grandson, focuses on the fabulous Marlene Dietrich's contributions during World War II and the way she was viewed by Germans and the rest of the world due to her activities during that time. These include her becoming an American citizen and entertaining American soldiers despite German efforts to get her back in Berlin and supportive of her own country's war efforts. According to Maria Riva's fascinating biography of her mother, one of Dietrich's main reasons for going overseas as a performer during the war was to reunite with her lover, French film star Jean Gabin. However, it's apparent that the artist soon fell in love with the soldiers and became much more than part of a traveling show. She donned fatigues, she sat and talked with them, flirted with them, sang with them, and visited them in hospitals. For the rest of her life, veterans were known to her as "my boys" when they flocked to see her in Las Vegas, Israel, or wherever she performed. Her experience was summed up in an antiwar song that was part of her concerts, "Where Have All The Flowers Gone?" The documentary goes into Dietrich's early career in Berlin and just touches on her Hollywood success. There are interviews with her daughter, friends, and historians throughout, and the documentary is peppered with home movies, interview footage, and performances.
It's a much less cynical look at Dietrich than is found in Riva's book, where, for instance, she describes her mother telling everyone at one point that she was going to Germany to get her sister out of Bergen-Belson, failing to mention that it was the town of Bergen-Belsen and not the concentration camp. The documentary also stays out of most of Dietrich's personal life, which is covered in great detail in her biography. It would all be superfluous here. This is the story of a great icon, her roots, and how the watershed experience of World War II changed her art.
It's a much less cynical look at Dietrich than is found in Riva's book, where, for instance, she describes her mother telling everyone at one point that she was going to Germany to get her sister out of Bergen-Belson, failing to mention that it was the town of Bergen-Belsen and not the concentration camp. The documentary also stays out of most of Dietrich's personal life, which is covered in great detail in her biography. It would all be superfluous here. This is the story of a great icon, her roots, and how the watershed experience of World War II changed her art.
It's far from the first documentary about Dietrich, but as far as I know, this is the first to tell her story from a specifically German point of view. It's how she viewed her homeland, especially during the long years abroad, that is the prism this film uses to look at the familiar material.
However, not all of the material is familiar -- there are a lot of home movies not seen before (the advantage of having your grandson as the film maker), and Dietrich's daughter (mother of the film maker) is by far the most revealing Talking Head.
Dietrich's anti- Nazi efforts during the Second World War, fuelled by her passion for French Freedom Fighter Jean Gabin as much as patriotism, form a central part of the narrative, along with her conflicting emotions over helping the Allied war effort while her mother was still in Berlin.
A new take on a well-known story, and well worth a visit
However, not all of the material is familiar -- there are a lot of home movies not seen before (the advantage of having your grandson as the film maker), and Dietrich's daughter (mother of the film maker) is by far the most revealing Talking Head.
Dietrich's anti- Nazi efforts during the Second World War, fuelled by her passion for French Freedom Fighter Jean Gabin as much as patriotism, form a central part of the narrative, along with her conflicting emotions over helping the Allied war effort while her mother was still in Berlin.
A new take on a well-known story, and well worth a visit
This moving film charts the life of an icon from birth to death. It is interspersed with a comments by her daughter, friends and colleagues, and gruelling documentary footage. After her success in The Blue Angel, Dietrich becomes an emancipated femme fatale, actress and singer. In the 1930s, she flees Berlin to join the German-Jewish exiles in America and protest against anti-Semitism and the Third Reich. Her fluctuating roles in movies are dependent on the political climate of the times. In the 1940s, she risks her life to entertain thousands of troops on the front-line and is devastated when she witnesses the Belsen atrocities. Sixteen years after the war, she returns to Berlin on a concert tour to an ambiguous reception: she is attacked by the press as a traitor and worshipped by fans. An ageing star in Israel, she wins an ovation for her poignant performance of Lili Marlene. I highly recommend this haunting film which is directed by the star's grandson.
This is the Movie I have waited for. Marlene Dietrich seems to be the equivalent of a greatest movie star in the female role. Something like Charlie Chaplin for the male audience. The 21st century should hardly be able to produce a star like her. No offence to Hollywood. Some of here lifetime stanzas are also shattering. I watched "Morocco" first time and was stunned - such a vivid movie and that in year 1930. Cary Cooper was also perfect, in fact, he shaped Marlene for her future performances. I don't agree with critique that she has bad movies. She is 100% quality. In her later life she show a little twitter in her relationship with Jean Gabin. The guy has a "workers" mentality and doesn't really deserve her. Anyway, women were never party to men and maybe she really believed they have a match. Still further she made appearances that I saw for first time in this footage. Was she really running somewhere that she so often fall? So, finally how is it possible no one to attend her funeral when she made so much for Hollywood. Thank You.
Documentary worth seeing from 2001, filmed by grandson J. David Riva (ACADEMY AWARD nomination in 1986 for THE COLOR PURPLE) about his grandmother Marlene Dietrich (1901-1992) and her involvement in American troop support during the Second World War.
In addition to interesting archive footage, there are contemporary witnesses such as GERMAN FILM AWARD winner Hildegard Knef (shortly before her death in February 2002), Rosemary Clooney (George Clooney's aunt), Burt Bacharach, ACADEMY AWARD winner Volker Schlöndorff (1980 for THE TIN DRUM) and Marlene's daughter Maria Riva (*1925) to speak.
It beautifully highlights what Marlene Dietrich (ACADEMY AWARD nomination in 1931 for MOROCCO) achieved during the years of the war and how close her connection to the veterans of the World War continued to be. Only Marlene Dietrich, who had consistently fought the National Socialist regime from the start, was able to be allowed to sing in German again in Israel with the permission of the audience.
It's great that this wonderful actress and singer from Berlin existed!
In addition to interesting archive footage, there are contemporary witnesses such as GERMAN FILM AWARD winner Hildegard Knef (shortly before her death in February 2002), Rosemary Clooney (George Clooney's aunt), Burt Bacharach, ACADEMY AWARD winner Volker Schlöndorff (1980 for THE TIN DRUM) and Marlene's daughter Maria Riva (*1925) to speak.
It beautifully highlights what Marlene Dietrich (ACADEMY AWARD nomination in 1931 for MOROCCO) achieved during the years of the war and how close her connection to the veterans of the World War continued to be. Only Marlene Dietrich, who had consistently fought the National Socialist regime from the start, was able to be allowed to sing in German again in Israel with the permission of the audience.
It's great that this wonderful actress and singer from Berlin existed!
Le saviez-vous
- ConnexionsFeatures Tragödie der Liebe (1923)
- Bandes originalesLili Marlene
Music by Norbert Schultze
Lyrics by Hans Leip
Performed by Marlene Dietrich
taken from the video "An Evening with Marlene"
Licensed courtesy of EMI Records Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Marlene Dietrich: Su propia canción
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 968 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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