The Man Who Sued God

The Man Who Sued God

Some might find The Man Who Sued God audacious, perhaps sacrilegious, certainly rebellious. Most will find it very funny.

Steve (Billy Connolly) sees his boat blown up by lightening and the insurance company won't pay up, citing the Act Of God defense against the claim.

Steve, a runaway lawyer, decides to sue God, and his/her representatives, the Churches for the money. It would seem that the Churches could well have to argue against the existence of God to defend the case.

Now no doubt there are good legal reasons why the above couldn't happen although it's usual that whenever theology gets bantered about the arguments never seem to make much real sense.

But in the hands of director Mark Joffe (Cosi, Spotswood), writers John Clark, a.k.a. Fred Dagg (The Gilles Report,) and Don Watson (The Gilles Report, Passion), as well as a terrific cast headed by the wild and wooly Billy Connolly we are given plenty of fun moments.

A lot of the humour is visual – a dog flung above a jetty, Judy Davis as Anna falling into the sea, Anna and Steve's first meeting in a restaurant. Then there's Connolly who has an nicely mad, every man, quality exuding from him that manages to grab humour out of even a hideously pierced foot.

Then there's the photography, the look of the film. There's an early storm scene which is a little disquieting as all really good storms should be and from then on we see cloud scenes that are entrancing.

Judy Davis lends her trademark intensity to her work in a film where nearly everyone seems to gel, even if Wendy Hughes as Jules seems forced in her performance. The ideas are lively if confused and there's a lovely surrealistic touch or two that gives this movie a depth far beyond comedy.

And if you crave a good belly laugh or two The Man Who Sued God delivers.

4 Lively Flys

I loved this film. This is meaningful if you share my criteria for enjoyable movies:

Mustn't shock me into nightmares. Must be well acted by engaging characters. Must touch the heart and keep me interested throughout. Must draw me fully into the "consideration" or thematic intention of the story, sparking my own pondering of life.

This film does all this and more. But most of all, it entertained me!

The story has a clever, but really believable premise... a quirky character (like me and my friends), finds himself blind-sided by an unpredictable series of events, and starts to question why and how this could have happened.

Rather than turn into emotional pulp, he rises to the occasion with humor, facing the unknown with growing intuition of how this "place" works... how mysterious and fluid life is... and what is required of a person to be a "man" (male or female).

But there is not an ounce of heaviness in this consideration of life and Reality. It's done with humor and surprises that keep me tickled throughout without dropping the thread of the deeper questioning.

I loved it, and have recommended it to all my friends.

Aside from it's flaws i did enjoy this movie a great deal, the story builds nicely and Billy Connolly holds together the plot despite the delicacy of the premise and the flaws in the script.

As a comedy it is well worth watching, it's crammed with subtle humour throughout; it's also enjoyable as a romance, again it's subtle, but it's steady and quite heartwarming, despite the clichés.

The story itself is very intriguing, it successfully provokes your thoughts and captures your imagination with interesting questions; but it fails to draw sufficient conclusion at the finale, and it did feel like a bit of a let down.

6/10 It's still worth watching.

I went to see this film following 3 favourable reviews on Urban Cinefile. Personally, I thought the film was pretty average. Its a courtroom drama that (in most cases) avoids the cliches of the genre. The editing seemed choppy to me; camera work was claustrophobic. It deals with religious issues well, and raises some questions about insurance industry practices. Billy connoly is great, as is judy davis (as always). nothing spectacular here though...

Everyone seems to be taking this movie waaaaaaay too seriously. Billy Connolly is terrific and the story is wonderful. A great feel good movie and except for the non-stop obscenities, would be a great family film. Terrific writing and great delivery. It's not meant to be an academy award winning drama...it's a comedy for heaven's sake. I never even knew who Billy Connolly was, and now I'm a fan. He's irreverent and incredibly funny, kind of like a Scottish George Carlin. People are complaining about the end, but even though it's a little hokey, it's still enjoyable. If you want to watch a movie with an unbelievably bad ending, watch Russel Crowe in 3:10 to Yuma. Now there's a bad ending.