Un ancien assassin se réveille d'un coma de quatre ans et décide de se venger de l'équipe de meurtriers qui l'a trahie.Un ancien assassin se réveille d'un coma de quatre ans et décide de se venger de l'équipe de meurtriers qui l'a trahie.Un ancien assassin se réveille d'un coma de quatre ans et décide de se venger de l'équipe de meurtriers qui l'a trahie.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 5 BAFTA Awards
- 30 victoires et 103 nominations au total
Shin'ichi Chiba
- Hattori Hanzo
- (as Sonny Chiba)
Chia-Hui Liu
- Johnny Mo
- (as Gordon Liu)
Kenji Ôba
- Bald Guy (Sushi Shop)
- (as Kenji Oba)
Résumé
Reviewers say 'Kill Bill' is acclaimed for its stylized action, dynamic fight scenes, and genre-blending approach. Tarantino's direction and Thurman's performance are praised, along with the eclectic soundtrack and vibrant visuals. However, some find the violence excessive and the narrative simplistic. The film is seen as bold and visually striking, though it divides opinions on artistic merit and storytelling.
Avis à la une
I did not realize it's been that long until I wrote the title for this review... time flies. But the good thing about it, is that Kill Bill doesn't feel dated. I guess that's the advantage of making an homage movie with elements that are purposefully reminiscent of old movies... the final result is pretty timeless. This is pure Tarantino having fun creating something straight from Wire Fu and Chambara movies I'm sure were part of his childhood. Other movies may have more impressive fight choreographies but to this day the Lucy Liu / Uma Thurman fight is one of the best executed: pacing, cinematography, music... just perfect. Highly recommended as a classic Tarantino that doesn't age.
It's a hefty price to pay, preparing for your wedding day, as your jilted lover Bill, arrives in time to maim and kill, left unconscious, comatose, muscles wasting, decompose, four years later you awaken, and you feel a little shaken, so you start to wiggle toes, then start looking for your foes, there are several scores to settle, you know how to use sharp metal.
The Bride starts to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
The Bride starts to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
This is movie is unusual, but it works for me. It kept me intrigued from the beginning with the plot which is not entirely clearly, but that made it more interesting for me. There's a lot of action in the movie which I found excellent and enjoyed a lot. It might not be realistic, but its a movie so it doesn't have to be. The plot is amazing and I can't wait to watch volume 2 soon because of how intriguing volume 1 was.
Le saviez-vous
- AnecdotesWhen Chiaki Kuriyama (Gogo) was shooting the scene where she flings her ball and chain out, she accidentally hit Quentin Tarantino on the head as he stood by the camera.
- GaffesWhen the Bride boards the airplane she has the samurai sword with her in the cabin. Obviously, this wouldn't happen in reality. This is a stylistic choice for this film. The couple sitting directly behind The Bride have a sword as well, and a third sword can be seen. In addition, all of O-Ren's outriders have swords prominently displayed on their bikes.
- Citations
Hattori Hanzo: Revenge is never a straight line. It's a forest, And like a forest it's easy to lose your way... To get lost... To forget where you came in.
- Crédits fousShin'ichi Chiba (Hattori Hanzo) is listed as the samurai sword advisor. He played a maker of samurai swords in the film.
- Versions alternativesMany changes were made to the movie to minimize the violent and adult content when it was broadcast on TBS. One of the most interesting: The "Pussy Wagon" was changed to a "Party Wagon".
- ConnexionsEdited from Le Grand Duel (1972)
- Bandes originalesBang Bang (My Baby Shot Me Down)
Music by Sonny Bono
Lyrics by Sonny Bono
Performed by Nancy Sinatra
Courtesy of Boots Enterprises, Inc.
By Arrangement with Celebrity Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Kill Bill Vol. 1: La venganza
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 70 099 045 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 200 000 $US
- 12 oct. 2003
- Montant brut mondial
- 180 908 413 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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