Sasquatch: La Créature de la forêt

This was the worst creature horror i have ever seen, the story is banal and far from thrilling, the acting apart from henriksen (who looks really p***ed off to be in this movie) is abysmal,

the worst thing about this movie is the directing:

The movie fades to black at almost every single opportunity was really anoying after a while.

The Plastic screen over the camera showing the monster's point of view is irritating rather than innovative.

Henriksen Fans should stick to watching re-runs of 'Millenium' rather than this utter crap.

Rating 0/10

Lance used to get quality support work from James Cameron. Heck, he even had his own tv show (Millenium) for a coupl'a seasons. Why is he doing this? Couldn't he find some better way to pay his bills?

I love a good low-budget movie. Some of them you can laugh at simply due to their ludicrous premise, their textbook stereotyped characters, or often times because the actors are related to the director/producers. But, this movie has no redeeming value. I didn't laugh. I didn't cry. I only had this sick feeling in my stomach. That feeling was quickly identified as pity. At one point, Lance Henriksen was an A-list support actor. He's been in Terminator (he was going to BE terminator before Arnold showed up), Aliens, AliensIII, classic B-movie Pumpkinhead, among so many others! I wanted to send him money after this. Maybe we should start a support Lance fund or something.

Then again, for making this thing...maybe not.

An airplane transporting some scientists and a prototype of a DNA machine, a powerful and revolutionary invent, fall in a jungle in Pacific. The insurance company sponsors a rescue expedition, commanded by Harlan Knowles (Lance Henriksen), the owner of a huge corporation, which owns the prototype, and father of one of the scientist. There, the group finds the rests of the plane five miles far from the expected location and the machine and the remains of the persons. Further, they realize that a Sasquatch, a kind of Big Foot, is chasing them. This movie is so ridiculous that I do not know what I am doing, spending my time again in this garbage. The direction is awful, the actors and the lines are horrible, copying parts of `The Predator' and even `The Blair Witch Project'. To summarize how bad this movie is, its best scene is when Marla Lawson, the character of Andrea Roth, is wounded, and the guide of the expedition says that she needs to have an injection of tetanus vaccine. Andrea undresses her jeans, and the guide says: 'Nice butts, but the shot needs to be in your arm'. Ridiculous! My vote is two.

Title (Brazil): `Sasquatch, O Abominável' (`Sasquatch, The Abominable')

Look, I'm not one who automatically looks down on low-budget genre movies. In fact, I watch them all the time. But there's little positive I can say about this movie. The cinematography is okay, the locations look nice, and... well, that's all for the positive.

Now the negative. Hoo boy. It mainly boils down to a terrible script and aggressively annoying directing. First, the script. To put it bluntly, almost NOTHING of real consequence happens up until near the end. Most of the movie just consists of the characters wandering around, sensing something is out there, and blurting out various theories. What's surprising is that even though there is a lot of nothing, often when there is some important explanation it it left unfinished (probably more due to the editing, which is unbelievably inept at times). Sometimes whole sequences are missing. In fact, these and other lapses suggest the shoot had problems and the production wasn't able to shoot everything that was planned.

And the directing... well, as others have said, there is the annoying fade-to-black that seems to happen every four minutes, the images being manipulated by unfocusing and other techniques that make you utter confused as to what's happening, badly chosen camera angles, no sense of tension, no feeling of struggle, etc. etc. I could go on, but you get the idea.

A number of people have claimed that no movie involving Sasquatch has been any good. While I can't claim to have seen every such movie, this movie certainly adds considerable fuel to the argument. If you want to see a low budget movie about people stranded in the wilderness who are attacked by hairy creatures, I strongly recommend you instead watch the vastly entertaining "Dog Soldiers".

A plane carrying employees of a large biotech firm--including the CEO's daughter--goes down in thick forest in the Pacific Northwest. When the search and rescue mission is called off, the CEO, Harlan Knowles (Lance Henriksen), puts together a small ragtag group to execute their own search and rescue mission. But just what is Knowles searching for and trying to rescue, and just what is following and watching them in the woods?

Oy, what a mess this film was! It was a shame, because for one, it stars Lance Henriksen, who is one of my favorite modern genre actors, and two, it could have easily been a decent film. It suffers from two major flaws, and they're probably both writer/director Jonas Quastel's fault--this film (which I'll be calling by its aka of Sasquatch) has just about the worst editing I've ever seen next to Alone in the Dark (2005), and Quastel's constant advice for the cast appears to have been, "Okay, let's try that again, but this time I want everyone to talk on top of each other, improvise non-sequiturs and generally try to be as annoying as possible".

The potential was there. Despite the rip-off aspects (any material related to the plane crash was obviously trying to crib The Blair Witch Project (1999) and any material related to the titular monster was cribbing Predator (1987)), Ed Wood-like exposition and ridiculous dialogue, the plot had promise and potential for subtler and far less saccharine subtexts. The monster costume, once we actually get to see it, was more than sufficient for my tastes. The mixture of character types trudging through the woods could have been great if Quastel and fellow writer Chris Lanning would have turned down the stereotype notch from 11 to at least 5 and spent more time exploring their relationships. The monster's "lair" had some nice production design, specifically the corpse decorations ala a more primitive Jeepers Creepers (2001). If it had been edited well, there were some scenes with decent dialogue that could have easily been effective.

But the most frightening thing about Sasquatch is the number of missteps made: For some reason, Quastel thinks it's a good idea to chop up dialogue scenes that occur within minutes of each other in real time so that instead we see a few lines of scene A, then a few lines of scene B, then back to A, back to B, and so on.

For some reason, he thinks it's a good idea to use frequently use black screens in between snippets of dialogue, whether we need the idea of an unspecified amount of time passing between irrelevant comments or whether the irrelevant comments seem to be occurring one after the other in time anyway.

For some reason, he doesn't care whether scenes were shot during the morning, afternoon, middle of the night, etc. He just cuts to them at random. For that matter, the scenes we're shown appear to be selected at random. Important events either never or barely appear, and we're stuck with far too many pointless scenes.

For some reason, he left a scene about cave art in the film when it either needs more exposition to justify getting there, or it needs to just be cut out, because it's not that important (the monster's intelligence and "humanity" could have easily been shown in another way).

For some reason, there is a whole character--Mary Mancini--left in the script even though she's superfluous.

For some reason we suddenly go to a extremely soft-core porno scene, even though the motif is never repeated again.

For some reason, characters keep calling Harlan Knowles "Mr. H", like they're stereotypes of Asian domestics.

For some reason, Quastel insists on using the "Blurry Cam" and "Distorto-Cam" for the monster attack scenes, even though the costume doesn't look that bad, and it would have been much more effective to put in some fog, a subtle filter, or anything else other than bad cinematography.

I could go on, but you get the idea.

I really wanted to like this film better than I did—I'm a Henriksen fan, I'm intrigued by the subject, I loved the setting, I love hiking and this is basically a hiking film on one level--but I just couldn't. Every time I thought it was "going to be better from this point until the end", Quastel made some other awful move. In the end, my score was a 3 out of 10.