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The Big Dog House

  • 1931
  • Approved
  • 17min
NOTE IMDb
5,4/10
232
MA NOTE
The Big Dog House (1931)
ComédieCourt-métrageFamille

Ajouter une intrigue dans votre langueThis MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fi... Tout lireThis MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fido for murder. Trixie is convinced that her man (er, dog rather) is innocent and works fev... Tout lireThis MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fido for murder. Trixie is convinced that her man (er, dog rather) is innocent and works feverishly to save him from the electric chair.

  • Réalisation
    • Zion Myers
    • Jules White
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    232
    MA NOTE
    • Réalisation
      • Zion Myers
      • Jules White
    • 7avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

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    Avis des utilisateurs7

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    3redryan64

    Just What the Doctor ordered! A 2 Reel Insomnia Cure!!

    SO THIS IS where Columbia's head of their Short Subjects Unit got his Directorial start, eh? Yeah,it's none other than Mr. Jules White who is credited (or is it rather, "exposed") as the Director of this entry into MGM's DOGVILLE Series. Given co-credit as co-Director is one Zion Myers; whose name is heretofore unknown to us. Mr. Meyers was, no doubt, the guy who controlled the four-legged thespians and was responsible for training and "acting". In short, he must have been the Dog Trainer on the set.

    THE TITLE OF this comedy short is no doubt a play on the MGM feature of the same year, THE BIG HOUSE; which starred Chester Morris, Wallace Beery, Robert Montgomery and a stellar cast in support. We must plead ignorance in regards to this title; not having seen it up to this point. (Sorry,Schultz!) But there are many of the doggie gags that relate to what we've read about the movie*; not to mention some particular character specific gags. For example, we observed a canine convict who st-st-stuttered and deduced,correctly, that the bow-wow actor was mimicking character comedian, Roscoe Ates. We later cross-checked with the cast of THE BIG HOUSE and presto, his name is there! (Brilliant deduction, one fit for Holmes & Watson!)

    THE PRACTICE OF lampooning popular features was already a tried and true practice in the realm of the comedy short. It was one that seemed to draw no objections from the producers and copyright owners of the major films; but rather quite contrarily received heaps of tassive approval. After all, imitation is said to be the sincerest form of flattery; besides, any producer would welcome even some seemingly irreverent parodying.** AS FOR THE movie, itself, we found it to be interesting in a sort of perverse manner. Seeing so many of "Man's Best Friends" being so artificially animated into one, long and boring sort of anthropomorphic gag seemed very tiring to we, who make up the audience. I mean just how many pooches were made to bark, needlessly, in order to achieve the illusion of 'talking'?

    WHEN IT COMES to pets, or "Animal Companions" as the Politically Correct crowd prefers, we are quite eclectic; favoring not only dogs; but also cats, hamsters and parakeets. We don't enjoy seeing any animal exploited in such a non-funny,extended play format.

    AS INCREDIBLE AS it may seem, the step that Mr. Jules White made from MGM's Shorts to heading up Columbia's 2 Reeler production would seem to have been not only a $tep up in the area of finance$; but al$o in the Arti$tic Content. We never thought that being Producer-Director for the likes of such luminaries as the 3 Stooges, Andy Clyde and Hugh Herbert, as well as some who certainly had seen better days, such as Charley Chase, Buster Keaton and Harry Langdon; would be a step up cinematically.

    IN CASE WE haven't made our point yet; we're officially panning this one. So, view it at your own risk. We warned you!

    NOTE * We read excellent accounts of both THE BIG HOUSE and the Laurel & Hardy send-up, PARDON US (Hal Roach/MGM, 1931) in both MR. LAUREL & MR. HARDY by John McCabe (1962) and THE FILMS OF LAUREL & HARDY by William K. Everson (1967). Both books have our most enthusiastic endorsement.

    NOTE ** The Prison Picture became a Genre of its own; all owing a debt to THE BIG HOUSE. In PARDON US, Laurel & Hardy, Hal Roach and its Director did a first class spoof,the first of many; for a Prison comedy became a required theme for so many a screen funny man to come.
    5Doylenf

    Another "Dogville" short that humanizes dogs wearing costumes...

    Some may find these shorts hilarious, but after the first few minutes it's clear that the dogs are being manipulated to assume the poses of animals talking to each other like humans, walking around on their hind legs and wearing costumes appropriate for the "characters" they're supposed to be playing. It's funny and amusing but hardly what I would call hilarious. The word "stilted" is more like it--because it's all so obviously staged that the dogs seem more like puppets being led about by invisible strings.

    Having said that, if FRANCIS, THE TALKING MULE is your style of entertainment, you may fall over laughing at this nonsense.

    The dogs say grace at the table, fix a flat tire, go wild at a department store remnant sale, model clothes, cope with a crooked boss, and our hero and his girlfriend are separated when the boss pins a crime on the boy dog so that he can win the affection of the girl.

    After spending some time at the penitentiary, where some dogs are seen doing hard labor in jail clothes, the girl dog comes to the rescue and gets her boyfriend saved in time to avoid going to the chair for his crime.

    Says one dog to another when sampling jail food: "It ain't fit for a dog!" Hilarius? It depends.
    10MovieMarauder

    This is Hilarious!!!

    One of nine rare "Dogville" comedies, this hysterical short features a cast entirely made up of dogs! This concept may seem overdone now, but it was brand-new when this was first done in 1930. And the way it's executed is uproariously funny. The dogs are dressed up, and manipulated with fishing lines. It looks so campy and ridiculous, you'll laugh at loud for hours! Sometimes you'll even see these dogs smoking pipes, wearing hats, and drawing guns. This short and the other 8 are extremely rare (although I was lucky enough to tape them during a "shorts" festival), and if you can see one, do it. You'll love 'em!
    2wes-connors

    Death Row Dog

    Another in MGM's "A Dogville Comedy" series, which featured dogs looking uncomfortable in human clothing. Hopefully, the "crying" puppy being diapered didn't get stuck with too many safety pins. The plot concerns a fair-haired pooch named "Trixie" who draws a marriage proposal from handsome co-worker "Fido". But, their boss at the "Dogville Dept. Store" also desires "Trixie". So, to get rid of "Fido", the dastardly "Mr. Barker" frames him for murder. While "Trixie" weeps, "Fido" is sent to the "Dogville Penitentiary" where he awaits execution in the electric chair… "The Big Dog House" was patterned after the studio's prison hit "The Big House" (1930), with the ending chase resembling the "modern" portion of "Intolerance" (1916).

    ** The Big Dog House (1930) MGM : Jules White, Zion Myers
    Michael_Elliott

    Dogville

    Big Dog House, The (1930)

    ** (out of 4)

    One of nine "Dogville" shorts from MGM with this one spoofing their prison drama The Big House. A department store working gets accused of murder and is sent to prison even though in truth it was his boss who did the killing. In case you don't know, these Dogville shorts were basically spoofs of various MGM films with the only catch being that dogs act everything out. This movie really isn't funny but I found it interesting as to what must have happened in order to get the dogs to act all of this stuff out. It's very clear that there's a ton of editing being done in each scene just to pull off the talking or walking but at other times, like when a dog changes another dog's diaper, you can see their hands moving and I'm going to guess strings or something was attached to them. Either way, the movie isn't a total success but it's certainly not bad but I'm sure kids would get more of a kick out of it today.

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    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Benedict Cumberbatch in La merveilleuse histoire d'Henry Sugar (2023)
    Court-métrage
    Drew Barrymore and Pat Welsh in E.T., l'extra-terrestre (1982)
    Famille

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This series was controversial even at the time due to the methods used to get the dogs to pose and "talk". In the UK, the "Performing and Captive Animals Defense League" printed a circular in 1931 detailing the alleged abuse these animals endured. They were successful in having the British film censors ban these films due to animal cruelty.
    • Citations

      [first lines]

      Mother: Oh, Trixie! Trixie - breakfast is ready!

    • Connexions
      Followed by Love-Tails of Morocco (1931)
    • Bandes originales
      The Prisoner's Song
      (uncredited)

      Written by Guy Massey

      Played during the opening credits

      Sung by a dog inmate while playing the ukulele

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    Détails

    Modifier
    • Date de sortie
      • 14 mars 1931 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 17min
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.20 : 1

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