Somalie, 160 soldats d'élite américains descendent en parachute afin de capturer deux lieutenants d'un chef militaire tourne veste, et se retrouvent dans une bataille désespérée avec une for... Tout lireSomalie, 160 soldats d'élite américains descendent en parachute afin de capturer deux lieutenants d'un chef militaire tourne veste, et se retrouvent dans une bataille désespérée avec une force importante de Somaliens lourdement armés.Somalie, 160 soldats d'élite américains descendent en parachute afin de capturer deux lieutenants d'un chef militaire tourne veste, et se retrouvent dans une bataille désespérée avec une force importante de Somaliens lourdement armés.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 11 victoires et 37 nominations au total
Résumé
Avis à la une
And you'd better believe there will be subsequent viewings, because Ridley Scott has created one of cinema's all-time great pieces of eye candy here. The editing, cinematography, grading, scoring and visual effects all combine to leave a viewer just as drained upon leaving the theatre as these soldiers were on leaving Mogadishu. The intensity of this film's combat is easily equal to Saving Private Ryan, and leaves such pretenders as We Were Soldiers behind in the dust. Black Hawk Down lacks the former's emotional resonance, but unlike the latter, it thrives on the fact, creating a final product as mind-challenging in its construction as it is mind-blowing its visualization.
I did enjoy the movie and have to take issue with some of the comments raised . First of all people complain about events and incidents being changed , I know how you feel but with any adaptation there`s bound to be bits condensed , the only real criticisms that can justified is that this film version totally negates the Somali point of view ( For those of you who haven`t read the book Mark Bowden writes his account in a similar subjective manner Corneilus Ryan wrote his trilogy - two of which THE LONGEST DAY and A BRIDGE TOO FAR were made into blockbuster movies - dealing with the last months of the war in Europe ) but Bowden`s book is an account of the battle of Mogadishu , that`s what it is - An account that doesn`t really concern itself with wider issues like politics or anti-war sentiment , so it seems churlish to complain about concepts like character development because that`s not what the story is about . I`ve also heard teenage girls complain that Orlando Bloom doesn`t get enough screen time and that they found it too violent . I`m sorry to hear that girls , hopefully next time you go to the cinema you might like to find out what you`re letting yourself in for . As for the rest of the screenplay it is accurate right down to the friction between the Deltas and the Rangers and the fact the Americans were actually rescued by a UN force composed of Malaysians and Pakistanis
Ridley Scott rightly deserved an Oscar nomination with BHD . It`s his movie and he surpasses anything Spielberg achieved with the overrated SAVING PRIVATE RYAN . War is hell and this is a film of stark and haunting imagery of victims of famine , of mutilated soldiers and civilians . Both editing and cinematography are superb with many great scenes like the small stream of American soldiers walking up the street while on the other side of the houses a massive torrent of armed militiamen are walking in the same direction . My only real complaints of what`s on screen is Ewan McGregor`s awful American accent ( It`s especially so when you stop to consider that most of the cast aren`t played by American actors )and Hans Zimmer score resembles that of most of his other movies , but I shouldn`t nitpick because I found this Scott`s best film alongside GLADIATOR
Everything from the way the soldiers moved, took their position, fired from covered positions, gave covering fire to each other, the use of Explosives including grenade and the way they captured strategic places even without much help from Air Force gave a true and absolutely realistic view of Real Time Urban Combat. It shows that Humvees are not impenetrable and the Soldier manning the machine gun post is extremely vulnerable from Roof Top Fire. Again the way Small Arms like the LMG & UMG were used were impressive and the tactics used by Special Forces to fend off attackers and secure the perimeter was true to all my knowledge.
I appreciate the Director and actors to carry out this War Movie with such accuracy. If you are a Defence Enthusist this movie is must watch and if not then too one must watch it to understand is WAR is nothing less then HELL.
Since this based on true incident let's pay respect to those who sacrificed their lives and salute those who have lived another day to fight.
Le saviez-vous
- AnecdotesSome of the radio chatter in the film was taken from actual radio transmissions made during the battle.
- GaffesWhen a Ranger throws out a frag grenade, Sgt. Eversman warns his men by yelling "Grenade!" Proper designation would be to yell "Frag out!" as yelling "Grenade!" warns the men of an incoming grenade, not an outgoing one.
- Citations
"Hoot": When I go home people'll ask me, "Hey Hoot, why do you do it man? What, you some kinda war junkie?" You know what I'll say? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you, and that's it. That's all it is.
- Crédits fousThe film begins with the words "Based on an Actual Event", followed by the quote from Plato, which leads into the informative prologue with the scenes set in Somalia, East Africa, 1992. The prologue ends with the opening title.
- Versions alternativesA longer version of the scene where Sanderson inspects Grime's foot was filmed, but cut. Sanderson finds a piece of shrapnel lodged in Grime's foot, but he didn't feel it cause it cauterized on impact.
- ConnexionsEdited into G.I. Joe : Le Réveil du Cobra (2009)
- Bandes originalesTall King Dub
Written by Raz Mesinai
Performed by Badawi
Courtesy of Reachout International Records, Inc. (R.O.I.R.)
By arrangement with Ocean Park Music Group
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La caída del halcón negro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 92 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 108 638 745 $US
- Week-end de sortie aux États-Unis et au Canada
- 179 823 $US
- 30 déc. 2001
- Montant brut mondial
- 172 989 651 $US
- Durée
- 2h 24min(144 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1