Un attaché de presse s'occupe de la rupture publique compliquée des co-stars de son film tout en gardant les journalistes à distance tandis qu'un réalisateur reclus garde en otage la bobine ... Tout lireUn attaché de presse s'occupe de la rupture publique compliquée des co-stars de son film tout en gardant les journalistes à distance tandis qu'un réalisateur reclus garde en otage la bobine du film.Un attaché de presse s'occupe de la rupture publique compliquée des co-stars de son film tout en gardant les journalistes à distance tandis qu'un réalisateur reclus garde en otage la bobine du film.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Adinah
- (as Maria Canals)
Avis à la une
John Cusack as Eddie Thomas and Catherine Zeta-Jones Gwen Harrison are the power couple, generally referred to as "America's Sweethearts." The movie begins with a series of short clips from some of their popular movies where their characters are also lovers.
Their latest movie is set for release soon but there is a problem. Eddie and Gwen have split up. While still married she has gone off to live with a hot Latin lover. Eddie has not been able to get over the loss. Now the publicist and fixer (Billy Crystal) has to convince both of them to attend the press junket for the movie's release.
The other key role is Julia Roberts as Gwen's sister, Kiki Harrison. It seems Kiki has sacrificed her whole existence to help, and cater to, her famous sister who is very demanding and treats Kiki as a servant. That has to come to an end and it does in a most satisfying way.
As he does in most of his roles Christopher Walken is the scene stealer as a temperamental filmmaker. His role is rather short but in total might be the most important one, as the final catalyst for change.
My wife and I enjoyed it at home on DVD.
Stanley Tucci takes on a small but very effective role as Dave Kingman, the short tempered studio executive, furious with Christopher Walken's much more entertaining Hal Weidmann, the introverted filmmaker who sent Kingman the first print of his film (after charging $86 million of the studio's money), which consisted of nothing but titles and the hilarious message, `We could also do these in blue.' Kingman throws a predictable but very funny tantrum. We spend the rest of the film wondering why Weidmann is so cocky toward Kingman and so close-mouthed about the film, but we are rewarded in the final act.
Julia Roberts comes back in an ironic role when compared to her recent (and far superior) role in Notting Hill, in which she was America's Sweetheart who had fallen in love with a regular guy. Here, she is the constantly unnoticed sister of Gwen Harrison, her big movie star sister. Both women are perfectly cast as the famous movie star and the famous movie star's sister, but this is more a testament to their abilities as actors than it is to the ingenuity of the casting director. The acting was just excellent. Hank Azaria plays the part of Hector (`This is bull-chit!'), the over-the-top Spanish guy with the hilarious lisp that Gwen has been seeing ever since her rough break up with Eddie. Hector is an amusing character, but it is obvious from the first scene where we see him (in which he insists that he and Gwen will `go to the hunket' together.') that he is an expendable character. He's funny, but he still badly mangled the Spanish accent as well as the lisp, coming off as amusing but impossible to take seriously.
The entire romantic subplot of the film was predictable from the very beginning, if only because it was given away in its entirety in the theatrical trailer. If you have ever heard of this movie before watching it, then you've already seen the emotional scene where Kiki (Roberts) tells Eddie that that woman that he saw standing by the spa that he had to spend the rest of his life with was her, and not her sister Gwen. From that perspective, America's Sweethearts is one of those movies where if you've seen the preview, you've seen the movie (take Pleasantville as another example).
Christopher Walken provides an excellent source of comic relief as well as one of the only really interesting characters in the film. He is the nutty filmmaker (indeed, the best films almost unwaveringly come from the people who are a little off') who edits his films in the Unabomber's cabin, which he had moved onto his property, and who indeed created a truly memorable film, of which we unfortunately are only able to see a small portion. `The Blair Bitch Project,' as the press later calls it, is a kind of film that would be really interesting. The tabloids would have a field day.
There are a lot of sight gags and low brow humor in America's Sweethearts, and it is reported to bear a striking resemblance to Singin' In The Rain (although remains far inferior to that classic musical comedy), but it manages to keep the audience entertained if not hanging on every word. True film fanatics are sure to pick it apart for nearly feeding off of classic films and for following such a clear-cut formula, but there is definitely something to be enjoyed here.
Well the movie was good, it wasn't great. Yes most people will watch it because of the cast and not like it. Christopher Walken steals the show as always in the beginning and end, with short scenes. There are some really funny scenes, but thats about it. The plot of the movie is okay nothing excitint.
I give it 6 out of 10 stars. I would at least give it a chance if your fan of any of the actors in this film, or if you like that type of genre.
3/5 stars -
John Ulmer
"America's Sweethearts" begins with the fast-paced-hilarious, satirical approach which had me choking in laughter. The opening is reminiscent of the classic "Hollywood Shuffle" with its merciless mockery of the film industry. But it quickly simmers down to a more laid-back, easygoing romcom with a storyline. Periodically it hits us with some of the former hilarity but only in spurts.
John Cusack delivers a great performance as the borderline psychotic yet lovable jilted lover. Catherine Zeta-Jones is his counterpart, perhaps not as mental but every bit as memorable. Billy Crystal plays his usual wisecracking self, no need to describe that any further. Julia Roberts is the voice of reason, or the "straight man" role.
What ensues is somewhat predictable but packs enough surprises to keep you awake. Hank Azaria's portrayal of a Spanish gigolo is hilarious (if not slightly offensive to Spanish gigolos?) and that definitely keeps the momentum going. And then Christopher Walken makes a brief appearance or two, bringing down the house.
This is a fun movie for everyone, but in particular, entertainment industry folks and film geeks will get a real kick out of certain parts. Like "Hollywood Shuffle" or the more recent lashing of Hollywood "For Your Consideration", there are some funny inside jokes for movie buffs. But don't worry, if you watch it as a straightforward romcom it still delivers.
Le saviez-vous
- AnecdotesBilly Crystal had written the part of Eddie for himself years ago, but Joe Roth persuaded Crystal to take on the role of Lee the publicist, as he felt Crystal was too old to play the part by then.
- GaffesThe windows of Eddie's limo are darkly tinted while driving to the hotel. After he arrives and is looking at Gwen the window is no longer tinted.
- Citations
Kiki: [imitating Gwen] "Oh, Kiki, my butter has touched another food. I need new butter." "Anything you want, honey." That's the way it goes, Lee. Right? You're a publicist, you know. Anything they want, right? She's got a green dress. Looks like crap on her. Brings out the circles under her eyes, she knows it, I know it. She gave it to me. It actually looks pretty nice on me. Then she said, well, maybe she wanted it back, you know? She doesn't want it, she just doesn't want me to have it. That's the truth.
- Versions alternativesThe first cut of the film was rated R by the MPAA. The studio removed some of the language and sexual innuendos to get their desired PG-13 rating.
- Bandes originalesSome Hearts
Written by Diane Warren
Produced by Trevor Horn
Performed by Kelly LeVeque (as Kelly LeVesque)
Courtesy of Reprise Records
Meilleurs choix
- How long is America's Sweethearts?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La pareja del año
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 46 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 607 673 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 181 877 $US
- 22 juil. 2001
- Montant brut mondial
- 138 307 673 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1