La maison sur l'océan

I am a college professor and teach a variety of psychology classes, general, adolescent, child, human relations, etc. I have shown this movie to every class and it never fails to grab everyone's attention. Every time I see it I find something else to admire...usually a line I've missed previously. It took about 10 times for me to pick up on "Thinking of jumping? No, pushing." Granted, I'm slow. It is a film that every parent and child should see, together. The acting is meticulous. Hayden Christensen is so good as a troubled teen that I hated him as Darth Vader. He will always be Sam. If you aren't crying or fighting back the tears than you obviously were born without a heart. Oh yes, I'm a father.

Yes... my title says it all. this is my favourite movie and i'm not ashamed to say it. This movie is placed together very well, it not only explores a broken family, but a broken person fixed by the love of his dyin father. i watch this movie probably at least 3 times a month and it never ceases to make me cry. it's not so much the fact that the plot is emotional, but these actors make it seem so real, and although i know it's their job to do that, i think they have extremely well. I am, understandably an emotional person who has felt the loss of a parent at a young age, and i guess it's that in the movie which hits close to home. I would personally recommend this to anyone who wants a movie bout broken families, and reunited love. a tearjerker to those who feel the plot and brokenness of a boy and his journey.

As predictable as this film is, it moved me in many ways. I am a single father, 58 years old, whose life largely revolves around a wonderful twelve year old boy. He'd better not go down the road of Kevin Kline's teenage kid or I'll kill him! (just kidding-don't call Child Protective Services just yet).

California Cinematic Dreamin' aside, the people here are real. Their vulnerabilities are in the open and they deal with each other as best they can. Kline's son is confused about more than his sexuality, far more. His first girlfriend accepts him and, more importantly, her own sexuality, with a maturity in no way undermined by a delightfully playful demeanor.

As in similar films, the viewer has to suspend reality when the doomed character accepts his fate with no mention of palliative, much less curative, medical intervention. His condition is never fully described but a quick, distant shot of murmuring doctors examining x-rays (x-rays? No MRIs, CAT scans or PET scans in a CA hospital?) brings home that the architectural model builder has hit a brick wall.

The cast is first-rate - everyone plays his/her role convincingly.

The message of the film is, of course, the enduring need for community. And this celluloid community is moving and loving. A truly fine film. (Yep, I cried into my popcorn.)

I weeped like a child. Not at the end like everyone else, my manliness was able to get it all out a little before. I'd say this is a good movie, but it's all been done before. There was one slutty character that didn't make any sense, which I found distracting. The partial focus on the adolescents was a nice change for tear-jerkers. Guys can relax- let your girlfriends/wives take you to Life as a House- you'll get points and you'll enjoy it, too.

Excellent and realistic humor to boot.

Though Kline and Scott-Thomas are the leads and show their chops that made them stars, Christensen shines so brilliantly that his talent is breath-taking. Each role is so well-portrayed that you're completely comfortable understanding the plot. The movie is challenging, thought-provoking, and intensely human, well-worth the attention of men who may presume that it's a chick flick. The action and adventure is in the challenge to deal with the plot. It's gut-honest, everyday life, involving situations we all deal with: intent, marital disharmony, second-guessing decisions we made, seeing the light, and desperate substitutes we use to deflect pain.